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Saint Michael the Archangel, pray for us.
Mostra parametri
- Immissione richiesta originale
- black hair, dark eyes, muscular man, masculine man, serious, looking at viewer, cross colar, medium hair, (((old man))), beard, messy hair, mid-age man, full beard, (((Solo))), (((Solo))), (((Solo))), giant wings, wings, angel wings, (((japanese armor))), golden armor, holding katana, golden, (((japanese armor, samurai armor, cross print, catholic, catholic print, crucifix colar)), blue clothes, ((Golden Halo)), ((Catholic Halo)), blue clothes, white armor, standing straight, standing, flying, 4ndaerz_illu,Shiguretau, ((nihonga, japanese aesthetic, detailed ink work, brushworks, brush strokes, flowing lines, analog painting)), vivid color, high contrast, highly detailed and intricate patterns dress and background, precise lines, color gradients,ma1ma1helmes_b_illu,sketch
- Dimensione
- 1024 x 512
- Passaggi di campionamento
- 20
- Metodo di campionamento
- Euler a
- Scala CFG
- 6
- Negativo
- lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
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太陽と魔王様
なおちゃ
な
太陽とイカロス
なおちゃ
copyright: kimetsu_no_yaiba
1boy, solo, archangel, handsome 16-year-old boy, long white hair with gray streaks, hair past the shoulders, triangular white irises, dark green and pink eyes, heterochromia blend, serious expression, cold expression, narrow eyes, lowered brow, closed mouth, gray angel wings, feathered wings, cloud gray chest armor, articulated abdominal plates, gold-edged armor borders, layered segmented shoulder pauldrons, samurai-style pauldrons, golden pauldron edges, silver metallic bracers, forearm bracers, dark gray cape, cape attached to torso, light synthetic fur collar, pale plush collar, heavy western armor, samurai armor fusion, katana at waist, white fire, lightning, golden energy, glowing katana, from below, low angle, cowboy shot, standing, looking down at viewer, dutch angle, sharp linework, high contrast, dramatic rim light, dark background, particles
The camera sits low and slightly off-axis, tilted a few degrees into a dutch angle, looking up at the archangel from hip height so his full armored torso, both pauldrons and the crown of his head all read inside a cowboy-shot frame cut at mid-thigh. He stands square-shouldered but with his weight loaded onto his right leg, the left knee slightly bent and the left foot turned out, hips cocked a few degrees as his right hand rests on the katana's hilt where it sits at his left waist, thumb hooked over the guard, while the left arm hangs loose with the fingers barely curled. His chin is tipped forward and his gaze comes down along the blade-line of his nose straight at the viewer, flat and appraising, both eyes half-lidded, neither brow raised, mouth a level closed line that gives nothing away.
The armor is read in full: the cloud gray chest plate sits over him with a soft blue-gray, matte finish, and below the breastplate the abdomen is broken into articulated horizontal plates that overlap like a descending scale, each plate lipped with a thin gold border so the gold traces the frame of his musculature in parallel ribs down to the belt. On both shoulders the segmented samurai pauldrons stack in layered curved lames, each lower layer stepping out past the one above it and every edge catching a gold rim, the top plate catching the light hardest. Silver metallic bracers sheath both forearms from elbow to wrist, scratched and cool-toned, distinct from the warmer gray of the cuirass. The dark gray cape drops from clasps at the shoulders and hangs behind him, and where it meets his neck a light synthetic fur collar, pale cream against the darker cloth, breaks into soft filaments that stir in a faint air movement, a few strands blown across the collar's edge.
Behind him the gray angel wings open at three-quarter spread, the left one rising above his shoulder into the upper corner of the frame, the right one sweeping down low behind the cape; the primaries are the color of slate with paler coverts at the root, and the wing feathers nearest the light show a faint translucent fringe where the barbs separate. Where the katana hangs at his waist the scabbard is sheathed but the mouth of it leaks a white flame that runs hot along the length of the blade, thin filaments of lightning crawling out along the scabbard in branching threads, and a golden energy haze bleeds upward through the air around it, so the underside of his jaw, the inner edges of the bracers and the lower plates of the cuirass are all lit from below by that gold.
The key light is a hard cold source from high camera-left behind him, rimming the silver bracers and the gold pauldron edges in a bright edge while leaving his face in a controlled half-shadow broken only by the gold katana glow climbing his chest from below. The background is a deep near-black void with a faint gradient and drifting motes of white-gold ember, no architecture, no horizon, so his silhouette holds against nothing. Palette locked to cloud gray, silver, dark charcoal cape, warm gold trim, the white-hot flame and the pale fur collar, with the only other color in his eyes. Sharp anime linework, cel-shaded planes, crisp metallic highlights, clean shadow shapes. Cold, imposing.
Manuel Antonio Bastardo
黒き翼の剣士
あぬ
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Tofu
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