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まっかなシルク

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まっかなシルク

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1girl, masterpiece, best quality, nsfw, sitting on light blue balance ball, golden liquid splashing, full nude:1.3, six_heads:1.3, absurd, highly detailed beautiful face, perfect female proportions, curves, beautiful detailed eyes, (additional details), <lora:add_detail:0.79>, <lora:GoodHands:0.78>, half body covered in golden liquid, half face covered in golden liquid, half hair covered in golden liquid, excessive gold wax liquid, bukkake, pouring gold wax liquid onto another:1.3, gold wax liquid on body, golden wax figure, golden wax skin, face painted with golden wax, golden wax hair, wet hair with golden wax, body painted with golden wax, wet body with golden wax, gold theme, dripping golden liquid, pouring over self, displeased expression, wide-eyed, constricted pupils, open mouth, trying to block golden wax liquid with both hands, surprised arms, outstretched hand, huge light blue balance ball:5, golden wax liquid on balance ball, dutch angle, background is underground photo studio:1.3, dim lighting, <lora:LCMTurboMix2fix:1>, big hopper ball, big space hopper, big bouncy ball, big jumping ball, ride big hopper ball, ride big space hopper, big inflatable ball, big handles yoga ball, handle between legs, sitting on big ball, wide handle, legs apart, thick line art, soft tone, cell shading, pastel color, anime style, flat color, high resolution, clean outline, cute style, mayuri hanyu, long hair, black hair, hair between eyes, brown eyes, semi-rimless eyewear
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Immissione richiesta originale
女性1人が水色のバランスボールに跨っている時に金の液体をぶっかける。 フレームの外から金の液体を女性にぶっかける。 女性1人、全裸:1.3、(nsfw)、six_heads:1.3、 ((傑作:1.2))、((最高品質:1.2))、((被写界深度:1.4))、((完璧な解剖学的構造:1.4))、((完璧な美的感覚:1.4))、((4k、8k、Ultra HD))、((最高品質:1.2))、Structurally unnatural body,:1.3、不条理、 非常に詳細な美しい顔の少女、完璧な女性の比率、曲線美、美しい詳細な目、 (詳細を追加)、<lora:add_detail:0.79>、<lora:GoodHands:0.78>、　 ((全身の半分に金の液体が付着、顔の半分に金の液体が付着、髪の半分にす金の液体が付着、excessive gold wax liquid、bukkake、pouring gold wax liquid onto another:1.3、gold wax liquid on body))、 [[金の蝋人形、金の蝋の肌、金の蝋で塗られた顔、金色の蝋の髪、金色の蝋で濡れた髪、金の蝋で塗られた身体、金色の蝋で濡れた身体、金テーマ、滴る金の液体、pouring over self]]、 嫌がる表情、wide-eyed、constricted pupils、口を開ける、 金の蝋の液体を両手で防ぐ、surprised arms、両手で防ぐ、outstretched hand、 ((巨大な水色のバランスボール1:5、金の蝋の液体がバランスボールに付着))、 dutch angle、 (背景は地下撮影スタジオ:1.3、薄暗い照明)、<lora:LCMTurboMix2fix:1>, ,big hopper ball, big space hopper, big bouncy ball, big jumping ball, ride big hopper ball, ride big space hopper, big inflatable ball, big handles yoga ball, handle between legs, sitting on big ball, wide handle, legs apart, ,thick line art, soft tone, cell shading, pastel color, anime style, flat color, high resolution, clean outline, cute style., ,mayuri hanyu, long hair, black hair, hair between eyes, brown eyes, semi-rimless eyewear,
Dimensione
768 x 1280
Passaggi di campionamento
20
Metodo di campionamento
Euler a
Scala CFG
7
Negativo
Apply the gold wax yourself,Grab the handle、Strange compositions based on human anatomy, bodies that ignore human anatomy,Melted bodies, disintegrated bodies,Extraneous people, multipul angle,coffee cup, coffee mug,sex,penis ,((red wax,red candle)),blush, censored,(malformed limbs:1.2),(extra limb:1.2),, censored,worst quality, old, early, low quality, lowres, signature, username, logo, bad hands, mutated hands, mammal, anthro, furry, ambiguous form, feral, semi-anthro,
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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