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AI artwork featuring #Trainer di Wii Fit
Genera gratis

Trainer di Wii Fit

#Trainer di Wii Fit

user-1805582457159218477

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Commenti

, ((one picture of the same lady, Korean lady, black tank top, black yoga pants, yoga room background, squatting pose, wide ass shape, perfect ass shape, thick thighs, seductive smile, ) (yoga room background, day time, yoga mats, two arms )) , one picture of a woman with big boobs and (fat butts in yoga pants), 1girl, ass, big ass, perfect shape ass, black hair, breasts, , pants, shiny, wearing socjs, large breasts, standing, black nails, looking back, jewelry, lips
Mostra parametri
Dimensione
512 x 768
Passaggi di campionamento
20
Metodo di campionamento
DPM++ 2M Karras
Scala CFG
6
Negativo
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t

Modello e LoRA utilizzati

Vixon's Fantasy Mix - AI Model cover image

SD

Vixon's Fantasy Mix
34
Shiny Oiled Skin - AI Model cover image

LoRA utente

Shiny Oiled Skin
78

Immagini simili

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AI artwork
Avatar image of 黒
solo, 1girl, young girl, black hair, bob cut, short hair, inward-curving hair ends, straight-cut bangs, seen from behind, from behind, ultra-low-angle shot from the floor, from below, extreme foreshortening, crouching, full squat, leggings, black leggings, opaque leggings, fitted t-shirt, short sleeves, bare feet, looking down, head turned slightly to the side, profile of cheek visible, no accessories, hair completely unadorned, bare ears, empty earlobes, empty floor, wall-to-floor corner, hard concrete floor, low-key interior light The camera sits flat on the floor, lens almost touching the concrete, tilted steeply upward, so the girl's crouched body towers over the frame: the soles of her bare feet fill the bottom foreground, huge and nearest the lens, toes curled and gripping the ground for balance, the balls of both feet pressed firmly down, heels lifted just off the concrete. Above them the matte black opaque leggings rise in a long taut stretch of fabric over her calves and thighs, catching a faint sheen along the shin bone and darkening in the crease behind each knee where the cloth folds and compresses against itself. She is in a deep full squat, knees bent sharply and splayed slightly outward, hips lowered almost to her heels, weight settled back over her feet, her torso folded forward and down so her back rounds toward the camera as a broad dark shape. The fitted charcoal grey short-sleeved t-shirt pulls tight across her rounded back, riding up a little at the hem where it meets the waistband of the leggings, the thin cotton showing the ridge of her spine and the shift of her shoulder blades. Her arms hang forward and down out of sight beyond her knees, only the elbows visible as small grey points tucked in at her sides. Her black bob sits at the very top of the frame, its straight-cut bangs hidden beyond the crown from this angle, and what the camera sees is the back of the head: the dense black hair swinging forward and down as she tips her head, the inward-curving ends flicking in toward the nape of her neck and closing on the skin there in a clean curved line, a few fine strands lifted away by the air. The back of her head is turned away; only a sliver of her cheek and the corner of one eye are caught at the right edge of the silhouette as she glances down and slightly aside, lashes lowered, a soft closed-mouth calm on the little that shows of her face, no smile aimed at the lens. Her hair and the loose hem of the shirt hang toward the floor under gravity even as her body rises over the camera, the only movement in the still air. The setting is a bare interior corner: a scuffed hard concrete floor filling the bottom of the frame with faint dust and a hairline crack running diagonally toward her toes, a plain pale grey wall rising behind her, nothing else in the room. A single low light source sits somewhere behind and above her, off to the left, so the top of her black hair and the upper curve of her back catch a narrow rim of cool light while the underside of her thighs, the crease behind her knees and the wall behind her fall into soft, deep shadow; her cast shadow pools on the floor beneath her feet, tight and dark where the body is closest to the ground and blurring out toward the frame edges. The palette is held to black hair and black leggings, warm mid-grey skin tones and the cool pale grey of wall and floor, nothing else admitted. Crisp cel-shaded anime rendering with clean linework and flat-to-flat shadow shapes. Quiet, grounded, faintly tender.
黒
AI artwork
Avatar image of 黒
solo, 1girl, young girl, black hair, bob cut, short hair, inward-curving hair ends, straight-cut bangs, seen from behind, from behind, ultra-low-angle shot from the floor, from below, extreme foreshortening, crouching, full squat, leggings, black leggings, opaque leggings, fitted t-shirt, short sleeves, bare feet, looking down, head turned slightly to the side, profile of cheek visible, no accessories, hair completely unadorned, bare ears, empty earlobes, empty floor, wall-to-floor corner, hard concrete floor, low-key interior light The camera sits flat on the floor, lens almost touching the concrete, tilted steeply upward, so the girl's crouched body towers over the frame: the soles of her bare feet fill the bottom foreground, huge and nearest the lens, toes curled and gripping the ground for balance, the balls of both feet pressed firmly down, heels lifted just off the concrete. Above them the matte black opaque leggings rise in a long taut stretch of fabric over her calves and thighs, catching a faint sheen along the shin bone and darkening in the crease behind each knee where the cloth folds and compresses against itself. She is in a deep full squat, knees bent sharply and splayed slightly outward, hips lowered almost to her heels, weight settled back over her feet, her torso folded forward and down so her back rounds toward the camera as a broad dark shape. The fitted charcoal grey short-sleeved t-shirt pulls tight across her rounded back, riding up a little at the hem where it meets the waistband of the leggings, the thin cotton showing the ridge of her spine and the shift of her shoulder blades. Her arms hang forward and down out of sight beyond her knees, only the elbows visible as small grey points tucked in at her sides. Her black bob sits at the very top of the frame, its straight-cut bangs hidden beyond the crown from this angle, and what the camera sees is the back of the head: the dense black hair swinging forward and down as she tips her head, the inward-curving ends flicking in toward the nape of her neck and closing on the skin there in a clean curved line, a few fine strands lifted away by the air. The back of her head is turned away; only a sliver of her cheek and the corner of one eye are caught at the right edge of the silhouette as she glances down and slightly aside, lashes lowered, a soft closed-mouth calm on the little that shows of her face, no smile aimed at the lens. Her hair and the loose hem of the shirt hang toward the floor under gravity even as her body rises over the camera, the only movement in the still air. The setting is a bare interior corner: a scuffed hard concrete floor filling the bottom of the frame with faint dust and a hairline crack running diagonally toward her toes, a plain pale grey wall rising behind her, nothing else in the room. A single low light source sits somewhere behind and above her, off to the left, so the top of her black hair and the upper curve of her back catch a narrow rim of cool light while the underside of her thighs, the crease behind her knees and the wall behind her fall into soft, deep shadow; her cast shadow pools on the floor beneath her feet, tight and dark where the body is closest to the ground and blurring out toward the frame edges. The palette is held to black hair and black leggings, warm mid-grey skin tones and the cool pale grey of wall and floor, nothing else admitted. Crisp cel-shaded anime rendering with clean linework and flat-to-flat shadow shapes. Quiet, grounded, faintly tender.
黒

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
13#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#L'attacco dei giganti#Mikasa Ackerman
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