The splattered book
Is the message in the words, or in what obscures them.
Mostra parametri
- Immissione richiesta originale
- (best quality, masterpiece:1.2), green lamp smoke, 1940s detective, fedora, studying bloodstained 1930 The Maltese Falcon, The Big Sleep, Farewell My Lovely, The Postman Always Rings Twice, Double Indemnity, revolver, rainy blinds
- Tag qualità
- high quality, masterpiece, year_2025, year_2024, sfw, ﹝Prompt﹞
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 28
- Metodo di campionamento
- Euler
- Scala CFG
- 5
- Negativo
- worst quality, bad quality, low quality, distortion, jpeg artifacts, lowres, bad anatomy, bad composition, bad hands, bad fingers, error, missing fingers, extra digit, fewer digits, cropped, artist name, copyright name, text, signature, watermark, nsfw, nude, nudity, light particles, multiple_views
Modello e LoRA utilizzati
Immagini simili
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ln
((Anime illustration)), ((Incarnate detail)), ((Masterpiece)), ((Highest quality)). This medium shot, 3/4 view from behind depicts a young mob boss seated at a heavy wooden desk in a 1945 back office. The boss, a young man with a sharp silhouette, is seen from the back, wearing a tailored dark pinstripe suit. Around him, three crew members—men in their 30s wearing fedoras and wool overcoats—lean in aggressively over the desk, their faces twisted in heated argument. The desk is cluttered with a hand-drawn neighborhood map pinned with red needles, an open leather ledger, stacks of cash, and a heavy black rotary telephone. A warm desk lamp casts a localized golden glow, contrasting with the dim, mahogany-paneled walls of the office. Thick plumes of cigarette smoke swirl through the air, catching the light. The atmosphere is tense and cinematic, characterized by a semi-realistic painterly style with visible film grain and a moody, sepia-toned color palette.
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Oink22
1
ln
((Anime illustration)), ((Incarnate detail)), ((Masterpiece)), ((Highest quality)). This medium shot, 3/4 view from behind depicts a young mob boss seated at a heavy wooden desk in a 1945 back office. The boss, a young man with a sharp silhouette, is seen from the back, wearing a tailored dark pinstripe suit. Around him, three crew members—men in their 30s wearing fedoras and wool overcoats—lean in aggressively over the desk, their faces twisted in heated argument. The desk is cluttered with a hand-drawn neighborhood map pinned with red needles, an open leather ledger, stacks of cash, and a heavy black rotary telephone. A warm desk lamp casts a localized golden glow, contrasting with the dim, mahogany-paneled walls of the office. Thick plumes of cigarette smoke swirl through the air, catching the light. The atmosphere is tense and cinematic, characterized by a semi-realistic painterly style with visible film grain and a moody, sepia-toned color palette.
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