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AI art "音" featuring #Finestra, #Notte, #Effetti sonori and #Pavimento in legno
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音

#Finestra#Notte#Pavimento in legno
Avatar image of 大中小太郎
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大中小太郎

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(no human), (sound effect:2.0), background: Japanese-style hallway, wooden floor, dark room, night, dark blue theme, anime screencapstyle, super fine illustration, anime coloring, high contrast, anime picture, newest, ai-generated, PEAnimeBG, Background, anime, scenery, sound effects
Mostra parametri
Immissione richiesta originale
(no human),(sound effect:2.0) background is Japanese style hallway of the house,wooden floor, {dark room},{night},dark blue theme, (((anime screencapstyle))),(((super fine illustration))),(((anime coloring))),high contrast,anime picture,newest,ai-generated, , PEAnimeBG, Background, anime, scenery,sound effects,
Dimensione
1024 x 1024
Passaggi di campionamento
15
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark,outdoor,wide shot
Correzione del viso
HiRes

Modello e LoRA utilizzati

Dvine - AI Model cover image

SDXL

Dvine
8.22k
PE Anime Background / Landscapes [Style] - AI Model cover image

LoRA utente

PE Anime Background / Landscapes [Style]
1.08k
sound effect パンッ - AI Model cover image

LoRA utente

sound effect パンッ
5
Old Man - AI Model cover image

LoRA utente

Old Man
2

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AI artwork
rf
no humans, scenery, wide shot, interior, hallway, school hallway, japanese school, visual novel background, otome game background, gray wall, window, large windows, sliding doors, polished wooden floor, sunlight, sunbeam, afternoon, shadows, one-point perspective, clean lineart, empty Wide shot looking down an elongated, deserted Japanese high school corridor rendered in the crisp, atmospheric style of an otome game visual novel background. Along the entire left side, a rhythmic sequence of tall multi-paned glass windows extends toward the deep vanishing point, framed by smooth matte slate-gray walls and structural pillars. On the opposing right wall, light-toned wooden sliding classroom doors with square frosted-glass inserts alternate with cork bulletin boards holding neatly pinned notices. The corridor is completely unoccupied and devoid of figures, leaving the expansive, polished wooden floorboards entirely unobstructed. Warm, low-angled afternoon sunlight streams directly through the left windows, projecting sharp trapezoidal patches of amber light across the floor and crawling up the base of the gray walls. The varnished floorboards catch elongated specular reflections of the window frames that appear softer and darker than the light source itself, while tiny suspended dust particles drift visibly through the sunbeams. The ceiling features evenly spaced, switched-off fluorescent light casings running parallel into the distance. The palette balances calm, cool neutral grays with rich amber sunlight and warm honey-brown wood grain, executed with immaculate architectural linework and soft ambient depth. Wistful romantic serenity.
RED Floresss
AI artwork
er
empty old boarding school classroom, no people, dark, night interior, wide shot, from below, dutch angle, one-point perspective, rows of wooden desks, high-backed chairs, blackboard, tall sash windows, moonlight through glass, long cast shadows, dust motes, scuffed floorboards, bare bulb off The camera sits low near the floor at the front of the room and tilts a few degrees off level, so the rows of desks run away from the lens in one-point perspective and the ceiling presses down out of frame at the top. Nobody is in the room. Nearest the viewer, a single wooden desk stands askew with its lid slightly raised, one high-backed chair pulled half out from it, its legs leaving pale drag marks in the dust on the scuffed floorboards. Behind that, four more rows of paired desks recede in diminishing perspective, each with its own ink-stained chair, a few tipped back against the next desk, and the far row dissolving into the dark under the blackboard. A long blackboard spans the back wall above the last row, its slate wiped in cloudy arcs, chalk dust settled in the tray beneath it, no legible writing anywhere on it. Along the right wall a file of tall sash windows rises almost to the ceiling, their panes divided by thin muntins, and cold blue moonlight falls through the glass in flat slabs that land across the floorboards and climb the near sides of the desks, striking only the upward-facing and window-facing surfaces while the undersides and the spaces between the rows drop into black. The further left into the room, the deeper the dark goes: the left wall and the cloakroom recess at its end are barely readable, a suggestion of hooks and hanging pegs swallowed by shadow. The moonlight is the only light source; beyond its slabs the darkness is absolute, and the room has no lit fixture of its own. Palette is restricted to cold blue-white on the moonlit planes, deep blue-black in the shadows, and the flat brown of old varnish and chalk dust where the light grazes wood. Dust motes hang visibly in the moonbeams, catching light only where the shafts actually pass, and the air reads as still and cold. Thick ink-black outlines and flat cel-shaded colour blocks with a bold halftone dot screen breaking across the moonlit floor and the shadowed slate, graffiti-loose scrawls of chalk smear on the blackboard edge, punchy electric cyan and magenta neon rim-glints along the window frames and the chalk tray cutting through the darkness, high-contrast pop-graphic staging with hard black negative space between the desk rows. Silent, deserted, a held breath.
Ed Ryan

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2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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