Mostra parametri
- Dimensione
- 1024 x 768
- Passaggi di campionamento
- 11
- Metodo di campionamento
- Euler a
- Scala CFG
- 5.5
- Negativo
- (bad quality,worst quality,worst detail,bad, low quality,low details, poorly drawn, bad anatomy, extra fingers, bad hands, bad finger, bad fingers, split fingers, missing finger, split finger, split fingers, extra digits, fused arms, fused hands:1.2),
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scenery, no humans, wide shot, outdoors, day, overcast, cloudy sky, cloud, road, empty road, car, motor vehicle, parked car, cityscape, building, house, brick wall, railing, guardrail, tree, utility pole, power lines, lamppost, road sign, real world location, anime illustration, crayon-like texture style, line-free illustrations with soft color blocks and visible texture, atmospheric lighting
A wide-angle landscape view looks down a deserted, sloping asphalt road that curves gently toward a sprawling cityscape in the distant valley. To the left, a textured reddish-brown brick wall borders a quiet residential house, while the leafy green boughs of a roadside tree drape over the masonry. A tall concrete utility pole rises beside the curb, strung with a dense web of dark power lines cutting across the sky, fitted with an angled metal lamppost and a circular road sign. On the right side of the street, a solitary compact car sits parked parallel to a white steel railing and roadside guardrail that traces the sidewalk's edge. The road leads the eye toward the hazy, layered silhouettes of city buildings under an expansive, unbroken overcast sky filled with heavy, soft-edged gray and pearl clouds. The diffuse, indirect daylight eliminates directional cast shadows entirely, pooling subtle ambient occlusion only beneath the car tires, along the base of the brick wall, and under the curb lip. Executed in a line-free anime illustration style using broad, soft color blocks and a tactile, crayon-like granular texture with diffuse atmospheric lighting. Quiet solitude.
榊原久就
scenery, no humans, wide shot, outdoors, day, overcast, cloudy sky, cloud, road, empty road, car, motor vehicle, parked car, cityscape, building, house, brick wall, railing, guardrail, tree, utility pole, power lines, lamppost, road sign, real world location, anime illustration, crayon-like texture style, line-free illustrations with soft color blocks and visible texture, atmospheric lighting
A wide-angle landscape view looks down a deserted, sloping asphalt road that curves gently toward a sprawling cityscape in the distant valley. To the left, a textured reddish-brown brick wall borders a quiet residential house, while the leafy green boughs of a roadside tree drape over the masonry. A tall concrete utility pole rises beside the curb, strung with a dense web of dark power lines cutting across the sky, fitted with an angled metal lamppost and a circular road sign. On the right side of the street, a solitary compact car sits parked parallel to a white steel railing and roadside guardrail that traces the sidewalk's edge. The road leads the eye toward the hazy, layered silhouettes of city buildings under an expansive, unbroken overcast sky filled with heavy, soft-edged gray and pearl clouds. The diffuse, indirect daylight eliminates directional cast shadows entirely, pooling subtle ambient occlusion only beneath the car tires, along the base of the brick wall, and under the curb lip. Executed in a line-free anime illustration style using broad, soft color blocks and a tactile, crayon-like granular texture with diffuse atmospheric lighting. Quiet solitude.
榊原久就
scenery, no humans, wide shot, outdoors, day, overcast, cloudy sky, cloud, road, empty road, car, motor vehicle, parked car, cityscape, building, house, brick wall, railing, guardrail, tree, utility pole, power lines, lamppost, road sign, real world location, anime illustration, crayon-like texture style, line-free illustrations with soft color blocks and visible texture, atmospheric lighting
A wide-angle landscape view looks down a deserted, sloping asphalt road that curves gently toward a sprawling cityscape in the distant valley. To the left, a textured reddish-brown brick wall borders a quiet residential house, while the leafy green boughs of a roadside tree drape over the masonry. A tall concrete utility pole rises beside the curb, strung with a dense web of dark power lines cutting across the sky, fitted with an angled metal lamppost and a circular road sign. On the right side of the street, a solitary compact car sits parked parallel to a white steel railing and roadside guardrail that traces the sidewalk's edge. The road leads the eye toward the hazy, layered silhouettes of city buildings under an expansive, unbroken overcast sky filled with heavy, soft-edged gray and pearl clouds. The diffuse, indirect daylight eliminates directional cast shadows entirely, pooling subtle ambient occlusion only beneath the car tires, along the base of the brick wall, and under the curb lip. Executed in a line-free anime illustration style using broad, soft color blocks and a tactile, crayon-like granular texture with diffuse atmospheric lighting. Quiet solitude.
榊原久就
1
sky night, san francisco, no people, ba anime style, blue archive anime style
Edward Perez
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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