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- Immissione richiesta originale
- 1boy, solo, male focus, handsome anime demon boy, semi-realistic anime style, manga illustration, masterpiece, best quality, high detail, 4k, sharp focus, Showing dick , nude , Showing dick, full body photo, big boobs , pink hair, dick hair
- Dimensione
- 720 x 1280
- Passaggi di campionamento
- 25
- Metodo di campionamento
- Euler a
- Scala CFG
- 6
- Negativo
- worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands
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character: ryoumen_sukuna_(true_form)_(jujutsu_kaisen), copyright: jujutsu_kaisen
Anime Jujutsu Kaisen, Sukuna (Heian era), quality insane
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tukinen style, bara anime style, clear and clean lines, body all sweaty and hairy, 1boy, hot male, mature male focus, perfect face, short hair and beard, mischievous smile, akaza \(kimetsu no yaiba\), solo, male focus, pale skin, blue tattoos, blue sclera, special eyes, magenta hair, short hair, muscular body, open vest
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𖤐⭒๋࣭ ⭑𝐚𝐤𝐚𝐳𝐚 𖤐⭒๋࣭ ⭑
Akira hanagaki IIIII🫧
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character: ryoumen_sukuna_(jujutsu_kaisen), copyright: jujutsu_kaisen
1boy, solo, ryoumen_sukuna, short hair, pink hair, undercut, red eyes, extra eyes, facial tattoo, black tattoo lines across face and body, muscular, muscular male, shirtless, bare torso, topless male, bare chest, flexing, flexing bicep, biceps, one arm raised, raised arm, clenched fist, arm bent, from below, cowboy shot, looking at viewer, smug, smirk, half-closed eyes, raised eyebrow, head tilt, black nail polish, dark background, dramatic lighting, strong shadows
The camera sits low and looks up at him: a lone bare-chested man fills a cowboy-shot frame, cut off at mid-thigh, so his height and the slope of his shoulders read from underneath. Short pink hair, shaved to the skin at the temples and sides in a close undercut, sweeps up and back across his crown, the forward tufts catching the light. His face is a narrow, hard-boned mask; a second pair of small eyes sits above the outer corners of his brows, all four red irises angled down at the lens with a half-lidded, unimpressed calm, one brow lifted, one corner of his mouth pulled into a lopsided smirk that shows no teeth. Black tattoo lines are inked into him in the same crisp weight everywhere they appear: a band of curved strokes across his brow and cheekbones, thick sweeping strokes wrapping his neck, and long curling bands running down both pectorals, over the ridged abdominal wall and across the shoulder caps. His torso is heavy with muscle, the chest plates full, the abs cut into flat blocks, the obliques running in tight striations over the hips.
His right arm is the whole action: raised, bent at the elbow, upper arm level with his shoulder and the forearm drawn up toward his head, bicep bunched into a hard peak that pulls the tattooed band over it into a taut curve, veins surfacing along the inner arm. The fist is clenched tight, knuckles pale and skin stretched white over the tendons, wrist turned so the black-polished nails face the camera. His left arm hangs slack at his side, hand half-curled at his thigh, shoulder dropped to make the raised arm sit higher. Weight is settled on his back foot, the front leg loose and slightly ahead, one hip canted lower so the ribcage stretches on the flexing side; the body turns about three-quarters toward the lens while the head angles down toward it.
Only one light exists: a hard, cold source high to the upper left, just outside the frame. It rakes down the tensed bicep and the near shoulder, splits the chest into a bright plane and a deep one, and carves hard-edged dark wedges under each pectoral, along the ribs and beneath the clenched jaw. The tattoo ink stays flat matte black against the lit skin, and a short, sharp shadow of the raised arm falls back across his shoulder and neck. His own bulk throws the lower torso and the trailing arm into near-black. The background is a seamless dark field, its temperature cooled toward blue-grey, empty behind him so the small second eyes on his face stay the sharpest points in the frame. Effortlessly dominant, dangerous.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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