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AI art "rY" for keywords male focus, solo, 1boy, mature male, male only, dynamic pose,
Genera gratis

rY

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Commenti

male focus, solo, 1boy, mature male, male only, dynamic pose,
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
20
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Modello e LoRA utilizzati

Immagini simili

Mostra di piรน
AI artwork
hb
1boy, solo, male, human, 34 years old, adult man, muscular, heavy-set, broad shoulders, tall, rugged handsome face, sharp jawline, black beard, black mustache, well-groomed facial hair, short hair, cropped hair, neat black hair, black hair, deep red tuxedo jacket, black lapels, red vest, black tuxedo pants, red shoes, formal wear, eccentric high-society attire, gentleman, predatory confidence, smug, half-closed eyes, sharp gaze, looking at viewer, slight head tilt, chin raised, hand adjusting lapel, from below, cowboy shot, dutch angle, dark ballroom interior, low-key lighting, red and black palette, chandelier glint The camera sits low and close, tilted a few degrees off level, looking up at a man who fills the frame from polished red shoes to the collar of his jacket โ€” a 34-year-old human man built like a mountain, heavy-set and broad-shouldered, thick chest and neck straining the tailored lines of the deep red tuxedo jacket. He stands on the near edge of a dark marble floor, weight settled on his back right leg, left foot advanced and turned slightly out, hips square to nothing in particular, torso rotated a quarter toward the lens so the sharp black lapels read as two hard dark blades against the red wool, the matching red vest buttoned tight over the belly and chest, black tuxedo pants breaking once over the bold red shoes. His right hand is up at his own left lapel, thumb and forefinger pinching the fold, tugging it a centimetre straighter; his left hand rests loose and heavy at his side, knuckles just brushing his thigh. His head is tipped slightly down toward the low lens, chin lifted, and he looks straight into the camera with half-lowered lids and one brow carrying a fraction more weight than the other โ€” a slow, certain, predatory confidence, no smile, the mouth flat inside the meticulously groomed black beard and mustache that square off his sharp jawline. Short cropped black hair sits neat and close to the skull, a single strand's shadow falling across his temple from the light above. Behind him the ballroom falls away: a dim column-lined hall, a chandelier far overhead reduced to a cluster of small hard glints, deep red drapery at the edges of the frame swallowed by darkness. The only real light is a cold overhead pool from that chandelier, striking the tops of his shoulders, the ridge of his nose, the polished curve of his shoes, and the gold-thin trim at his cuff; it leaves the undersides of his jaw, the far side of his vest and the whole room behind him in near-black, one long soft shadow pooling at his feet across the marble. Where the light hits the red jacket the wool glows deep crimson; elsewhere it goes almost maroon, and the black lapels and pants vanish into the shadow except for their specular edges. The palette is red, black and the cold white of the overhead glint, nothing else admitted. Polished, dangerous, effortlessly commanding.
honey bee
AI artwork
hb
1boy, solo, 32-year-old male, adult man, athletic powerhouse build, broad shoulders, thick muscular frame, muscular, strong jawline, short black beard, meticulously groomed beard, cropped hair, short black hair, rugged skin texture, commanding presence, navy blue velvet tuxedo jacket, sharp black lapels, tailored fit, black tuxedo pants, deep blue shoes, blue bowtie, formal, velvet, from below, cowboy shot, three-quarter view, dutch angle, looking down at viewer, crossed arms, head tilt, smug, one eyebrow raised, half-closed eyes, dark background, dramatic lighting, rim light, low-key, depth of field, high contrast, elegant, powerful The camera sits low and close, tilted a few degrees off level, looking up across the chest of a single 32-year-old man so that his broad shoulders fill the top third of the frame and the line of his jaw cuts across the upper right. He stands with his weight planted on his right leg, left hip pushed slightly forward and left knee relaxed, torso turned a quarter away from the lens while his head turns back toward it and tips down, chin low, eyes half-lidded and fixed straight into the camera with an unimpressed, steady regard. His arms are folded across his chest, the right forearm crossed over the left, each hand closing on the opposite sleeve, the velvet creasing under his fingers; the fold pulls the navy tuxedo jacket taut over the thick muscular frame beneath it, the shoulder seam riding up where the left arm crosses and the sharp black lapels splaying open in a narrow V that meets the blue bowtie square at the throat. The bowtie sits slightly askew from the turn of the collar; one corner of the black velvet flap catches the light. The velvet jacket is deep navy and matte where it faces away from the light, blooming into a soft blue sheen along the upper surface of the shoulders and the rolled edge of each black lapel; the black tuxedo pants fall straight below the frame's midpoint, tailored and uncreased, and only the toes of the deep blue shoes show at the very bottom edge, one foot forward and one back. His skin is rough-textured, pores and faint scar-tissue variation visible across the cheekbone and the bridge of the nose, the black beard trimmed to a hard, clean edge along the jaw and shaved in a precise line down the neck. Cropped black hair sits close to the skull, a single strand broken loose at the temple by the turn of his head, and the shadow of his jaw falls across the top of his collar. The expression is a flat, lopsided smirk with the right corner of the lip pulled fractionally higher, brow hard down on one side and arched on the other. Behind him a seamless near-black studio void, nothing else in frame, emptying to pure darkness at the edges of the composition. A single hard key light rakes in from the upper left, striking the left shoulder, the crest of the left lapel, the left cheekbone and the ridge of the beard, and leaving the right side of his face and the right arm in deep shadow; a thin cool rim light picks out the back of his neck and the right shoulder's outline against the dark. A faint warm bounce comes back up from the unseen floor to light the underside of his jaw and the bowtie. Cast shadow falls short and heavy across the velvet at his chest. Navy, black and cool skin tone only, nothing else admitted. Commanding, quietly intimidating.
honey bee
AI artwork
hb
1boy, solo, male, human, 34 years old, adult man, muscular, heavy-set, broad shoulders, tall, rugged handsome face, sharp jawline, black beard, black mustache, well-groomed facial hair, short hair, cropped hair, neat black hair, black hair, deep red tuxedo jacket, black lapels, red vest, black tuxedo pants, red shoes, formal wear, eccentric high-society attire, gentleman, predatory confidence, smug, half-closed eyes, sharp gaze, looking at viewer, slight head tilt, chin raised, hand adjusting lapel, from below, cowboy shot, dutch angle, dark ballroom interior, low-key lighting, red and black palette, chandelier glint The camera sits low and close, tilted a few degrees off level, looking up at a man who fills the frame from polished red shoes to the collar of his jacket โ€” a 34-year-old human man built like a mountain, heavy-set and broad-shouldered, thick chest and neck straining the tailored lines of the deep red tuxedo jacket. He stands on the near edge of a dark marble floor, weight settled on his back right leg, left foot advanced and turned slightly out, hips square to nothing in particular, torso rotated a quarter toward the lens so the sharp black lapels read as two hard dark blades against the red wool, the matching red vest buttoned tight over the belly and chest, black tuxedo pants breaking once over the bold red shoes. His right hand is up at his own left lapel, thumb and forefinger pinching the fold, tugging it a centimetre straighter; his left hand rests loose and heavy at his side, knuckles just brushing his thigh. His head is tipped slightly down toward the low lens, chin lifted, and he looks straight into the camera with half-lowered lids and one brow carrying a fraction more weight than the other โ€” a slow, certain, predatory confidence, no smile, the mouth flat inside the meticulously groomed black beard and mustache that square off his sharp jawline. Short cropped black hair sits neat and close to the skull, a single strand's shadow falling across his temple from the light above. Behind him the ballroom falls away: a dim column-lined hall, a chandelier far overhead reduced to a cluster of small hard glints, deep red drapery at the edges of the frame swallowed by darkness. The only real light is a cold overhead pool from that chandelier, striking the tops of his shoulders, the ridge of his nose, the polished curve of his shoes, and the gold-thin trim at his cuff; it leaves the undersides of his jaw, the far side of his vest and the whole room behind him in near-black, one long soft shadow pooling at his feet across the marble. Where the light hits the red jacket the wool glows deep crimson; elsewhere it goes almost maroon, and the black lapels and pants vanish into the shadow except for their specular edges. The palette is red, black and the cold white of the overhead glint, nothing else admitted. Polished, dangerous, effortlessly commanding.
honey bee

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