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AI artwork
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xyloninator8

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1girl, masterpiece, best quality, ,IAMOSIX_Style, clean lineart, weighted lines, modern shonen aesthetic, solo,barroy,Y0ra, HD, smooth details, high quality,
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Dimensione
768 x 1280
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Avatar image of ちょな子
High-quality Japanese anime/manga style character illustration 1. Basic Art Style & Drawing Quality High-quality Japanese anime/manga style character illustration. Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color palette. Line art is thin and smooth, avoiding overly thick contours. Hair is drawn separated into fine strands, and facial features are depicted clearly and delicately. Skin is fair with a natural healthy flush. Finished with a smooth, matte texture combining faint pink gradients and soft shading. Overall utilizes muted colors and delicate rendering, avoiding excessive deformation or flashy effects. Expresses the character's simplicity, clumsiness, awkwardness, and nervousness through the shape of the eyes, small pupils/irises, angle of the eyebrows, and a subtle twitching/distortion of the mouth. 2. Basic Appearance of the Character A Japanese anime-style girl characterized by black bob hair. Petite, slender, and delicate build. Narrow shoulders, slim torso, slender arms and legs. Overall a clean, delicate silhouette. The head is slightly large relative to the body, but avoiding extreme chibi proportions. Facial features are plain and understated. Does not emphasize glamorous "bishoujo" appeal, instead possessing a somewhat plain, clumsy, and approachable aura. 3. Face Shape The face is a slightly small oval shape. Connects with natural curves from forehead to cheeks to chin; the tip of the chin is softly shaped, not overly pointed. Maintains a moderate roundness in the cheeks. The width of the face is not too wide, with a natural, smooth contour. Features such as eyes, nose, and mouth are clustered near the center of the face, resulting in a simple, unflashy countenance. The chin is not extremely pointed. The jawline is not overly sharp. 4. Hairstyle & Hair Color Hair color is an extremely dark black, close to true black. Under light, subtle highlights containing dark gray or slight hints of brown are applied. Hairstyle is a chin- to neck-length bob. Forms a naturally rounded silhouette from the back of the head to the sides. Hair has moderate volume, puffing out softly along the shape of the head. The ends are not completely uniform, with some flicking outwards here and there. The hair sections on the left and right are not completely symmetrical, leaving a natural dishevelment. Fine strands are carefully drawn across the surface of the hair, conveying a smooth hair flow and soft three-dimensionality. The hair outline has moderate small irregularities, creating a natural, not-overly-manicured hairstyle. 5. Bangs Bangs are thick, heavy blunt straight-across bangs (patsun bangs). Widely covers the forehead, hanging from near the eyebrows to just above the eyes. The center of the bangs is relatively heavy, concealing the forehead with dense black hair. The bottom edge of the bangs is not a strictly straight line, featuring irregular micro-steps formed by fine strands. A few thin strands naturally separate and hang down slightly over the eyes. Only allowing tiny glimpses of the forehead through the gaps; the forehead is not exposed largely. Crucially, the bangs hang down to just above the eyes, but both eye outlines and the small dark pupils/irises must remain clearly visible. Do not make the bangs too light. No thin see-through bangs. Do not change to a hairstyle that reveals much of the forehead. 6. Most Important: Eye Shape and Structure The eyes are the single most important element defining this character's identity. Do not make them large, round eyes typical of mainstream anime characters, nor with widely expanded irises or sparkling eyes. Horizontally long, narrow, with small vertical opening, sleepy half-open eyes (sanpaku eyes). Irises/pupils are extremely small, with a large expanse of sclera (eye whites). Clearly expresses sanpaku eyes. 6-1. Eye Contour Shape is horizontally elongated and vertically narrow. Narrow gap between upper and lower eyelids; eyes are not opened wide. Horizontal width is preserved, while vertical height is kept minimal. The eye contour is a smooth, horizontally long shape—flatter, as if compressed from above and below, rather than a round almond shape. The upper eyelid is relatively straight, giving a slightly heavy, drowsy impression. Forms a natural line slanting subtly downward from the center of the upper eyelid toward the outer corner. The outer corners of the eyes droop slightly, resulting overall in subtle tareme (droopy) eyes. The inner corners are not overly sharp, remaining natural in shape. Eyes are not opened wide vertically. No wide-eyed, surprised round eyes. 6-2. Iris/Pupil Size: Top Priority Irises and pupils are clearly smaller than standard Japanese anime characters. The diameter of the iris is extremely small, minimizing the area it occupies relative to the white of the eyeball. The dark center is not a large circle, but a small vertical or slightly oval shape. The iris is very dark gray to black. The outer rim contour is also restrained. The pupil is placed small within the iris, ensuring the dark part as a whole does not look large. Do not spread the dark eye area across the center of the eye. Do not enlarge the iris to fit the vertical height of the eye. Leave plenty of sclera surrounding the iris. Make the area of the sclera (white) overwhelmingly larger than the iris. Keep the dark eye area to a size where it is merely discernible, so that the pupils/irises themselves do not dominate the impression of the face. Express character individuality not through eye size, but through the contrast between the expansive sclera and tiny irises. 6-3. Expression of Sanpaku Eyes Clearly depict sanpaku eyes. The area of sclera is extremely vast relative to the tiny irises, structured such that the sclera is distinctly visible especially beneath the irises. Sclera is also moderately visible above, effectively surrounding the irises on both top and bottom. Position the gaze and tiny irises so that sclera stands out on the top, bottom, left, and right. However, avoid an eerie, bulging-eyeball look. Keep the eyeball shape natural, emphasizing sanpaku eyes purely by shrinking the iris size. Maintain a narrow vertical eye aperture while securing large white space. Important: Do not increase sclera by making the eyes bigger; increase the proportion of sclera by making the irises smaller inside narrow, slender eyes. 6-4. Iris Position Irises are placed near the center of the eyes, but not in a mechanically perfect center. A very subtle, natural variance exists between the left and right iris positions. The gaze is fundamentally directed forward, but angled slightly to convey confusion or restlessness. Do not push the irises extremely to the corners. No extreme cross-eyed or walleyed squint. Adjusting the iris position should never diminish the wide area of sclera. The left and right eyes have subtle natural variations, avoiding mechanical symmetry. 6-5. Eyelids and Eye Contours The upper eyelid line is drawn slightly darker and subtly thicker than the lower eyelid. Upper eyelid carries visual weight, creating a sleepy, languid impression. The lower eyelid line is thin and delicate, not overly emphasized. Eye contours are smooth, drawn in dark tones close to black. Eyelashes are modest; no long, dense, glamorous lashes. Do not excessively extend eyelashes at the outer corners. Eyeliner is not too thick; no flashy makeup applied. 6-6. Eye Highlights Highlights in the eyes are kept to an absolute minimum. No large white light reflections, star-shaped highlights, or multiple twinkling points. No strong gradients on the iris; subtle shades from dark gray to black. Do not make the eyes sparkle like jewels. The appeal of the eyes comes not from sparkle, but from the contrast of wide sclera and tiny irises, heavy upper eyelids, and narrow eye shape. 6-7. Emotion Conveyed by the Eyes The gaze is sleepy, languid, and slightly awkward. Heavy eyelids, giving the impression of someone unaccustomed to opening their eyes wide. Not an aggressive glare or sharp scowl, but a gaze filled with tension and a bit of bewilderment. A slight anxiety and hesitation in the gaze. Eyes are not opened wide, eyebrows are not sharply arched; emotions are expressed through subtle nuances. Expresses a tense psychological state while maintaining tiny irises and wide sclera. 7. Eyebrows Eyebrows are a dark color matching the black hair. Partially concealed by the bangs, not overly visible in their entirety. Eyebrow thickness is thin to standard, with a natural shape. The angle of the brows carries slight instability, expressing perplexity and nervousness. Slight tension near the inner ends of the brows, with the brows subtly strained overall. Not extremely arched or emphasizing anger. Combining the heaviness of the eyes with the subtle angle of the eyebrows creates an awkward facial expression. 8. Nose The nose is small and modest. Simple anime-style depiction, not standing out when viewed from the front. Does not emphasize the bridge of the nose, represented naturally with small lines or faint shadows. Shadows on the nose are not too dark, preventing only the nose from standing out on the face. 9. Mouth The mouth is small and does not overly dominate the face. The mouth is slightly distorted/strained from tension. The mouth is slightly open
ちょな子

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