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AI artwork featuring #Zenless Zone Zero and #Ellen Joe
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Ellen Joe, Zenless Zone Zero

#Zenless Zone Zero#Ellen Joe
Avatar image of xxXHarbingerAtlasXxx
avatar-frame

xxXHarbingerAtlasXxx

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Commenti

1girl,ellen joe, mole under eye, hairclip, colored inner hair, multicolored hair, mole, x hair ornament, puffy sleeves, mole on arm, two-tone hair, food, spiked headband, metal hairband, short sleeves, shark girl, candy, maid, fins, short hair, red nails, maid headdress, sharp teeth, puffy short sleeves, casual pose,black skirt,default pose
Mostra parametri
Tag qualità
high quality, year_2025, year_2024, ﹝Prompt﹞
Dimensione
768 x 1280
Passaggi di campionamento
25
Metodo di campionamento
Euler
Scala CFG
4.5
Negativo
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name,futanari,impossible body,abnormal body,penis_nipples,dick_breasts,giant breast,giant nipples,giant penis,giant testicles,excessive cum,excessive lactation, mouth_nipples,giant pussy,grotesque penis,grotesque vagina,voluptious,loose clothes,penis,nipples,exposed breast,sexual,nudity,nsfw

Modello e LoRA utilizzati

Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
8.83k
Artist - PWCSponson | LoRA - AI Model cover image

LoRA utente

Artist - PWCSponson | LoRA
8

Immagini simili

Mostra di più
AI artwork
da
character: ellen_joe 1girl, solo, shark girl, short hair, two-tone hair, multicolored hair, black hair, red inner hair, colored inner hair, red eyes, sharp teeth, shark fins, fins on head, mole under eye, mole on arm, spiked headband, metal hairband, maid headdress, hairclip, x hair ornament, maid outfit, black dress, puffy short sleeves, short sleeves, white frilled apron, black pantyhose, red nails, nail polish, fingernails, holding candy, holding food, candy, lollipop, stick candy, open mouth, grin, :d, one eye closed, looking at viewer, head tilt, upper body, close-up, from above, dutch angle Shot from slightly above and canted a few degrees off level, close on the head, shoulders and hands of one shark girl who leans in toward the lens so that her face fills the upper half of the frame and her hands rise into the lower half. Her short hair is cut blunt at the jaw in two tones, black across the crown and the outer lengths, red through the whole of the inner layers so that the red shows as a bright stripe along the underside of the fringe and behind her ears where the black parts; a spiked metal hairband rides the crown, its black spikes angled outward against the black hair, and below it on the right side sit two ornaments together, a black x-shaped clip and a small pale hairclip just above her ear. The maid headdress is white lace with a stiff frilled border, tilted a little back off the hairband, its white a clean contrast to the black. Her eyes are red, wide and amused, one of them squeezed shut in a wink so that the open eye carries the whole of the gaze straight at the viewer; the mole under that open eye sits a centimetre below the lower lash line and reads clearly. Her mouth is open in a wide grin that shows both rows of sharp triangular teeth, and a candy is wedged lightly between the front ones. Her fins show at the sides of her head, small and grey-blue, held slightly back by the hairband. Her body is turned half away from the camera while her head comes back around toward the lens, weight on the far leg, near shoulder dropped. The dress is black with a white frilled apron bib and collar, its sleeves puffed into short round shapes that end above the elbow in a narrow cuff — and it is in the arms below those cuffs that the detail budget is spent. Both forearms come forward across the lower frame, elbows bent, the left hand raised to shoulder height and pinching a striped lollipop by its stick, the right hand lower and closer to the camera holding a small paper twist of candy pieces cupped in the palm, two of them spilling into the fingers. The fingernails are painted red, glossy and opaque, each nail catching one small highlight, and the polish stops clean at the cuticle; the mole on her right forearm sits a few centimetres below the inner elbow and is plainly visible against skin. Her tail sweeps behind her, out of the sharpest focus, its fin silhouette breaking the pale ground on the far side of her shoulder. Pantyhose darkens her legs where they disappear below the frame edge. The ground behind her is a seamless cool off-white sweep with nothing on it, so all contrast is carried by the figure: black hair and black dress, the white lace and apron, and the red — inner hair, eyes, nails — repeating in three places. A single soft key from high on the camera left side wraps her face and the tops of her forearms, leaving a gentle shadow under the fringe, beneath the chin and beneath the lollipop across her knuckles; the cast shadow of the x clip falls a few millimetres across her own temple. Clean cel-shaded linework, flat fill, crisp edge between the black and the white, no texture or grain. Mischievous and bright.
David Alexander
#Zenless Zone Zero#Ellen Joe
AI artwork
da
character: ellen_joe 1girl, solo, shark girl, short hair, two-tone hair, multicolored hair, black hair, red inner hair, colored inner hair, red eyes, sharp teeth, shark fins, fins on head, mole under eye, mole on arm, spiked headband, metal hairband, maid headdress, hairclip, x hair ornament, maid outfit, black dress, puffy short sleeves, short sleeves, white frilled apron, black pantyhose, red nails, nail polish, fingernails, holding candy, holding food, candy, lollipop, stick candy, open mouth, grin, :d, one eye closed, looking at viewer, head tilt, upper body, close-up, from above, dutch angle Shot from slightly above and canted a few degrees off level, close on the head, shoulders and hands of one shark girl who leans in toward the lens so that her face fills the upper half of the frame and her hands rise into the lower half. Her short hair is cut blunt at the jaw in two tones, black across the crown and the outer lengths, red through the whole of the inner layers so that the red shows as a bright stripe along the underside of the fringe and behind her ears where the black parts; a spiked metal hairband rides the crown, its black spikes angled outward against the black hair, and below it on the right side sit two ornaments together, a black x-shaped clip and a small pale hairclip just above her ear. The maid headdress is white lace with a stiff frilled border, tilted a little back off the hairband, its white a clean contrast to the black. Her eyes are red, wide and amused, one of them squeezed shut in a wink so that the open eye carries the whole of the gaze straight at the viewer; the mole under that open eye sits a centimetre below the lower lash line and reads clearly. Her mouth is open in a wide grin that shows both rows of sharp triangular teeth, and a candy is wedged lightly between the front ones. Her fins show at the sides of her head, small and grey-blue, held slightly back by the hairband. Her body is turned half away from the camera while her head comes back around toward the lens, weight on the far leg, near shoulder dropped. The dress is black with a white frilled apron bib and collar, its sleeves puffed into short round shapes that end above the elbow in a narrow cuff — and it is in the arms below those cuffs that the detail budget is spent. Both forearms come forward across the lower frame, elbows bent, the left hand raised to shoulder height and pinching a striped lollipop by its stick, the right hand lower and closer to the camera holding a small paper twist of candy pieces cupped in the palm, two of them spilling into the fingers. The fingernails are painted red, glossy and opaque, each nail catching one small highlight, and the polish stops clean at the cuticle; the mole on her right forearm sits a few centimetres below the inner elbow and is plainly visible against skin. Her tail sweeps behind her, out of the sharpest focus, its fin silhouette breaking the pale ground on the far side of her shoulder. Pantyhose darkens her legs where they disappear below the frame edge. The ground behind her is a seamless cool off-white sweep with nothing on it, so all contrast is carried by the figure: black hair and black dress, the white lace and apron, and the red — inner hair, eyes, nails — repeating in three places. A single soft key from high on the camera left side wraps her face and the tops of her forearms, leaving a gentle shadow under the fringe, beneath the chin and beneath the lollipop across her knuckles; the cast shadow of the x clip falls a few millimetres across her own temple. Clean cel-shaded linework, flat fill, crisp edge between the black and the white, no texture or grain. Mischievous and bright.
David Alexander
#Zenless Zone Zero#Ellen Joe

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