AI artwork featuring #Fear & Hunger and #Fear & Hunger 2: Termina
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Fear & Hunger, Fear & Hunger 2: Termina

#Fear & Hunger#Fear & Hunger 2: Termina
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Commenti

35mm film look, subtle grain, muted colors, candid urban atmosphere, dark, gritty vibe, tension, irony, rough sketchy style, muted green-brown tones, sharp red accents
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Immissione richiesta originale
. 35mm film look, subtle grain, muted colors, candid urban atmosphere.,Dark, gritty vibe with tension and irony. Rough sketchy style, muted green-brown tones with sharp red accents.
Dimensione
896 x 1152
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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독
Poa_poa5 art style, simple shading, rough animation style, rough black line art, thick and uneven outlines, flat color, minimal shading, simplified facial features, graffiti-style aesthetics, blurred outlines, amateur cartoon style, expressive eyes. Appearance: dark brown disheveled Short side-bang hair, eyes with a sharp blue tint, a distinct, fine, and deeply etched scar on the lower right side of the neck, curving upward toward the center. wavy, almost translucent texture, suggesting a precise, sharp wound of power, as if cut by a blade, Wears a white shirt with the buttons undone in a blue jacket, and a black t-shirt. Dark gray slacks. Major details: a prominent, thick, and distinct dark scar with a prominent, By his standard, a thick suture line is clearly visible across the left half of the neck. He stands slightly off-center in the middle of a corporate corridor with minimal, soft lighting, where the boundary between wall and floor gently seeps in like a monochrome mist. While looking at the viewer, he greets with one hand arrogantly, while with the other hand he slips his hand into his pocket. Not another room, but stretching toward an open threshold that reveals only a thick, still gray emptiness. This composition makes use of a pale, sickly fluorescent ceiling light that casts negative space, deep shadows, and a quiet, melancholy-like light. His expression is playful, portraying a strange coexistence of an indifferent everyday life.
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