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AI artwork
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KardiaRhodes

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(((<solo, alone>))), (androjuniarto), (((girl, GIGANTIC breasts, wide hips, WOMAN, PLUMP, thicc))), venusbody:1.6, mommy:1.5, voluptuous:1.5, ((musky, odor, heat odor, musky odor, body odor)),overflowing breasts, huge breasts, phat breasts, huge hips, oversized hips, thick thighs. (,LavernneIllus), ((DOBERMAN WOMAN, DOG SNOUT)), furry,female furry, animal ears, dog ears, black fur, black hair, long hair, huge breast, yellow eyes,(((NUN CLOTHES, NUN, NUN DRESS, SLIT OPEN, STOCKINGS black,))), (SIDE VIEW, SPREAD LEGS, WALKING, NOTICE VIEWER, SMILE, SMUG, SEXY, CHURCH, upper body, angle, looking to viewer, sexy, angle).-
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
19
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
human, multiple tails, modern, recent, old, oldest, graphic, cartoon, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), bad anatomy, sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated

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Avatar image of powonomatopo
1girl, solo, anthro, furry, Doberman, black fur, cropped ears, muzzle, dog ears, dog tail, busty, large breasts, skintight nun habit, black habit, white wimple, white collar, veil, rosary, holding rosary, prayer beads, praying, hands clasped, kneeling, from above, looking up, three-quarter view, from side, low key lighting, candlelight, stone chapel, serious expression, eyes closed, half-closed eyes, head bowed, detailed fur, dark background Shot from above and slightly to her three-quarter left, a single anthropomorphic Doberman woman kneels alone in a dark stone chapel, the camera looking down across her shoulder so the crown of her head and the long slope of her black-furred back lead the eye toward her clasped paws. Her slim canine build sits on the stone floor with her weight settled back onto her heels, knees together, spine curved forward into an ample bust pressed against the fabric that covers it in one smooth unbroken contour. A short black coat of fur lies sleek over her neck and shoulders and over the backs of her hands, tan markings burning through at the brow, muzzle, inner ears, chest front and legs, her long muzzle tapering to a black nose, her pointed upright ears cropped and alert. She wears a skintight black nun habit of fine matte fabric stretched taut over her bust and tapering to her waist, the white wimple banding her head and jaw and a white collar closing at her throat, the black veil falling down her back and puddled on the stone behind her shoulders. Her paws are laced together and lifted to her chin, the rosary's dark wooden beads wound over both wrists and hanging in a slack loop beneath her clasped fingers, a small silver cross resting against her knuckles. Her muzzle is tipped down toward her joined paws, her eyes shut under lowered lids, the short fur of her brow drawn into a line of quiet concentration, one ear angled forward toward the sound of her own prayer. The chapel around her is bare and cold: a worn flagstone floor, a low stone step under her knees, the suggestion of a carved rail out of focus behind her and heavy stone walls receding upward into darkness. A single votive candle burns low at the far edge of the frame, the only light source; its warm amber flame lifts the tan markings on her muzzle and one cheek, catches the white wimple into a bright edge, and threads a thin rim along the beads and the silver cross, while the far half of her habit and the length of her black coat dissolve into near-black shadow with no second highlight anywhere. The candle's pool of light ends a hand's width beyond her knees; beyond it the floor goes black. She holds utterly still, the beads resting cool and motionless against her paws, only the very tip of her tail's shadow moving on the flagstones. Smoke from the candle climbs straight up into the dark. Quiet, reverent.
powonomatopo

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