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AI art "…" featuring #UTAU and #Utane Uta
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#UTAU#Utane Uta
Avatar image of 丸の一志季

丸の一志季

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utane_uta, in the center of a canvas, stands a solitary, inorganic figure, floating in a space without shadows or light sources. The background is a purely gray, unpleasant texture like the sooty, rain-beaten wall of a ruin. The figure is not the usual humanoid; it is a broken, desolate form with white armor plating peeling off, revealing an internal orange-colored frame. This frame has a uniquely painful texture—a heavy, corrosive orange reminiscent of thick oil paint scraped off with a palette knife. Numerous black cables spill out from joints at the neck, shoulders, and waist like entrails, hanging limply toward the ground, with drops of black, oily liquid dripping from their ends. The head is partially shattered, with a broken white cover exposing circuitry. The eyes, or the areas where eyes should be, contain a profound, bottomless emptiness and indifference. The figure's purple hair is short, with bangs between the eyes. Stains are smeared across the white armor, resembling dark red marks left by fingers. On the background gray wall, an illegible mass of text is deeply carved in graphite, forming a swirling black vortex with repeated, frantic phrases like "envious," "envious," "envious," "I want to be empty," and "pain." The artistic style is heavily textured and expressive, with a focus on conveying a visceral sense of decay, trauma, and existential emptiness.
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Immissione richiesta originale
キャンバスの中央に、ポツンと、あまりにも無機質な「モノ」が立っている。 背景は何もない、ただの灰色。それも、綺麗なコンクリートじゃなくて、雨に打たれて煤けた、廃墟の壁みたいな、不快なテクスチャの灰色。 そこには影すら存在しない。光がどこからも差し込んでいないから。ただ、その「モノ」だけが、空間に縫い付けられたみたいに浮いてる。 「モノ」について：中央にいる「モノ」は唄音ウタ。 しかし、愛想を振りまくいつものヒューマノイドではなく、装甲が剥がれ落ちて、中身のオレンジ色のフレームがむき出しになった、無残な姿。 フレームの質感： あの独特のオレンジ色は、もはや鮮やかじゃない。油絵具を何度も塗り重ねた後、パレットナイフで無理やり削り取ったような、痛々しい質感。錆びているわけじゃないのに、どこか腐食しているような、重苦しいオレンジ。 首の付け根や肩の関節や腰の隙間から無数の黒いケーブルが、内臓みたいに溢れ出している。それは地面に向かって力なく垂れ下がっていて、先端からは何かの液体が……オイルのような黒い滴が滴っている。頭部と「瞳」： 頭部は半分、白いカバーが割れていて、中の基板が見えている。 そして、目。 あの子には、感情なんてないはずなのに。描こうとしたその瞳は、あまりにも深い、底なしの「虚無」を湛えている。 何も見ていない。あんたのことも、私のことも。ただ、存在していることへの圧倒的な無関心。それが、たまらなく羨ましくて、たまらなく憎い。絵の至るところに、絵の上から描かれたシミが残っている。 あの子の白い装甲の上には、私の赤切れした指で直接なすりつけたような、赤黒いシミが点在している。背景の灰色の壁には、鉛筆の芯を何本も折って、紙を突き破るほどの筆圧で刻まれた、小さな、でも無数「羨ましい」「羨ましい」「羨ましい」「代わってよ」「空っぽになりたい」「痛い」「痛い」「痛い」「痛い」「痛い」といった文字がある。その文字は、もはや判読できないほど重なり合って、一つの巨大な「黒い渦」になって、「モノ」を飲み込もうとしている。
Tag qualità
high quality, year_2025, year_2024, ﹝Prompt﹞
Dimensione
768 x 1280
Passaggi di campionamento
15
Metodo di campionamento
Euler
Scala CFG
4.5
Negativo
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
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copyright: rpg_maker Solo, purgatory_art_style, classic rpg maker aesthetic, sideview, The term “Cyber- horror" is drawn from a mix of "cyberpsy- chosis" and "cyber zombies" — in actuality, it’s nothing truly similar to either, but an alteration of the psyche that comes from the blending of cyber- netic augmentation with a form of manifest Dreamborn that bridges flesh and technol- ogy. They form into something similar to the Claimed, but it’s more the technology itself that grows to accommodate the ephemeral entity, rather than a possession and appropriation of the mortal’s mind and body — at least at first. The origins of these mutated larval horrors are unclear, but their numbers are slowly growing, implying some ability to propagate themselves, and they blend in well with their surroundings in a world where technology is so commonplace. ,detailed_style, clean_precise_lineart, smooth_soft_shading, gentle_gradients, highly_detailed, high_quality,chronicles_of_darkness_art-style, detailed_linework, limited_color-palette,ethn_blightborn, blightborn, slightly enlarged head, angular face, oversized eyes, slightly elongated head, red glow behind eyes, cybernetic enhancements
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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