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勇助田作

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1car, solo, yellow car the way leads through two rows of trees and bamboo tubes on the way of a path, torii, no humans, multiple torii, scenery,no humans, car, 2006 Ford Crown Victoria, Taxi Cab, yellow cab, text "nyc taxi" door left, black rims, sedan, 4 door sedan, grill car
Mostra parametri
Dimensione
1024 x 768
Passaggi di campionamento
7
Metodo di campionamento
Euler a
Scala CFG
1.6
Negativo
(nsfw, lowres, (bad), text, error, fewer, extra, missing, (worst quality), (low quality),jpeg artifacts, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract, bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:2.0)

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wt
no humans, scenery, cityscape, city, manhattan, new york city, fifth avenue, architecture, building, skyscraper, street, road, crosswalk, street sign, traffic light, car, taxi, outdoors, day, wide shot, from below, low angle, vanishing point, perspective, linear perspective, clean lines, flat color, soft pastel palette A low-angle wide shot looks straight down the urban corridor of Fifth Avenue in Manhattan, New York City, framing the dramatic vertical convergence of towering skyscrapers toward a high vanishing point. On the left and right, grand limestone facades and sleek modern high-rises rise in stepped tiers, constructed from clean, unornamented geometric planes. In the right foreground, an ornate dark street lamppost carries a clear rectangular street blade sign reading "5th Ave" with an intersecting sign reading "E 53rd St" in crisp block lettering. Broad asphalt stretches through the lower third of the composition, marked by the pristine white parallel bands of a pedestrian crosswalk. Two iconic yellow taxicabs, distilled into minimalist cubic contours, sit positioned in the center lanes, the front cab door stamped with clean black lettering reading "NYC TAXI". Crisp morning sunlight strikes the eastern facades from the upper left, casting sharp geometric drop shadows that slice across the road surface at an identical uniform diagonal angle. The palette is strictly restrained to soft pastels, featuring blush peach and cream on the masonry, pale lilac and powder blue for the geometric window banks, soft buttercup yellow on the vehicles, and muted mint green on the street fixtures beneath a spotless pale periwinkle sky. Rendered with flat color and clean geometric lines, simplified, with little texture or shading, in a soft pastel palette. Serene urban elegance.
Wang t z

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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