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AI art "はらわたを出す前に遊んでたやつ"
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はらわたを出す前に遊んでたやつ

実験中。義足的なものをつけたやつ。LoRA設定よりも、病み系ピンクロリータ男の娘の方がかなり強く出た。

#femboy#Occhiali#capelli corti#Piercing#capelli rosa#Sorriso#sguardo verso lo spettatore#tema rosa#Gamba protesica
Avatar image of 【アプリ版作品のみ】ましたこういち

【アプリ版作品のみ】ましたこういち

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Commenti

Short non-articulating prostheses, Artificial-legs, shortened-legs, stubbies, 短義足, A cute short boy character in yandere gloomy pink lolita fashion. Wearing glasses, with large slightly upturned eyes. Has piercings in ears and tongue. Eyes have a sparkling star-like effect inside. Facing front, peering into the viewer's face with a sly grin. Foreshortened prostheses,Short non-articulating prostheses,Artificial-legs,shortened-legs,stubbies,短義足,
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Immissione richiesta originale
ヤンデレ病み系ピンクロリータファッションの、低い身長なキュートな少年キャラ。眼鏡をつけていて、瞳は大きく、ややつり目。耳や舌にピアスを空けている。瞳の中は星が輝いている感じになっている。正面向きで、こちらの顔を覗き込んで、ニヤついている。 Foreshortened prostheses,Short non-articulating prostheses,Artificial-legs,shortened-legs,stubbies,短義足,
Modalità
lite
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.80k
Very early experimental LoRA. Cyborg stubbies prosthesis. - AI Model cover image

LoRA utente

Very early experimental LoRA. Cyborg stubbies prosthesis.
3

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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