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JK

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JK

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1boy, plague doctor, dark fantasy, standing in forest, dense mist, dawn, full body, centered composition, dramatic low-angle shot, long tattered black hooded cloak, layered medieval leather armor, metallic plague mask, glowing blue eyes, holding ritual wooden staff, worn cloth, hanging talismans, metal charms, volumetric fog, tall trees, cold blue-gray color grading, cinematic lighting, rim light, silhouette, diffused backlight, deep shadows, high contrast, atmospheric depth, film still, anamorphic lens, shallow depth of field, film grain, ultra detailed textures, hyperrealistic, epic dark fantasy, 8k, masterpiece, rain, night, beautiful, powerful aura, cinematic lighting, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors, SYAGAMU artstyle
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Immissione richiesta originale
Dark fantasy plague doctor standing in a dense misty pine forest at dawn, full body centered composition, dramatic low-angle shot, wearing a long tattered black hooded cloak and layered medieval leather armor, metallic plague mask with subtle glowing blue eyes, holding a ritual wooden staff wrapped in worn cloth with hanging talismans and metal charms, heavy volumetric fog drifting between tall trees, cold blue-gray color grading, cinematic lighting, strong rim light outlining silhouette, soft diffused backlight through fog, deep shadows, high contrast, atmospheric depth, film still, anamorphic lens, shallow depth of field, subtle film grain, ultra detailed textures, hyperrealistic, epic dark fantasy, 8k, masterpiece, rain, night, beautiful, powerful aura, cinematic lighting, soft light, color detail, backlighting, , Depth of field, long exposure, light steps, intricate colors, vibrant colors, SYAGAMU Artstyle,cinematic lighting,cinematic angle,soft light,color detail,backlighting,Depth of field,long exposure,light steps,intricate colors,vibrant colors,SYAGAMU Artstyle,
Dimensione
768 x 1280
Passaggi di campionamento
25
Metodo di campionamento
Euler a
Scala CFG
1.1
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Modello e LoRA utilizzati

Otome v2 - AI Model cover image

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Cinematic Lighting - AI Model cover image

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Cinematic Lighting
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Artist SYAGAMU Artstyle | MLX2 - AI Model cover image

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zc
copyright: scp_foundation 1boy, solo, plague doctor, long black hooded robe, white beaked crow mask, holding syringe, hood up, beak mask, from below, close-up, cowboy shot, three-quarter view, looking at viewer, head tilted down, gloved hand, black leather gloves, dark fabric folds, low key lighting, chiaroscuro, cold palette, vertical composition, dutch angle, ominous The camera sits low, looking up, and the figure fills the frame from mid-thigh to the top of the hood: a lone boy in a long black hooded robe, three-quarters turned, head tilted down so the white beaked crow mask points straight at the lens. The hood's heavy black fabric is drawn up over the crown of the head, its front edge casting a hard shadow across the mask's brow, so only the mask's curve and the slit of its two eye holes catch the light; beneath the hood's lip the mask's long beak juts forward and down, its white surface scuffed at the tip, tapering to a point that nearly meets the viewer's eye line in foreshortening. The robe hangs to the ankles in thick, matte black folds, its hem broken where one knee presses forward through the cloth; a rope cord cinches the waist, and the sleeves swallow the arms to the wrists. The right hand is raised across the chest, elbow bent, black-gloved fingers wrapped around a glass syringe held upright, thumb braced against the plunger flange, the needle rising past the collarbone toward the bottom edge of the beak; a thin bright line runs down the glass barrel where a single low light source grazes it from the upper left, and the metal needle catches a pinpoint highlight. The left arm hangs at the side, gloved hand slightly open, half lost in shadow against the robe. The only light is a single cold source from upper left, behind and above the viewer's shoulder, rimming the left edge of the hood and the left side of the beak while the right side of the mask and the whole front of the robe fall into deep charcoal shadow; no fill light, the background a near-black void with a faint suggestion of a stone wall receding out of focus at the right edge. The palette holds to white mask, black robe, glass and steel, and the muted blue-grey of the shadows, nothing else admitted. The gaze of the mask's dark eye holes is fixed on the viewer. Ominous, clinical stillness.
Ziro Chan

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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