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Letto, sedere
Mostra parametri
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 28
- Metodo di campionamento
- Euler a
- Scala CFG
- 6
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Modello e LoRA utilizzati
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(detailed hands:1.5), ((4k, 8k, ultra hd)), ((masterpiece:1.2)), ((best quality:1.2)), ((detailed:1.5)), ((detailed background:1.5)), ass, rei todoroki \(mha\), 1girl, solo, white hair, long hair, bangs, grey eyes, blue dress, skirt, heels, large breasts
FUJISATOFOX
藁
フル・フラット
藁乃俵屋
1
u3
character: uraume_(jujutsu_kaisen), copyright: jujutsu_kaisen
1girl, solo, uraume \(jujutsu_kaisen\), female, adult, pov, from below, extreme low angle, looking up at viewer, standing straight, upright posture, giant breasts, large breasts, giant thighs, thick thighs, tiny waist, narrow waist, wide hips, fully clothed, kimono, white kimono, black kimono, two-tone kimono, japanese clothes, long sleeves, wide sleeves, multicolored hair, two-tone hair, white hair with red streaks, long hair, hair swept back, indoors, room, interior, raised hand, palm toward viewer, fingers curled, closed mouth, faint smile, half-closed eyes, looking down at viewer, condescending, dutch angle slight, cowboy shot from below,
The camera sits low in the room, tilted back, so the viewer's eye is at hip height looking steeply upward at one fully clothed woman standing dead upright over them, spine straight, shoulders squared and drawn back, chin level and slightly tipped down so her half-lidded eyes meet the lens from above with a cool, condescending amusement, one brow fractionally raised, lips closed in a thin faint smile. Her figure is exaggerated exactly as stated: enormous breasts and enormous thighs, a waist cinched impossibly narrow between them, the wide-hipped silhouette reading clearly against the ceiling because the low angle foreshortens her from hem to collarbone. She wears a two-tone kimono — the panels split black and white from shoulder to hem — with long wide sleeves that hang heavy from her forearms; the front of the white half is pulled snug across her chest by the obi at that tiny waist, fabric gathering into a taut stretch of cloth over each breast rather than spilling free, the black half falling in a clean straight fall down her thigh. Her hair is white with red streaks, long and swept back from a high hairline, the strands falling behind her shoulders and out of the low camera's sightline except for the red lock that swings forward and grazes her cheek. Her right arm lifts, elbow bent, the wide black sleeve sliding back down the forearm to bare it, hand raised at chest height with the palm turned down toward the viewer and the fingers curled inward in a small, unhurried beckon, fingertips at the drop-shadow edge of her own sleeve; her left hand is tucked flat against the obi at her waist, pressing the fabric in against the narrow column there, thumb hooked under the cloth's edge. She stands with her weight settled fully on her right leg, left knee softened just enough that the hem breaks over one thigh a little lower than the other; her feet are out of frame in the cropped ceiling-ward view, and the raised arm and the angle of the chin make her torso read as towering. She looks only at the viewer, and the viewer's whole image is her looking back.
The room is a plain tatami interior with a low wooden ceiling of dark beams overhead, shoji panels receding behind her on both sides, sliding door frames crossing the composition in shallow diagonals that converge toward her hips and sell the upward tilt. Warm lamp light comes from a paper lantern low and behind her on the right; it rims the edge of her kimono, her sleeve and the underside of her jaw in warm amber, glows through the paper screens behind, and leaves her face and the front of the white kimono in soft, cool shadow, the raised hand casting a small soft shadow onto her own collar. The tatami floor at the bottom edge picks up a pool of that lamplight and a faint reflection of the lantern in the polished wood bracing. Colour is held to the kimono's black and white, the white-with-red hair, warm lantern amber, and the muted straw-and-cedar tones of the room. Quiet, imposing, coolly amused.
uraume3
(detailed_hands:1.5), ((4k,8k,Ultra HD)), ((Masterpiece:1.2)), ((Best quality:1.2)), ((Detailed:1.5)), ((Detailed background:1.5)), ass, rei todoroki \(mha\), white hair, long hair, bangs, grey eyes, blue dress, skirt, heels, large breasts, 1girl, solo
FUJISATOFOX
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ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
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❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
...
Tofu
...
Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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