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AI art "Building Cityscape Blue sky"
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Building Cityscape Blue sky

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Commenti

apartment building, cityscape, urban environment, modern architecture, daytime, clear sky, detailed background, realistic lighting
Mostra parametri
Immissione richiesta originale
apartment building,
Dimensione
1024 x 576
Passaggi di campionamento
50
Metodo di campionamento
Euler a
Scala CFG
11
Negativo
worst quality, text, word, cropped, low quality, normal quality, username, watermark, signature, blurry, soft, soft line, curved line, sketch, ugly, logo, pixelated, lowres, EasyNegativeV2

Modello e LoRA utilizzati

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scenery, landscape, architecture, outdoors, day, wide shot, low angle, no humans, apartment complex, danchi, public housing, 1970s architecture, concrete building, high-rise, modular architecture, balconies, exterior stairwell, pedestrian walkway, zelkova trees, street bench, clear sky, soft clouds, sunlight, cast shadow, nostalgic A wide low-angle view captures the monumental expanse of the Takashimadaira public housing complex in northern Tokyo under a crisp afternoon sky. Massive monolithic multi-story concrete apartment slabs stretch across the frame in rigid linear perspective, their towering gray-and-off-white facades receding rhythmically toward a distant vanishing point. Each colossal residential block is defined by an unbroken, modular grid of recessed private balconies with painted steel safety railings, punctuated by protruding external elevator cores and zigzagging emergency stairwells typical of 1970s Showa-era mass housing design. At the ground level, an expansive paved pedestrian promenade meanders between planted grass strips and mature leafy zelkova trees, flanking sturdy concrete benches and a covered bicycle bay holding parked commuter bicycles. High on the flat gable end of the foreground building, a painted block designation reads "2-11" in clean dark sans-serif numerals. Direct angled sunlight strikes the repetitive edges of the balconies, casting deep, parallel geometric shadows down the concrete recesses while illuminating the fluttering foliage of the trees below. Monumental nostalgia.
ddd
AI artwork
d
scenery, landscape, architecture, outdoors, day, wide shot, low angle, no humans, apartment complex, danchi, public housing, 1970s architecture, concrete building, high-rise, modular architecture, balconies, exterior stairwell, pedestrian walkway, zelkova trees, street bench, clear sky, soft clouds, sunlight, cast shadow, nostalgic A wide low-angle view captures the monumental expanse of the Takashimadaira public housing complex in northern Tokyo under a crisp afternoon sky. Massive monolithic multi-story concrete apartment slabs stretch across the frame in rigid linear perspective, their towering gray-and-off-white facades receding rhythmically toward a distant vanishing point. Each colossal residential block is defined by an unbroken, modular grid of recessed private balconies with painted steel safety railings, punctuated by protruding external elevator cores and zigzagging emergency stairwells typical of 1970s Showa-era mass housing design. At the ground level, an expansive paved pedestrian promenade meanders between planted grass strips and mature leafy zelkova trees, flanking sturdy concrete benches and a covered bicycle bay holding parked commuter bicycles. High on the flat gable end of the foreground building, a painted block designation reads "2-11" in clean dark sans-serif numerals. Direct angled sunlight strikes the repetitive edges of the balconies, casting deep, parallel geometric shadows down the concrete recesses while illuminating the fluttering foliage of the trees below. Monumental nostalgia.
ddd

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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