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AI art "旗袍の花嫁・ワンピース" featuring #One Piece and #Nami
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旗袍の花嫁・ワンピース

このイラストでは、結婚式に臨む可愛らしい花嫁を描きました。彼女の自信に満ちた表情とエレガントなドレスに魅了されっぱなしです！私のお気に入りのキャラクターの一人なので、見ているだけで幸せな気持ちになります。いいねやフォローもよろしくね！次回作もお楽しみに！

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小林権蔵

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Commenti

character: nami_(one_piece), one_piece, thriller bark, nami, wedding dress, anime style, high angle view, wedding, standing pose, front view, full body, nami (2 years ago, one piece), short orange hair tied up high in a ponytail, short hair ponytail, long white gloves, transparent veil, necklace, mermaid-style A-line slim long skirt fitting the body, two-layered simple wedding dress with asymmetrical frill-like fabric rippling widely from the waist diagonally, church, anime illustration, great quality, best quality
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アニメ風、俯瞰視点、結婚式 構図：立ち姿、正面から、全身が写るように。 花嫁：ナミ（2年前、ワンピース） 高い位置でポニーテールに結んだ短いオレンジ色の髪。ショートヘアのポニーテール。 長い白い手袋と透けるベール ネックレス ドレス：、身体に沿うマーメイド寄りAラインの細身ロングスカートをベースに、腰から斜めへ大きく波打つ一枚布状のアシンメトリーフリルを重ねた二層構造のシンプルなウェディングドレス。 教会
Modalità
standard
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.87k

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AI artwork
character: nami_(one_piece), copyright: one_piece, one_piece_treasure_cruise 1girl, solo, nami_(one_piece), long orange hair, orange eyes, lightly flushed cheeks, soft closed-lip smile, half-lowered lashes, looking to the side, white wedding dress, off-shoulder gown, deep plunging neckline, bare shoulders, high leg slits, bare legs, elegant standing pose, weight on one leg, hands loosely clasped at the waist, head tilt, full body, from below, dutch angle, clean background, seamless pale ivory studio sweep, official card art composition, clean lines, vibrant colors, polished illustration, high detail A full-body vertical card illustration seen from slightly below and canted a few degrees into a soft dutch angle, the girl standing alone at the center of a completely empty pale ivory sweep that falls away into a soft neutral gradient behind her, no props, no furniture, nothing else in the frame. She stands in a soft elegant contrapposto, weight sunk into her right leg while the left foot is set forward and slightly crossed inward, toe pointed, hip tilted so the white gown's bodice stretches diagonally across her torso. Both hands are loosely clasped at her waist, fingers interlaced and resting just under her ribs, elbows soft and slightly away from her body — not a stiff arm at her side. Her chin is tipped down a touch and turned a few degrees off-axis so she looks to the side, out of frame, eyes half-lowered behind long lashes; her cheeks carry a light warm flush and her mouth is a faint closed-lip smile, one corner a fraction higher than the other. The dress is white silk-satin, off-shoulder, with a deep plunging neckline that runs to a narrow gathered point low on the sternum, the fabric pulled taut on the swell of her chest and gathering in soft folds under it; the bare shoulders above the neckline catch the key light and the collarbones cast small shadows down into the opening. The skirt is floor-length but split by two high slits that begin at the hip bone, and because she has crossed the left foot forward the near slit falls open along the whole length of her left leg, exposing it from outer hip to ankle, while the far leg shows only a dark sliver through the second slit in shadow. The fabric of the slits curls back on itself in a stiff rolled hem rather than hanging flat. Her long orange hair falls past her waist and forward over her right shoulder in a loose wave, a few strands lifted and drifting as if the air just moved. No jewellery at her ears, wrists or throat — bare earlobes, bare wrists, bare collarbone. The key light comes from high and slightly to the left, a single soft frontal source: it grazes the bare shoulders, the crest of her chest above the neckline, the front plane of the exposed thigh and the crown of her hair, and drops the right side of her jaw, the inside of the slit and the space between her clasped hands into clean cool shadow. A soft elliptical contact shadow pools at her feet, anchoring her to the ground, and her shadow is the only dark shape in the ivory field — no other light, no second source. Palette is disciplined: white and ivory across the whole field, one saturated orange for the hair and the warm flush of her face, the skin a warm peach — nothing else admitted. Hair and cloth keep crisp cel edges with a polished sheen on the satin, lines clean and closed, tones bright and saturated with a fine gradient inside the leg and chest shadows. Effortlessly polished, quietly alluring.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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