Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
Un secreto del tiempo
Arte IA «Un secreto del tiempo» di Josuhe Espinoza su PixAI. Tag: capelli lunghi. Creato con Serin.
Las calles siempre guardan misterios, sin importar el espacio tiempo
Mostra parametri
- Immissione richiesta originale
- En una noche nublada se ve una ciudad medio iluminada con algunos faros medio encendidos, en la calle se ve una silueta femenina sin identificar más que un vestido rojo que tiene un ligero brillo carmesí.
- Tag qualità
- high quality, year_2025, year_2024, ﹝Prompt﹞
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 25
- Metodo di campionamento
- Euler
- Scala CFG
- 4.5
- Negativo
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Modello e LoRA utilizzati
Immagini simili
Mostra di più
ej
Umbrella
Eitud Jag
w1
artist: anzekeye, tizibade, year_2026, year_2024, year_2025
1girl, solo, from behind, walking away, back turned, holding umbrella, red umbrella, vibrant red umbrella, black and white background, monochrome environment, silhouette, rain, heavy rain, vertical rain lines, straight rain streaks, color splash, selective color, spot color, high contrast, geometric composition, bold color blocking, minimalist, pop art, graphic design, motion lines, varied lineweight, detailed environment, scenery, dramatic lighting, cinematic angle, highres, absurdres, sharp focus, crisp edges, full body, centered, narrow alley
Seen from directly behind and slightly below, a single girl walks away from the camera down the exact centerline of a narrow city alley, her back turned flat to the viewer, both shoulders squared to the vanishing point so that not a sliver of her face or front is visible. Her left hand grips the umbrella shaft at chest height, fingers wrapped tight around the pole, the wrist angled so the canopy tilts a few degrees back over her shoulders; her right arm hangs loose and swings slightly forward mid-stride, hand relaxed and open. Her weight rides on the forward-planted left foot, the right heel just lifting off the wet paving, hips canted with the step, coat hem and hair both blown a touch back toward the viewer by the walking motion.
The umbrella is a wide shallow dome of saturated crimson, the only saturated hue anywhere in the frame, its ribs showing as soft folds across the crown; water beads run down the edge and drip from the lowest scallop on the right side nearest the camera. Beyond its rim the world is stripped to flat black and pure white: a corridor of building faces as hard silhouette blocks, a receding row of shuttered storefronts, a fire escape and a pair of poles whose verticals echo the rain, a small square of pale sky at the far end where the alley opens onto nothing.
The rain is drawn, not painted: rigid vertical black lines, evenly spaced and ruled perfectly plumb from top to bottom of the frame, denser in the white zones and thinning to interruptions where they cross the black silhouette masses, so the downpour reads as engraved geometry rather than weather. Every one of those lines bends its path slightly as it crosses the umbrella dome and skips over the red surface entirely, which keeps the umbrella as an unbroken silhouette of color; the canopy's underside, lit from an off-frame break in the cloud cover, carries a single deeper red shadow, and the girl's own shadow pools as a dark trapezoid directly under her heels rather than stretching away from the camera.
Composition is built on hard right angles and repeating bands: the alley walls compress toward a vanishing point just above the umbrella crown in three stacked rectangles, the puddles between the paving stones form white bars against black joints, and the red dome punches into the exact upper-center of the frame so all verticals read as lines converging on it and all horizontals as a ladder beneath it. Palette admits only three values plus the accent: absolute black masses, paper-white air and water, one red object, nothing else.
Linework is confident and fully controlled, with a clearly varying weight, thick black contouring on the silhouette architecture and hairline strokes in the rain and puddles, flat opaque fills with crisp cel edges and no soft gradients except the single shaded panel on the umbrella's underside. Shapes are simplified and blocky, honestly graphic, arranged with deliberate spacing rather than organic clutter. Cinematic depth comes from the squeezing perspective of the alley and from the light breaking whitely at the far end while the near foreground falls into black.
No letters, no signage, no numbers, no typography on any surface: the storefronts are blank black slabs, the far opening empty of words. Quiet, final, and graphic.
w1w4w2w3
ej
Umbrella
Eitud Jag
ej
Umbrella
Eitud Jag
Scopri altro
Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
1
이름
이름
2
...
Tofu
1
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Commenti