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Shin yama
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- 戦隊モノの表紙を作ってください。 文字入れないでください 美笑女戦隊クスグレンジャー 5人組のヒロイン戦隊です それぞれが様々な拘束の仕方をされています みんなくすぐりに弱くてくすぐり攻撃を受けています 笑い狂う女や可愛く笑う女、耐えようとしている女など、みんな違った表情で笑っています。 5人は別々の部屋でくすぐられています 股間付近のくすぐり、わきの下へのくすぐり、おしりへのくすぐり 5人ともヘルメットは被っていません 可愛い顔から美人顔まで様々です 服装は赤やピンクやホワイトや黄色や水色など戦隊モノの戦闘スーツです tickle くすぐり, ヒロイン, くすぐり攻撃,tickle, girl, tickle machine, 拘束 ,くすぐり, くすぐりマシン,tickle ticklemachine smal_lhund,tickle
- Tag qualità
- high quality, year_2025, year_2024, ﹝Prompt﹞
- Dimensione
- 1280 x 720
- Passaggi di campionamento
- 25
- Metodo di campionamento
- Euler
- Scala CFG
- 4.5
- Negativo
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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Masterpiece, high quality cute anime style with an extra adorable touch. Four fighting game characters from left to right: kasugano_sakura, kanzuki_karin, asamiya_athena, yuri_sakazaki. Kasugano Sakura has short brown hair, brown eyes, and a red headband. She wears her original red sailor uniform, now with the front replaced by translucent slime revealing her chest and skin, preserving the blue sailor collar, red fingerless gloves, and skirt. Kanzuki Karin has blonde hair styled in ringlets with a large pink bow and brown eyes. She wears her original school uniform, with the front replaced by translucent slime, preserving her gloves and skirt. Athena Asamiya has long purple hair with a red hairband and purple eyes. She wears her original red dress, with the front replaced by translucent slime, preserving her red gloves and star hair ornament. Yuri Sakazaki has long brown hair in a single braid and brown eyes. She wears her original red martial arts dougi, with the front replaced by translucent slime, preserving her red headband and belt. All four have their arms raised and hands folded behind their heads, wrists fixed to a seamless slime wall. Thin slime tentacles from the wall gently tickle only their armpits. Their faces show wide-open, vacant tearful eyes with visible pupils looking directly at the camera with a pleading expression. Their mouths are wide open in laughter with slight drool. The composition is a horizontal close-up from head to upper thighs. Their feet are shoulder-width apart, restrained in the slime wall. The background is a seamless slime wall embedding all limbs.
マリー最推しオーナー氏
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ddca
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ストーリーA アバレイエロー奈緒１２
CROSS OVER(クロスオーベル)
赤
five bunny girls, 5girls, evenly spaced, horizontal row, side by side, banzai, both arms raised fully overhead, arms up, bound, restrained, crucifixion platform, spread arms fixed to crossbars, small mechanical hands, many mechanical hands, tickling, neck, armpits, inner upper arms, sides of torso, navel, lower belly, inner thighs, outer thighs, soles of feet, bare feet, laughing, crying, screaming, open mouth, tears, streaming tears, bright red face, full-face blush, squinting, clenched eyes, wide shot, eye-level, straight-on, symmetrical composition, leotard, bunny ears, playboy bunny, rabbit ears, black leotard, white collar, bow tie, cuffs, pantyhose, high heels, restrained wrists, restrained ankles, strapped, metal frame, sweat, trembling, motion lines, spoken_heart, tickling, laughter, helpless, overwhelmed
Five bunny girls hang in one horizontal row across a wide, straight-on eye-level frame, spaced at equal intervals so the gaps between their crucifixion platforms read as five equal slices of background; each cross-shaped metal frame stands vertically with its crossbar well above the girls' heads, and each platform is bolted to the same dark floor at the same depth so the row recedes in a single flat plane. Every girl is held with both arms flung fully overhead along the crossbar, wrists wrapped and strapped at the tips of the bar, elbows just off straight, and both ankles strapped apart at the foot of the upright, so each body is stretched long and open with the leotard pulled taut across the ribs and the collarbones standing out; weight hangs from the wrist straps rather than the feet, which droops each torso a few centimetres and lets the heels dangle free of the frame's base. All wear glossy black bunny leotards cut high at the hip, white cuffs at the wrists, white collars with small black bow ties, tall upright rabbit ears on headbands, and sheer dark pantyhose with black high heels hanging loose from the toes; the five differ only by hair — long straight black, chin-length blonde bob, wavy auburn to the waist, short mint-green pixie, and a high dark-purple ponytail — so the row reads as a set while none of them is a copy.
Around each girl a swarm of small mechanical hands on thin jointed steel stalks reaches in from the frames, dozens per body: from above they creep along the sides of the neck and into the hollows of the armpits; longer arms hook under the raised upper arms to work the inner biceps; others crawl the flanks and circle the navel; a cluster presses at the lower belly just above the leotard's edge; more slide along the inner thighs and the outside of the thighs where the pantyhose strains; and at the base, small palms flatten against the bare soles of the dangling feet, thumbs pressing the arches. Each mechanical hand is a palm-sized metal shell with visible finger joints and a soft pale-grey grip pad, catching the light so the density of them is legible, and the stalks overlap the girls' bodies in a clear occlusion order: straps in front of flesh, mechanical fingers in front of leotard, frames behind everything.
Every face is bright red from forehead to jaw, flush so intense it bleeds into the ears and down the throat; eyes are squeezed shut with tears breaking loose and running sideways down the temples, brows crushed together, mouths wide open in a scream of laughter with teeth and tongue showing, cheeks wet and shiny-glossed, hair shaken loose from behind the ears and strands plastered to the damp skin of the neck. Each head is thrown back against the crossbar's shadow, and one small hand-drawn heart floats in a bubble beside the face of the second girl from the left.
The scene is lit by one broad cold-white overhead source above the row: it lays a hard pool down the centre of each leotard and inside the hollow of each armpit, picks a wet highlight off every tear track and every glossed lip, and drops the same soft shadow beneath every crossbar and every mechanical arm onto the skin below. Fine sweat beads sit only on the upward-facing planes — the tops of the shoulders, the bridge of the nose, the ridge of each collarbone — and none in the shadowed undersides. The background is an unadorned dark charcoal wall with a faint horizontal seam, five identical cast shadows falling behind the frames, the palette restricted to black leotards, white trim, flushed crimson skin and the cold grey of steel hands, in a mature anime style with glossy high-finish rendering and soft blended skin gradients under warm highlights, controlled colour harmony, minimal visible brushwork — helpless, overwhelmed.
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