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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Modello e LoRA utilizzati
![[IL] Makima (マキマ) - Chainsaw Man (チェンソーマン) - AI Model cover image](https://images-ng.pixai.art/images/thumb/150e0ee3-5869-4cb3-b13f-0f33901215d1)
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makima\(chainsaw man\), long hair, bangs, black tie, white shirt, black pants, medium breasts, black jacket, masterpiece, chainsaw man, looking down, right hand back of hand facing viewer, eye contact, chains, makima_v1, 1girl, red hair, ringed eyes, braided ponytail, solo, black necktie, shirt, collared shirt, black_pants
sew
真紀真・鏈鋸人
Zhustand
n2
character: makima_(chainsaw_man), artist: ratatatat74, copyright: chainsaw_man
1girl, solo, makima \(chainsaw man\), red hair, long hair, braided ponytail, braid, sidelocks, yellow eyes, ringed eyes, glowing eyes, beautiful face, neutral expression, seductive look, malevolent, white shirt, collared shirt, long sleeves, black necktie, suit, formal clothes, standing, from below, cowboy shot, ominous lighting, volumetric lighting, depth of field, minimal apartment background, several desiccated male bodies lying on the floor in the background, white outline, high contrast, sharp cel-shading, rim lighting, cinematic perspective, moody atmosphere, masterwork, best quality, absurdres, very absurdres, highres, very awe, amazing quality, ultra detailed, perfect anatomy, very aesthetic, 8k, 4k, ultra hd, full hd, CG, newest,
Shot from a low angle worm's-eye view, looking up at a tall woman in formal dress: she stands in the foreground centre-right of a minimal apartment, her weight settled on her back right leg with her left hip pushed slightly forward, her shoulders square to the frame and her chin tipped a fraction down so she looks along the line of her nose straight into the lens. Her face is beautiful and perfectly composed, a neutral expression held still — flat closed lips, no smile — while her yellow ringed eyes, ringed in concentric circles like a target, glow from within with a faint luminous rim, hooded by relaxed upper lids that make the stare read as a seductive, malevolent appraisal of whoever she is looking at. Deep red hair falls long past her shoulders, a single thick braid gathered into a braided ponytail that sweeps down over her left shoulder toward her chest, the two long sidelocks framing her cheeks and the crown smooth; the braid's loose strands and the tail's tip sway slightly out from her body. She wears a crisp white collared shirt buttoned to the throat, its long sleeves ending at her wrists and its cuffs squared, a narrow black necktie knotted tight at the collar and hanging dead straight in the still air, and over it a dark formal suit jacket with sharp lapels sitting open and clean; one hand rests relaxed at her side, index finger loosely curled against the trouser seam, the other hangs still. Behind her, spread across the bare floorboards of the minimal apartment at a lower level than her waist, several desiccated male bodies lie where they fell — grey, shrunken, hollow-cheeked, limbs slack and overlapping, their clothes dark and rumpled, one arm flung out, another curled to a chest — occupying the midground band behind her calves, softly out of focus but unmistakable. The room is spare: a pale wall, a single doorway edge, a bare hanging bulb far off-frame above and behind her. That bulb is the only light source; its hard white top-light strikes her crown, the bridge of her nose and the tops of her shoulders in volumetric shafts cutting through faint dust haze, throws her ringed eyes into their glow, and leaves her jaw and the hollows of her collar in deep shadow, casting a long shadow forward across the floorboards toward the camera. The bodies catch only the fringe of that falloff, their dry skin matt and grainy where it meets the light. The palette is narrowed to red, white, black and the grey-brown of dead flesh and bare wood, with the bulb's cold white as the single accent. A thin white outline rims her silhouette against the darker wall behind, separating her from the bodies at her feet. Depth of field holds her face and braid tack-sharp and lets the room and the fallen figures fall away into a soft blur. Quiet dread.
nyx21-
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·.🖤🪞🐑
(mai)
✦ · 🌹 ☕ 𓆩 ✧
(mai)
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