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AI art "黒服"
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黒服

ブルーアーカイブの黒服　一応名前を入れなかったけど、思った以上に黒服を生成してくれた。

#Fuoco maschile#in piedi#Sfondo semplice#solo#giacca#cravatta#abito formale#fumo#Brillante#Camicia#occhio luminoso#Maniche lunghe#Abito#pantaloni#completo da lavoro#1 ragazzo#guanti neri#camicia bianca#crepa#abito nero#Blue Archive#Black Suit
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遥か彼方

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character: male, A striking anime-style painting of a mysterious male figure in a three-quarter view from a low angle against a dark, abstract background with subtle retro and Western illustration influences. His head is enveloped in pitch-black mist, featuring white cracks resembling shattered glass across the surface. Only the right eye area is circular and sharp, glowing with intense white light, while the lower half of his face displays a sideways white crack like an ill-fitting smile. He wears a black tailored jacket with very stiff shoulder pads and a slim waistline, matching black trousers, a white dress shirt, and a black tie, with his skin completely hidden beneath the attire and gloved hands. His hands are clad in fitted black gloves, and he wears black leather shoes with beautiful highlights. The art style is impasto-influenced with pronounced lighting highlights, where luminous whites contrast with rich, muted tones to create a dramatic, emotional surface, blending subtle retro flair with Western illustration techniques.
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男性　頭部の表面には、ガラスが割れたような白い亀裂　頭全体が漆黒の霧のようなモヤで形成　右目の位置だけが丸く、鋭い白光している　顔の下半分には不適な笑みのような横の白い亀裂　黒いテーラードジャケット、同色のスラックス　胸元には白いドレスシャツに黒いネクタイ　非常にかっちりとした肩パッド、細身のウエストライン　肌は見えない　両手にはぴったりとした黒い手袋　ハイライトが綺麗に入った黒い革靴
Modalità
pro
Stile
Luminous Impasto
Dimensione
768 x 1280
Negativo
worst quality, photorealistic, bad anatomy, blur, low resolution
Stile: Luminous Impasto

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.00k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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