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(mazjojo: 0.67), (ratatatat74: 0.83), (shadman: 0.73), fujii eishun, ch3v4l13r, (3D render: 1.5), Quimera, artist:AGM, detailed eyes, ultra-detailed-eyes BREAK detailed eyelashes, detailed hair, ultra-detailed-hair, Masterpiece, Best Quality, High Quality, Amazing Quality, absurdres, highres, 8k, CG, full hd, illustrating, (volumetric lighting), ambient occlusion, depth of field, ultra-detailed, detailed art style, detailed background BREAK. beautiful background, immersive background, newest, detailed shading, very aesthetic, lowlight, Add_More_Details, dramatic lighting, best lighting, intricate details, soft lighting, realistic lighting, rich colors, vibrant colors, highly detailed BREAK. Wolf cut, black hair, grey eye, (small breasts: 1.3), dark circles under eyes, toned female, wide hips, thick thighs, eyepatch on left eye, yellow eyepatch, narrow waist, thick lips, black lipstick, mole under right eye, mole under mouth, (monolids: 1.6), (long eyelashes: 1.4), open collar, yellow hairclips, (parallel hairclips: 1.3), black thong, higleg panties, bomber jacket, (skindentation: 1.4), crop top overhang, tank top
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Dimensione
768 x 1280
Passaggi di campionamento
20
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
worst quality, bad quality, low quality, lowers, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowers, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured BREAK. missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise, loli, child, kid, bad eyes, bad mouth, bad tongue, bad face, bad teeth, bad ears, bad art, blurry, blurry image, bad feet, 6 toes, extra toes, extra feet, too many toes BREAK 7 toes, deformed feet, deformed toes, ugly feet, ugly toes, distorted, yellow filter, glowing hair, blur, depth of field, covered nipples, cameltoe, pussy, medical eyepatch , extra fingers
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artist: ratatatat74 1girl, solo, close angle, black hair, short hair, blunt bangs, sidelocks, grey eyes, glowing eyes, beautiful face, neutral expression, observant look, seductive look, seductive pose, jacket, crop top, transparent cleavage window, black high-waist shorts, black fingerless gloves, torn clothes, black pantyhose, torn pantyhose, single leg pantyhose, black thighhighs, single thighhigh, torn thighhighs, white outline, several desiccated male bodies, lying on floor, background, safehouse background, volumetric lighting, ominous lighting, depth of field, from above, looking at viewer, head tilt, weight on one leg, hand on own hip, dutch angle, cowboy shot, The camera looks down on her from a steep three-quarter angle, the floor of the safehouse falling away behind her into shallow-focus haze. She stands with her weight sunk into her left leg, right knee loose and slightly crossed inward, hips canted so one hipbone rides high above the waistband of the high-waist black shorts. Her right hand rests flat on that hip, fingers splayed over the black fabric; the black fingerless glove cuts off at the knuckles, leaving bare fingertips that press dimples into the shorts. Her left arm hangs loose and slightly back, knuckles brushing the seam of the jacket. The jacket hangs open off both shoulders over the black crop top, its hem short enough that a band of bare midriff shows above the shorts, and the transparent cleavage window runs a clear panel down the chest, revealing skin beneath and catching a hard specular highlight along its edge. Her chin is tipped down, blunt bangs cutting a straight black line across her brow, sidelocks framing her jaw, and her glowing grey eyes angle up at the viewer through the fringe -- pupils small, lids half-lowered, the mouth flat and closed, giving nothing away. A slim white outline traces her whole silhouette, brightest along the outer edge of the jacket and the crown of her head, separating her from the dark behind. Her right leg is sheathed in black pantyhose that has been ripped open at the knee and thigh in long diagonal runs, the nylon webbing at the tears lighter and thicker than the surrounding fabric; that same leg carries no thighhigh, so the pantyhose runs unbroken to her foot. Her left leg wears a single black thighhigh pulled high, its top edge torn and frayed into loose loops that sag away from the skin, and the pantyhose underneath is laddered with thin runs descending toward the ankle. The stocking bands bite slightly into the thigh, and a faint crease of compression shows above each band. Behind her, in the soft-focus depth of the safehouse, several desiccated male bodies lie sprawled on the concrete floor at broken angles, limbs loose, torsos sunken, their forms reduced to grey-brown masses with the light picking out a ribcage, a jaw, a splayed hand. They are out of focus and lower in frame than her, never competing with her face. The room itself is bare concrete and stripped fixtures, a crooked shelving unit and a dead fluorescent tube along one wall, all pushed back into blur. The light comes from a single hard source above and behind her, backlighting the crown of her hair and blowing out the volume it cuts through the dusty air, while her face sits in cool shadow lit only by the faint upward glow of her own eyes and a thin cyan rim tracing her cheekbone, the jacket collar and the edge of the torn thighhigh. Shadows drop away from her toward the camera in long dark wedges, and the bodies behind catch only the top edges of their forms. Palette: black, cold concrete grey, dead brown, with a single vibrant electric-cyan accent in the eye glow and rim light, nothing else admitted. Sharp cel-shaded edges, hard high-contrast shadow breaks, cinematic wide-angle consequence that stretches her near leg toward the lens. Malevolent, quietly menacing.
nyx222

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