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AI artwork
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NekoFluttershyBackup

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1girl, zoe rayne, tight collar, bound, struggling, squirming, duct tape, tape gag, tied to chair, happy, no hat, masterpiece, ultra detailed, looking at viewer
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Immissione richiesta originale
zoe rayne, Tight Collar, bound, struggling, Squirming, Duct Tape, Tape Gag, Tape Gagged, Tightly Tape Gagged, Tape Gagged Tightly, Happy, tied to chair, No Hat,
Dimensione
768 x 1280
Passaggi di campionamento
20
Metodo di campionamento
Euler a
Scala CFG
4.5
Negativo
human, multiple tails, modern, recent, old, oldest, graphic, cartoon, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated

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AI artwork
余
character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), long_hair, very_long_hair, brown_hair, braid, brown_eyes, eight-heads-tall, tall_female, bound, bondage, full_body_bag, black_bag, body_bag, enclosed_in_bag, neck_to_toe_coverage, leather_belt, belt_around_neck, belt_around_chest, belt_around_abdomen, belt_around_thigh, belt_around_ankle, tight_straps, duct_tape_over_mouth, tape_gag, gagged, lying, on_floor, on_side, s-shaped_pose, curled_body, warehouse, indoors, sunlight, sunbeam, dust_motes, concrete_floor, from_above, high_angle, wide_shot, looking_up, helpless, restrained, blush, sweat, half-closed_eyes, trembling, bound_legs, bound_arms, cinematic_lighting The camera looks down from a high corner of the warehouse, wide and slightly tilted, so the whole of her reads in one glance against the bare concrete. She lies on her left side in an S: hips rolled one way resting on the floor, shoulders turned back the other, knees bent and drawn up, ankles crossed — the long black bag following every bend so the S is drawn by the bag's own creases, not just by her body. Only her head emerges at the top of the bag; the fabric closes snug at the base of her skull with no gap. Five leather belts cinch the bag to her — one thick strap around the throat just under the jaw, one below the bust, one across the abdomen, one around the upper thigh, one around the ankles — each pulled so tight that the bag puckers in short radial creases either side of the band and the leather bites into the fabric. The bag itself is matte black, light-absorbing, taut, showing the shape of her through it, seams running down the sides. Her very long brown hair, released from its braid, spills out over the concrete in loose strands, some strands caught under the throat belt, the rest fanning toward the camera. A strip of grey duct tape crosses her mouth, its edges slightly lifted, creased where her lips press beneath it. Her brown eyes are open and turned up toward the light shaft falling from the high window, brows drawn, a faint sheen of sweat at her temple, one strand of hair stuck to her cheek. A trapezoid of sunlight from a high grimy window cuts diagonally across the floor and across the middle of the bag, the rest of her falling into cool shadow — the light is the only source, and beyond its edge the concrete goes dim. Dust hangs in the beam. Around her, the warehouse: rusted steel uprights, stacked pallets, crates, a dry-floored aisle. Her shoulder and hip press dents into a thin layer of dust on the concrete, and the belt around her ankles leaves a small shadow line under the fabric. Colour is strictly black bag, brown leather, brown hair, grey concrete and one shaft of warm daylight. Helpless, still.
余命一万一日

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