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AI art "女帝" featuring #piedi, #One Piece and #Boa Hancock
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女帝

#piedi#One Piece#Boa Hancock
轩
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轩辕小枫

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Commenti

1girl, masterpiece, low angle view from foot of bed, full body shot, Boa Hancock (One Piece), lying sideways on modern yoga mat, wearing sexy tight fitness instructor outfit, sheer flesh-colored pantyhose, one leg raised nearly 180 degrees, exposed pussy with drooling juices, side-crushed F-cup breasts, long black hair scattered, beautiful face turned to camera, slender phoenix eyes half-open with lust, biting red lips, extremely flexible and seductive high-leg pose, highly detailed 3D render, octane render, unreal engine 5, cinematic 3D, ultra realistic 3D model, sharp focus, 8K, cinematic warm lighting and shadows, sensual atmosphere, nakamura_hirofumi (style), slender, purple eyes, long straight black hime-cut hair, delicate facial features, oval face, cold and glamorous expression, long eyelashes, sharp gaze, mature beautiful face
Mostra parametri
Immissione richiesta originale
从床尾低角度仰视全景，海贼王女帝波雅·汉库克侧躺在现代瑜伽室垫子上，身穿性感紧身健身教练服，极薄肉色丝袜，单腿高抬近180度，私处完全暴露淫水流下，F杯巨乳侧压裸露，黑色长发散落，绝美容貌侧向镜头，细长凤眼半睁含春，红唇轻咬，极致柔韧撩人高抬腿姿势，极致细腻写实，highly detailed 3D render, octane render, unreal engine 5, cinematic 3D, ultra realistic 3D model, sharp focus, 8K，电影级暖光阴影，sensual氛围，masterpiece
Dimensione
768 x 1280
Passaggi di campionamento
14
Metodo di campionamento
Euler a
Scala CFG
4
Negativo
anatomical nonsense,interlocked fingers,extra fingers,watermark,simple background,transparent,low quality,logo,text,signature,(worst quality, bad quality:1.2),jpeg artifacts,username,extra digit,ugly,bad_hands,bad_feet,bad_anatomy,deformed anatomy,bad proportions,lowres,bad_quality,
Correzione del viso

Modello e LoRA utilizzati

One obsession Branch（v6） - AI Model cover image

SDXL

One obsession Branch（v6）
203
XL版 中村博文style - AI Model cover image

LoRA utente

XL版 中村博文style
26
海贼王女帝 - AI Model cover image

LoRA utente

海贼王女帝
4

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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