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Secunda Nova
Mostra parametri
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 5
- Metodo di campionamento
- DPM++ SDE Karras
- Scala CFG
- 5.2
- Negativo
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
HiRes
Modello e LoRA utilizzati
1 private models used
Immagini simili
Mostra di piรน
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ny
The Sinister Nurse's Checkup!
neutten@yahoo.ca
Da Pedl
1girl, solo, demon girl, pure white skin, pale white skin, pure white eyes, blank white irises, no pupils, plump black lips, black lips, pointed ears, elf ears, long black hair, black hair, blunt bangs, hair between eyes, black fingernails, black nail polish, black horns, forehead horns, forehead tattoo, black squiggly facial tattoo, tattoo from eye corners to ears, womb tattoo, long black tail, demon tail, spade tail tip, wide hips, large breasts, cute nurse uniform, white nurse dress, short nurse dress, nurse cap, black trim, black stockings, holding stethoscope up, stethoscope, one arm raised, arm extended toward viewer, upper body, cowboy shot, from below, dutch angle, looking at viewer, half-closed eyes, one eyebrow raised, faint smirk, head tilt, hospital, hospital corridor, indoor, fluorescent lighting, white walls, pale green tile, depth of field, sharp focus, high detail, cinematic lighting, slightly tense, clinical unease
The camera sits low and slightly tilted, looking up at her from about hip height, so the corridor's ceiling tiles converge overhead and her raised arm comes toward the lens with the stethoscope's chest piece hanging on its black tube, foreshortened and tilting left with the frame. She stands three-quarters to the lens in the corridor's center, weight sunk into her left hip with the right knee soft and turned in, so the short white nurse dress pulls taut across the wide hips and large breasts, its black trim riding the hem and collar, black stockings rising into shadow under the hem. Her left arm is bent at the elbow with the stethoscope's tubing looped twice around that wrist, her right arm is raised high and out toward the viewer, the metal chest piece held up at eye level, her black-nailed fingers curled loosely around the fork so the polished disc catches a hard white highlight from the overhead panels. Her head tilts to her right, chin dipped, half-lidded pure white eyes with no visible pupils fixed down at the viewer under the low angle, one black brow arched, plump black lips pressed into a faint lopsided smirk; the black squiggly tattoo runs from the outer corner of each eye, curling and trembling along the cheekbone and hooking up to the pointed ear, and the pointed ears stand free of the long black hair, whose straight bangs cut a blunt fringe over the forehead just under the two short black horns. On her lower belly, below the dress's cinched waist, the womb tattoo sits in the strip of bare white skin the lifted hem and open side vent expose, its curling black lines meeting the hemline exactly. Her long black tail swings out to her left, away from her raised arm, tip curling up beside the corridor handrail; where it passes behind the dress the black tube of the stethoscope crosses over it, so the tube is nearer the lens than the tail. Beyond her, behind her shoulder, the corridor recedes: a row of closed ward doors and their doorframes, a stainless steel drip stand, one distant wheeled cart, all rendered as soft simplified shapes with the signage reduced to illegible pale plaques. The light comes only from the ceiling's fluorescent panels in a cool green-white, laying flat bright bands across her white shoulders, horns and stethoscope disc and dropping the corridor's far end into a slightly green shadow; her own soft shadow falls behind her to the right on the tile. The palette is white, black and the pale clinical green of the floor, nothing else admitted, the skin and the uniform nearly the same value and separated only by the black trim, the black of her hair, lips, nails, horns and tattoos, and the green shadows.
Joshua Froat
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