4
🖤🖤❤️❤️
hyunie
semi-realistic, agyole_sal_style, soft painterly rendering, smooth skin shading, delicate facial details, high detail face, soft glossy lips, natural lip gradient, defined cupid bow, detailed eyelashes, long curled lashes, wet lashes, mascara effect, ManhwaEnhancedV1, ManhwaEnhancedQuality, ((Anime illustration)) ((Incarnate detail)) ((Masterpiece)) ((Highest quality)), 1girl, black hair, Hanbok, Korean traditional dress, vermilion color long skirt, scarlet color long skirt, embroidered skirt, black Jeogori, balck Korean jacket, fancy attire, beautiful skin, beautiful hands, impressive, full body, from head to foot, walking, side view, morning, flower field background, best quality, high detailed, masterpiece.
Mostra parametri
- Immissione richiesta originale
- 1girl, black hair, Hanbok, Korean traditional dress, vermilion color long skirt, scarlet color long skirt, embroidered skirt, black Jeogori, balck Korean jacket, fancy attire, beautiful skin, beautiful hands, impressive, full body, from head to foot, walking, side view, morning, flower field background, best quality, high detailed, masterpiece
- Mode
- standard
- Dimensione
- 768 x 1280
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
3
한복소녀
Momo모모
2
한복소녀
Momo모모
j0
1girl, focus_face, aegyo_sal, soft_lips, beautiful_eyes, Korean beauty, soft pastel anime art style, glossy cel shading, detailed painterly highlights, sketchy thin lineart, loose pencil-like outlines, hand-drawn anime sketch aesthetic, dynamic perspective, polished digital painting with rough sketch texture, ultra detailed, flirting, detailed hair strands, 8k resolution, In a space where sunlight is thinly filtered, her silhouette reads as balance beyond a simple shape. Her hair is neatly tied up, cleanly revealing the flow of the neck and shoulders, making the structure of the upper body appear more distinctly organized. The hanbok is of a red semi-sheer texture; the thinner the layers overlap, the deeper the color becomes, while thinner layers hold the light. The top follows the body's lines naturally without overly emphasizing them, and the fabric moves very slowly with her movements, leaving changes in the silhouette. The overall proportions are set on organized curves. The line from the shoulders to the waist enters without redundancy, and the waist is neatly defined as the point where it visually converges most quietly. The flow of the lower body below creates a sense of stability with a natural, unexaggerated weight. The volume of the upper body is subtly revealed through the layers of clothes and the flow of the fabric, perceived more through the contrast of light and shadow than direct exposure. The red semi-sheer fabric does not completely cover but skims lightly over, emphasizing lines during movement before dissolving softly again. As she turns her body at a slight angle, the curve of the waist is briefly emphasized as a central axis before being absorbed back into the flow of the clothes. Overall, the impression of a structure already completed in proportion remains before any exposure or emphasis. In the space where sunlight thinly scatters, she stands with her hair neatly tied up. The face, with the forehead and ear outlines fully exposed, is neatly organized without redundancy, and the hair is firmly fixed at the back of the head, following the curve of the head distinctly without a single strand out of place. The face has a structure with accurately matched balance. The line from the forehead to the nose bridge drops smoothly, and the nose bridge is straight while holding the center without being excessive. The eye expression stretches long but does not skew sharply, and the eyelashes create dense shadows to further separate the contours of the eye corners. Depending on the angle of the light, the pupils move between light and dark colors, possessing a density that is not fixed to one shade. The lips are positioned accurately within the facial proportions in a form that does not stand out excessively, and the overall impression maintains a completed, undisturbed balance even with almost no change in expression. The jawline is soft yet distinctly separated, finishing the lower part of the face in an organized shape. The hanbok is of a red semi-sheer texture, a fabric that does not completely block light but filters it thinly. With movement, the color subtly changes from rose to deep crimson, and the texture of the fabric sways naturally as if flowing with the air. In overlapping parts, the color deepens, and in thinly visible parts, light and shadow are revealed together on top of the skin. The sleeves drop long and gather softly near the wrists, spreading like an afterimage with even small movements before settling again. The overall silhouette is closer to refined flow than glamour, with decorations minimized. As she moves her head very slowly, the hair tied up without ornaments follows late like a single mass before finding its place again. With just this brief action, the lines of the face, the flow of the clothes, and the changes in color align simultaneously, appearing as a single quiet completion.
_janeove#0
