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Anthro 2

Pubblicato il Jul 28, 2026

Simon Kennedy

More to See

1girl, chastity knott, anthropomorphic, feline, long hair, obsidian hair, ponytail, deep eyes, vintage makeup, winged eyeliner, crimson lipstick, mauve eyeshadow, cocktail dress, midnight velvet, lace trim, art deco, rainy night, neon lights, noir, volumetric fog, cyan rim light, amber key light, magenta fill light, 35mm film, 85mm lens, bokeh, dutch tilt, low-angle shot, micro textures, dust motes, seductive, playful, cinematic, tex avery style, film noir, shag style, wong kar-wai lighting

Mostra parametri

Immissione richiesta originale: Cinematic character study of Chastity Knott, 1940s Technicolor animation aesthetic blended with modern high-fidelity realism, stylized anthropomorphic feline anatomy, sleek silhouette, long obsidian hair cascading into a low precise ponytail with individual stray strands catching backlight, deep obsidian eyes with a crystalline depth and subtle shimmering pupils, meticulously applied vintage glamour makeup, sharp winged eyeliner, matte crimson lipstick with a slight satin sheen, subtle mauve eyeshadow blended into a soft crease, wearing a form-fitting vintage mid-century cocktail dress in deep midnight velvet, intricate lace trim at the collar, subtle fabric pilling and weave visible under macro lens, standing in a stylized Art Deco lounge during a rainy midnight in a neon-lit noir metropolis, raindrops streaking against frosted glass panes in the background, volumetric fog swirling around ankles, multi-source lighting rig featuring a harsh cyan neon rim light from a street sign, a warm amber key light from a vintage floor lamp, and a soft magenta fill light creating complementary color contrast, shot on 35mm Kodak Portra 400 film stock, 85mm anamorphic lens, f/2.8 aperture creating a creamy bokeh of city lights, composition using a low-angle medium shot, Dutch tilt for a sense of psychological instability and playful mystery, color grading focused on deep blacks and saturated primaries, micro-textures of skin-like fur, subtle dust motes dancing in the light beams, mood of seductive irony and calculated mischief, fusion of Tex Avery's exaggerated elasticity and the cinematic moody lighting of Film Noir, influenced by the illustrative precision of Shag and the lighting of Wong Kar-wai.
Dimensione: 1280 x 720
Passaggi di campionamento: 28
Scala CFG: 11
Negativo: worst quality, photorealistic, bad anatomy, blur, low resolution