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Ares Vain
Mostra parametri
- Immissione richiesta originale
- full body, action pose, 2 characters, Cinematic dynamic photo, extreme wide overhead angle, Dutch tilt. Spider-Man and Hulk in midair combat, bursting out of a high-rise glass skyscraper top floor, dramatic debris and shattered glass explosions suspended in mid-air. Panoramic aerial view of Manhattan street grid below with motion-blurred yellow taxis and traffic. Dramatic rim lighting, motion blur, volumetric dust and smoke, volumetric atmospheric fog, photorealistic texture, Unreal Engine 5 render, 8k resolution, action movie poster aesthetic.,action_pose, ,Spiderman, male, mask, bodysuit, red and blue skin tight spidey suit, superhero, medium sized black spider-emblem on chest, toned body, fit body,Hulk, 1boy, muscular, bright green eyes, green-skinned humanoid, dark drab hair, dark drab eyebrows, black hair, barefeet, wears Ripped pants
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 25
- Metodo di campionamento
- Euler a
- Scala CFG
- 5.5
- Negativo
- lowres, (bad), text, error, fewer, extra, missing, worst quality, jpeg artifacts, low quality, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, [abstract], multiple views, censored
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Modello e LoRA utilizzati
Immagini simili
Mostra di piรน
jg
Spider-Man Swinging Through the City!
joe gillian69 (Joe Gillian)
s3
character: black_widow, scarlet_spider
solo, 1boy, male focus, muscular, slim waist, broad shoulders, sleeveless, red bodysuit, arms exposed, bare arms, light blue shirt, baggy shirt, sleeveless shirt, muscle shirt, gray spider emblem, chest emblem, short cape, web cape, red mask, white eye lenses, no web pattern, smooth mask, mouth exposed, bare chin, red gloves, black highlights, gray capsules, wrist capsules, red waistband, black spandex, red boots, black boot highlights, standing, energy wave, glowing ring at feet, black widow spider on shoulder, small spider, light blue and black and red spider, skyscraper rooftop, city setting, rooftop edge, from below, low angle, dutch angle, full body, looking down, wind,
The camera sits low on the rooftop gravel, tilted a few degrees off level, looking up past the Scarlet Spider's boots and along his body to the city sky. He stands near the roof's edge on the right third of the frame, weight settled on his left leg with the right knee unlocked, hips canted, one shoulder dropped lower than the other so the silhouette reads as a lean diagonal rather than a squared stance. His arms hang loose and bare outside the sleeveless light blue muscle shirt, which hangs baggy and off one shoulder seam, the big gray spider emblem stretched broad across the chest; the fabric ripples away from his ribs in the rooftop wind. A short cape of pale web-patterned mesh is clipped at the shoulder blades and lifts away from his back, its lowest point snapping in the gusts, not hanging limp. His head is tipped down and to his left, chin clear of the red mask, which ends clean at the upper lip: the smooth red fabric carries no webbing lines at all, only two large white eye lenses set at a slight downward slant, each lens catching a sliver of the sky's glow, and below them his exposed mouth is set in a flat, unimpressed line, the lower lip pressed slightly. Red gloves with black paneling sheath both forearms to just past the elbow, each wrist ringed by a row of gray capsules that click-catch the light as his fingers curl loosely toward his thigh. A red waistband cinches the black spandex at the hips, and red boots with black toe caps and black side flashes plant wide in the gravel.
Perched on top of his right shoulder, at the seam where the baggy shirt meets bare skin, sits the small black widow spider: light blue legs, a black glossy bulb of an abdomen, and a red marking beneath it, body no bigger than his fist, legs gripping the fabric with two front pairs lifted slightly as if testing the wind. Its tiny shape is silhouetted against the pale haze of the sky.
Beneath his boots, a wave of energy pulses outward in concentric rings of hot cyan light, lifting the gravel dust in a thin expanding halo; the rings are brightest where they pass under the soles and fade as they widen across the rooftop, and the light spills upward onto the undersides of his boots, the inner seams of the black spandex, and the underside of his chin and jaw so that the only warm light in the image comes from below. Beyond him the rooftop drops away into a deep city of gray and blue towers, receding in layered haze toward a pale, high, cloud-scraped sky; the buildings shrink and cool with distance, windows reduced to faint grids. Palette: red and black on the figure, a single cold light blue shirt and cape, gray emblem and capsules, then the city's desaturated blue-gray and the cyan energy ring, with nothing else admitted.
Wind direction is visible in the cape's snap and the shirt's roll, and the energy wave leaves a faint scorch ring in the gravel where its leading edge has passed. Low-angle, monumental, charged with held-back motion.
sup3rmandc
jg
Spider-Man Swinging Through the City!
joe gillian69 (Joe Gillian)
s3
character: hulk
1boy, solo, hulk, tall slim muscular male, bulky lean physique, green skin, short black hair, full beard, topless male, purple torn shorts, tattered ragged hem, barefoot, bare feet on broken pavement, intense expression, angry, wide open mouth, roaring, screaming, clenched fist, raised fist, flexed arm, veins visible, veiny arms, neck veins, chest veins, muscular male focus, green aura, glowing aura, energy aura, power radiating from body, cracked ground, shattered asphalt, rubble, debris, city street, urban background, level camera, straight-on, eye-level, full body, wide shot, dynamic pose, standing, looking at viewer, angry eyes, furrowed brow, ground shattering, dust, dramatic lighting, high contrast, mature anime style, glossy rendering:
The Hulk stands squarely in the center of a city street, camera held level at his chest height so the horizon of storefronts and lane markings runs flat and true behind him. He is a single figure, alone in frame, and built like a whipcord athlete: broad chest and shoulders over a long lean torso and tall long legs, muscle lean and cut rather than swollen, every fiber separated by hard shading. His head is thrown forward and down a hand's width, chin jutting, brow knotted, eyes locked straight out at the viewer with the whites hot; his mouth is torn wide open around a roar, teeth bared, jaw muscles standing out in cords, and his breath rushes visibly forward past his lips. His right arm is cocked, fist crushed shut so tight the tendons ridge along the back of the hand and the knuckles pale, held at chest level; his left arm hangs flexed and taut at his side, fingers half-curled. Veins stand in raised green-blue cords across both forearms, along the sides of his neck above the collarbone, and branching over the pectorals and the ridged abdomen. His green skin is lit glossy, with warm highlights rolling along the muscle curves and deep shadow in the cuts. He wears only a pair of purple shorts, torn and tattered, their hem shredded into hanging threads and the fabric split at the hip, nothing else on him; his feet are bare, flat on the asphalt, toes spread and gripping. A massive green aura boils up off his whole body, a fierce opaque emanation of green light and streaming sparks that blows his short hair back and lights the underside of his jaw, the shoulders and the outer edges of his arms in sickly green; the aura's outer fringe frays into wisps that curl away and drift. Around his feet the street has cracked open: a ring of widened fissures and pulverized asphalt, slabs angled up out of the ground, pebbles and grit kicked into the air and floating a few inches up, dust curling at his ankles where the soles press into the broken stone. Behind him the city street recedes flat, low buildings and a road sign out of focus, all incidental lettering smeared illegible. Daylight is flat overhead; the aura is the only colored light in the frame, greening his skin and the fog of dust at his feet, and the aura casts no shadow, only a faint green spill on the pavement. Palette: green, purple and gray asphalt, nothing else; the purple shorts and the green light are the two poles. Cold, thundering rage.
sup3rmandc
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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