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AI art "Akira hanagaki ๐Ÿซง My OC Tokyo revengers"
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Akira hanagaki ๐Ÿซง My OC Tokyo revengers

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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e puรฒ vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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1girl, solo, purple hair, short hair, messy hair, gradient hair, light blue hair tips, dark skin, tan skin, wheat skin, long neck, large breasts, narrow waist, toned midriff, faint abs, abs, black jacket, cropped jacket, high collar, short sleeves, jacket pulled down, open jacket, collarbone, cleavage, blue pants, cargo pants, scar, facial scar, scar over left eye, sharp teeth, fangs, open mouth, grin, teeth, seductive smile, smirk, half-closed eyes, looking at viewer, holding baseball bat, bat resting on ground, hand on own jacket, pulling own jacket, from below, cowboy shot, dutch angle, dim warehouse, single overhead light source, Low three-quarter camera tilted slightly off-level, looking up at her from knee height: the short messy purple hair with its faintly light-blue tips fills the upper frame, one side plastered flat and the other flicked up in an unruly cowlick, and the slightly long neck draws a clean line down from the jaw to the collarbone. The black cropped high-collar jacket is pulled down off her shoulders by her right hand โ€” fingers hooked inside the collar edge near her sternum โ€” so the stand collar rides low behind her neck, the short sleeves sit halfway down her upper arms, and the open front exposes her collarbone and the upper swell of her chest with its shadowed cleavage line; the cropped hem floats above the bare plane of her midriff, where a faint abdominal ridge and the two clean vertical lines at the sides of her stomach catch the key light. Her left arm hangs easy, hand wrapped around the grip of the baseball bat, barrel planted on the concrete so the bat stands near-vertical beside her left hip and takes a little of her weight; her left hip is cocked out, right knee relaxed, shoulders uneven. She grins wide and open-mouthed, teeth showing with two sharp fangs at the corners, the faint pale scar cutting a thin line across her left brow and cheek, eyes half-lidded and aimed straight into the lens, chin tipped down while the low camera tips her whole body over the viewer. Blue cargo pants sit low on her hips, the baggy fabric breaking in stiff folds over her boots, side pockets sagging heavy. The only light is a hard bare lamp high in the ceiling of a dark warehouse, so the crown of her hair, the ridge of her nose, the shelf of her chest and one edge of the bat burn bright while the underside of her jaw, the inside of the open jacket and the back half of the floor fall to soot; her shadow stretches long and thin behind her, and the slick bat barrel picks up one drawn-out vertical highlight from the lamp. Palette of deep black, wheat tan, worn cobalt blue and violet shading to pale blue at the tips, with the concrete's cold grey as the only neutral. Effortlessly cocky, charged.
aaalingaaa
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1girl, solo, 19 years old, tall, 180cm, large build, voluptuous, long legs, beautiful legs, short hair, blue inner hair, blue underlayer, black leather jacket, open jacket, cropped top, crop top, midriff, bare midriff, navel, short pants, black denim shorts, bare legs, silver necklace, chunky silver chain, sitting, on sofa, crossed legs, legs crossed, chin rest, resting chin on hand, hand on cheek, leaning forward, elbow on knee, looking at viewer, half-closed eyes, smirk, from below, cowboy shot, A low camera looks up from knee height at a young woman seated on a low mid-century burnt-orange two-seater sofa, filling the frame: her crossed legs travel diagonally from lower left toward the centre, one thigh laid over the other, the top calf hanging free so that the pointed toe of a black ankle boot dangles just off the floor while the supporting boot's heel stays planted, and the sheer length of those legs is the first thing the eye measures against the sofa's short, low arms. She is a big, athletic woman, broad through the shoulders and hips, her torso long and full-figured inside a cropped jersey top of deep navy that ends well above her navel, leaving her midriff bare and catching the lamp as a soft sheen along the waistband. Over it a black leather jacket sits open, its lapels folded wide, the sleeves shoved up past her elbows; a thick silver chain necklace hangs heavy over her collarbone and lies in a hard bright arc against the navy. Her hair is short, cropped close at the nape, and its outer layer is a dark near-black while the underlayer sheared beneath the crown shows a clear blue, so the shade only flashes when the crown tips toward the lamp and when a few blue tips fall forward across her forehead. She leans the full weight of her head onto her right hand, the elbow braced on her knee and the fingers curled slack against her cheek so the cheek presses and lifts faintly; her left arm lies along the top of the sofa back, wrist hooked over it. Her chin tips down toward the lens under that propped hand, and her eyes hold the viewer from beneath half-lowered lids, one brow lifted slightly higher than the other, one corner of her mouth pulled up in a small closed-lip smirk, as if she has just heard something better than what she expected. One warm lamp stands low and just out of frame at the right, so the light travels upward over her jaw, throat and the front of the jacket, throwing a soft cast shadow of her shoulder across the sofa cushion behind her; that same low light rakes along the tops of her crossed thighs and lets the underside of her chin and the far side of the room fall away into a deep blue-grey dusk. The sofa cushions dent and wrinkle where her hip sinks in, and the thin nap of the fabric shows darker around the pressure of her thigh. The room behind her is a bare corner with a shadow-graded wall and a soft slatted blind pattern above her head. Palette held to navy, black leather, silver, the burnt-orange sofa and her weathered tan skin, nothing else admitted; crisp cel edges, flat confident colour with one soft shadow tone, no grain. Her ankle boot sways once, slowly, and stops. Effortlessly cool, quietly amused.
ๅ‰็”ฐๆ™ดๆจน
AI artwork
ๅ‰
1girl, solo, 19 years old, tall, 180cm, large build, voluptuous, long legs, beautiful legs, short hair, blue inner hair, blue underlayer, black leather jacket, open jacket, cropped top, crop top, midriff, bare midriff, navel, short pants, black denim shorts, bare legs, silver necklace, chunky silver chain, sitting, on sofa, crossed legs, legs crossed, chin rest, resting chin on hand, hand on cheek, leaning forward, elbow on knee, looking at viewer, half-closed eyes, smirk, from below, cowboy shot, A low camera looks up from knee height at a young woman seated on a low mid-century burnt-orange two-seater sofa, filling the frame: her crossed legs travel diagonally from lower left toward the centre, one thigh laid over the other, the top calf hanging free so that the pointed toe of a black ankle boot dangles just off the floor while the supporting boot's heel stays planted, and the sheer length of those legs is the first thing the eye measures against the sofa's short, low arms. She is a big, athletic woman, broad through the shoulders and hips, her torso long and full-figured inside a cropped jersey top of deep navy that ends well above her navel, leaving her midriff bare and catching the lamp as a soft sheen along the waistband. Over it a black leather jacket sits open, its lapels folded wide, the sleeves shoved up past her elbows; a thick silver chain necklace hangs heavy over her collarbone and lies in a hard bright arc against the navy. Her hair is short, cropped close at the nape, and its outer layer is a dark near-black while the underlayer sheared beneath the crown shows a clear blue, so the shade only flashes when the crown tips toward the lamp and when a few blue tips fall forward across her forehead. She leans the full weight of her head onto her right hand, the elbow braced on her knee and the fingers curled slack against her cheek so the cheek presses and lifts faintly; her left arm lies along the top of the sofa back, wrist hooked over it. Her chin tips down toward the lens under that propped hand, and her eyes hold the viewer from beneath half-lowered lids, one brow lifted slightly higher than the other, one corner of her mouth pulled up in a small closed-lip smirk, as if she has just heard something better than what she expected. One warm lamp stands low and just out of frame at the right, so the light travels upward over her jaw, throat and the front of the jacket, throwing a soft cast shadow of her shoulder across the sofa cushion behind her; that same low light rakes along the tops of her crossed thighs and lets the underside of her chin and the far side of the room fall away into a deep blue-grey dusk. The sofa cushions dent and wrinkle where her hip sinks in, and the thin nap of the fabric shows darker around the pressure of her thigh. The room behind her is a bare corner with a shadow-graded wall and a soft slatted blind pattern above her head. Palette held to navy, black leather, silver, the burnt-orange sofa and her weathered tan skin, nothing else admitted; crisp cel edges, flat confident colour with one soft shadow tone, no grain. Her ankle boot sways once, slowly, and stops. Effortlessly cool, quietly amused.
ๅ‰็”ฐๆ™ดๆจน

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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