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AI art "just for test"

just for test

Published on 2 days ago
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Rem

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Anon Chihaya, as a core character illustration printed on the surface of a physical music CD, positioned in the center of the disc in a compact dynamic pose—looking back sideways, with one knee raised or leaning forward. The character is rendered with exquisite Japanese anime line art, flat cel-shading, and halftone dots; parts of the body are obscured by the transparent center hub of the CD. The composition must unfold naturally around the center and the circular ring, making the character appear truly printed on the disc rather than floating above the case. The disc background uses a geometric collage of off-white, light gray, charcoal black, and army green, overlaid with radial fluorescent magenta thin lines, abstract city maps, industrial serial numbers, slanted color blocks, scan textures, and circular micro-text. The center transparent plastic gear hub, the disc's reflections, and the printed patterns penetrate each other, creating a hybrid effect of flat character illustration and real optical materials. Present the entire finished product as a vertical top-down physical record flat-lay photograph in an approximately 16:9 ultra-wide landscape format: a black coarse-woven fabric covers the background, with a transparent standard CD jewel case located in the center of the frame, slightly tilted clockwise, occupying about two-thirds of the frame. The lid is open or transparently covering the disc, with clear hinges, clips, transparent borders, subtle scratches, refractive highlights, and local cracks visible around the edges; the CD itself is the largest circular visual center of the image. Underneath and around the transparent case are layers of printed materials, including gray-white halftone paper, acid fluorescent green ink strips, magenta spray paint strokes, torn paper corners, black marker lines, barcodes, and diagonal labels, making the objects look like a newly opened limited edition music album package. On the left, a narrow fluorescent green obi strip is placed diagonally, printed with bold narrow sans-serif uppercase text "ANNO TOKYO, AROUND THE WORLD, BE FANTASY", with the text extending vertically along the long edge and moderately cropped by the edge. In the bottom right, a huge handwritten cursive title or signature-style graphic is generated on the same theme, using black outlines and a bright magenta core, spanning across the corner of the case and the edge of the paper. Around the circumference of the disc, below the obi strip, and in the bottom right corner, small information such as years, tracklists, catalog numbers, design credits, and short thematic sentences are arranged; this text should be naturally generated around the subject and music theme, clearly legible and orderly in hierarchy, without copying names, years, or sentences from reference images. Scatter a few objects related to music and design work around the box: in the upper left, transparent smoky purple eyeglass frames or thin metal glasses, with cables winding through from the top of the frame; in the upper right, a silver-gray portable music player, black wired earphones, clips, or small digital accessories; on the right edge, a spare disc with a fluorescent green label and part of a transparent plastic case are visible; in the bottom right, a black pen, an unboxing tool, or thin accessories. Objects are allowed to be cropped by the frame and form a centrifugal rhythm around the central disc via diagonals and arcs, but must not block the character's face or the main title. Use studio-grade top-view product photography, approximately 50–70mm equivalent focal length, f/8–f/11 deep depth of field, ensuring all case edges, printing halftones, fabric textures, and accessories are sharp. Use a large softbox directly above and narrow fill lights on both sides; transparent plastic produces cold white sharp highlights, metal accessories have slight gray-purple reflections, and black fabric retains detail. The overall style combines Y2K music packaging, industrial Swiss typography, acid tech posters, street fashion magazines, Japanese character albums, and experimental collage design, incorporating halftone dots, photocopier noise, color registration offset, spray paint splatter, tiny scratches, paper creases, and transparent plastic chromatic aberration to create an atmosphere where sophisticated commercial design and underground indie releases coexist. Emphasize the visual signature group: "central transparent CD case, disc character printing, acid fluorescent green obi strip, magenta radial lines, transparent plastic reflections, circular micro-text, bottom-right handwritten title, and surrounding music accessories." Avoid outputting only a 2D album cover, omitting the real CD and transparent case, turning the box into a vinyl record, having the character float on the lid, overly neat object arrangement, warm wooden table backgrounds, soft pastel styles, rainbow gradients, cyber neon night scenes, excessive depth-of-field blur, incorrect plastic structures, non-circular discs, missing center hubs, large areas of unreadable gibberish, or copying specific brands, character names, copyright text, logos, signatures, and watermarks. character: chihaya_anon
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Immissione richiesta originale
千早爱音,作为一张印刷在实体音乐 CD 表面的核心角色插画,以侧身回望、单膝抬起或身体前倾的紧凑动态姿势置于圆盘中央,角色采用精致日系动画线稿、平面赛璐璐色块与半色调网点表现,局部身体被 CD 中心透明卡扣遮挡,构图必须围绕圆心和圆环排版自然展开,让角色确实像被印刷在唱片上,而不是漂浮于盒面之上。圆盘底图使用米白、浅灰、炭黑与军绿色几何拼贴,叠加放射状荧光桃红细线、抽象城市地图、工业编号、斜切色块、扫描纹理和环形小字,中心透明塑料齿轮卡扣、盘片反光与印刷图案彼此穿透,产生平面角色插画与真实光学材质的混合效果。 将整个成品呈现为约 16:9 超宽横幅的垂直俯拍实体唱片平铺摄影:黑色粗织布面铺满背景,一只透明标准 CD 珠宝盒位于画面中央并轻微顺时针倾斜,占据约三分之二画幅,盒盖敞开或透明覆盖在圆盘上方,四周可见清晰铰链、卡扣、透明边框、细微刮痕、折射高光和局部裂纹;CD 本体是画面最大圆形视觉中心。透明盒下方与四周压着多层印刷物,包括灰白网点纸、酸性荧光绿色油墨带、桃红喷漆笔触、撕裂纸角、黑色签字线条、条形码和斜向标签,让物件像一套刚拆开的限定音乐专辑包装。左侧斜放一条狭长荧光绿腰封,以粗窄体无衬线大写字排印 `ANNO TOKYO, AROUND THE WORLD, BE FANTASY`,文字沿长边纵向延伸并被边缘适度裁切;右下方以同一主题生成一枚巨大的手写连笔标题或签名式图形,使用黑色描边与亮桃红内芯,跨越盒角和纸张边缘。唱片圆周、腰封下方和右下角排列年份、曲目、目录编号、设计署名与简短主题句等细小信息,这些文字应围绕替换后的主体与音乐主题自然生成,内容清晰可读、层级有序,不复制参考图中的姓名、年份或句子。 在盒子周围散放少量与音乐和设计工作相关的物件:左上方有透明烟灰紫镜框或细金属眼镜,线缆从画面顶部蜿蜒穿过;右上方放置银灰色便携音乐播放器、黑色有线耳机、夹子或小型数码配件;右侧边缘露出一张带荧光绿标签的备用光盘和部分透明塑料盒;右下角有黑色笔、拆封工具或细长配件。物件允许被画框裁切,并以对角线和弧线围绕中央圆盘形成离心式节奏,但不能遮挡角色面部和主要标题。采用棚拍级顶视产品摄影,约 50–70mm 等效焦段、f/8–f/11 深景深,所有盒体边缘、印刷网点、织物纹理和配件均清晰;使用正上方大面积柔光箱与两侧窄条补光,透明塑料产生冷白锐利高光,金属配件带轻微灰紫反射,黑色织物保持细节。整体结合 Y2K 音乐包装、工业瑞士排版、酸性科技海报、街头潮流杂志、日系角色专辑与实验性拼贴设计,加入半色调网点、复印机噪点、套色偏移、喷漆飞白、细小划痕、纸张折痕和透明塑料色散,营造精致商业设计与地下独立发行物并存的氛围。突出“中央透明 CD 盒、圆盘角色印刷、酸性荧光绿腰封、桃红放射线、透明塑料反光、环形微型文字、右下手写标题与环绕音乐配件”这一组视觉签名。避免只输出二维专辑封面、遗漏真实 CD 和透明盒、将盒子变成黑胶唱片、角色漂浮在盒盖上、物件排列过于整齐、暖木桌背景、柔和粉彩风、彩虹渐变、赛博霓虹夜景、过度景深虚化、塑料结构错误、圆盘不圆、中心卡扣缺失、大片无法阅读的乱码、复制具体品牌、角色姓名、版权文字、Logo、签名与水印。
Mode
pro
Dimensione
1536 x 2048
Negativo
lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
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