宮
錦木千束
宮原薫
1girl, anime style, solo, dynamic
Mostra parametri
- Immissione richiesta originale
- アニメスタイル、ソロ、ダイナミックなポーズ、空中、飛び跳ね、視聴者に向かって近づいてくる、まっすぐ、遠近法、ワイドショット、テックウェア、割れたガラス、風、モーションライン、スピードライン、遠近法ライン、窓を突き破り、割れて入ってくる、拳銃を構える、fighting stance、superhero landing、、((リコリス赤い制服.ミニスカート、制服が破れブラが見える、torn with slashed across chesttorn miniskirt with shredded hem、))細かな服、完璧な解剖学、chisato_ nishikigi,blonde hair,red eyes,<lora:LCMTurboMix2fix:1>,
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 11
- Metodo di campionamento
- Euler a
- Scala CFG
- 2.5
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
宮
宮原薫
g
character: nishikigi_chisato. A medium shot from a slightly low angle features nishikigi_chisato standing centrally in a dynamic pose. She has long blonde hair adorned with a signature blue ribbon and bright red eyes reflecting a focused and spirited expression. She is dressed in her Lycoris uniform, consisting of a two-tone red and white dress with long sleeves and a matching neck ribbon. She is actively holding a handgun with both hands, gripping the weapon firmly and aiming it forward in a tactical stance. The background is a blurred urban street scene with soft sunlight filtering through buildings, creating a shallow depth of field. The visual style is a high-quality anime illustration with vibrant colors, crisp line art, and cinematic lighting that emphasizes the movement and energy of the scene.
GGG
Sadalmelik
1
