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reika kitami
Nicolas Gimenez
reika kitami
Mostra parametri
- Immissione richiesta originale
- Reika Kitakami from THE iDOLM@STER: Million Live!, Her outfit is a custom red and black racing-themed costume, including a red cropped jacket with black accents over a black bustier, a pleated red mini skirt with a black and white checkerboard pattern, a white belt with a square buckle, a black choker,black gloves, black thigh-high stockings with a garter belt detail, and red and white boots. sitting inside the rear compartment of a police transport van,,sitting properly on a worn beige padded bench seat, hands resting on her knees, metal handcuffs around her wrists, detailed metallic handcuffs.A large white cloth covers her head, making her face, eyes, mouth, and nose not visible..interior of a police prisoner transport vehicle, realistic Japanese police van interior, metal security bars, reinforced partition between passenger compartment and driver, metal mesh barrier, barred doors and windows, gray metallic interior panels, ventilation grilles on ceiling, rectangular ceiling lights, worn beige bench seats, industrial details, textured rubber floor, realistic vehicle architecture.View from inside the rear prisoner compartment, wide shot, centered composition, character sitting on the right side of the frame, large barred door on the left, detailed vehicle interior surrounding the character. Through the barred windows, an urban Japanese city street is visible, parked cars, storefronts, Japanese signs and advertisements, daytime, natural daylight entering through the windows.
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompt﹞
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 25
- Metodo di campionamento
- Euler
- Scala CFG
- 4.5
- Negativo
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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Tohsaka Rin, a character from the Fate series, is a young girl with long brown hair tied into high twin tails with black ribbons, and bright blue eyes. She is dressed in a revealing and sporty alternative cosplay outfit with glossy, patent-leather textures. She wears a short, cropped red bolero-style jacket over a shiny black and red bustier crop top. She has a black patent-leather miniskirt with a prominent white belt buckle and matching glossy red thigh-high boots, and a black choker around her neck. She is sitting inside the rear compartment of a police transport van, sitting properly on a worn beige padded bench seat, hands resting on her knees, with metal handcuffs around her wrists. A large white cloth covers her head, making her face, eyes, mouth, and nose not visible. The interior is a realistic Japanese police van interior, featuring metal security bars, a reinforced partition between the passenger compartment and the driver, a metal mesh barrier, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, worn beige bench seats, industrial details, and a textured rubber floor. Through the barred windows, an urban Japanese city street is visible, with parked cars, storefronts, Japanese signs and advertisements, during daytime, with natural daylight entering through the windows. The view is from inside the rear prisoner compartment, with a wide shot, centered composition, and the character sitting on the right side of the frame, with a large barred door on the left, showcasing the detailed vehicle interior surrounding the character.
Nicolas Gimenez
ng
Tohsaka Rin, a character from the Fate series, is a young girl with long brown hair tied into high twin tails with black ribbons, and bright blue eyes. She is dressed in a revealing and sporty alternative cosplay outfit with glossy, patent-leather textures. She wears a short, cropped red bolero-style jacket over a shiny black and red bustier crop top. She has a black patent-leather miniskirt with a prominent white belt buckle and matching glossy red thigh-high boots, and a black choker around her neck. She is sitting inside the rear compartment of a police transport van, sitting properly on a worn beige padded bench seat, hands resting on her knees, with metal handcuffs around her wrists. A large white cloth covers her head, making her face, eyes, mouth, and nose not visible. The interior is a realistic Japanese police van interior, featuring metal security bars, a reinforced partition between the passenger compartment and the driver, a metal mesh barrier, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, worn beige bench seats, industrial details, and a textured rubber floor. Through the barred windows, an urban Japanese city street is visible, with parked cars, storefronts, Japanese signs and advertisements, during daytime, with natural daylight entering through the windows. The view is from inside the rear prisoner compartment, with a wide shot, centered composition, and the character sitting on the right side of the frame, with a large barred door on the left, showcasing the detailed vehicle interior surrounding the character.
Nicolas Gimenez
ng
Alisa Mikhailovna Kujou, a character with long silver hair and blue eyes, is sitting properly on a worn beige padded bench seat inside the rear compartment of a police transport van. She wears a black leather jacket left open over a black leather crop top that exposes her cleavage and midriff, a black choker with a gem necklace, teardrop earrings, a black pleated skirt, a skirt chain, and garter straps. Metal handcuffs are around her wrists, and a large white cloth completely covers her head, obscuring her face, eyes, mouth, and nose. Her hands rest on her knees. The interior is a realistic Japanese police van with metal security bars, a reinforced partition and metal mesh barrier separating the passenger compartment from the driver, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, and a textured rubber floor. The view is a wide shot from inside the prisoner compartment, with the character centered on the right side of the frame and a large barred door on the left. Through the barred windows, an urban Japanese city street with parked cars, storefronts, Japanese signs and advertisements is visible during daytime, with natural daylight entering. The art style is anime with clean lines and cell shading, creating a highly detailed, high-quality image focused on a tense, atmospheric scene.
nicolas gimenez
