儀式
三毛猫隊長
Nana
Mostra parametri
- Immissione richiesta originale
- an anime illustration of a medieval round table with chairs from the Arthurian mythology. No human.,detailed background
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompt﹞
- Dimensione
- 1280 x 768
- Passaggi di campionamento
- 25
- Metodo di campionamento
- Euler
- Scala CFG
- 4.5
- Negativo
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Helper di Prompt
Modello e LoRA utilizzati
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mt
A medium shot, eye-level interior view of a spacious private confession chamber within the wealthy Yangyan Church of the Westerde Kingdom, captured in a vertical 9:16 composition. The room is constructed from finely crafted dark oak and polished stone, featuring a large carved wooden partition with a small decorative lattice opening that divides the space into two private seating areas. Two elegant medieval wooden seats are positioned on opposite sides of the partition, all contained within the enclosed stone walls and dark wooden panels. The partition and walls are adorned with sophisticated carvings of the Yangyan symbol, a circular golden sun-afterglow emblem with radiant rays. Warm bronze candle holders and small amber and golden stained-glass windows cast soft, colored light across the stone floor and rich woven religious textiles. The atmosphere is private, solemn, and intimate, illuminated by warm candlelight. The room is completely empty of any people or silhouettes, leaving the central conversational area clear. The visual style is a refined Japanese medieval fantasy anime illustration with polished textures and an immersive religious mood.
Marco Tong
mt
A medium shot, eye-level interior view of a spacious private confession chamber within the wealthy Yangyan Church of the Westerde Kingdom, captured in a vertical 9:16 composition. The room is constructed from finely crafted dark oak and polished stone, featuring a large carved wooden partition with a small decorative lattice opening that divides the space into two private seating areas. Two elegant medieval wooden seats are positioned on opposite sides of the partition, all contained within the enclosed stone walls and dark wooden panels. The partition and walls are adorned with sophisticated carvings of the Yangyan symbol, a circular golden sun-afterglow emblem with radiant rays. Warm bronze candle holders and small amber and golden stained-glass windows cast soft, colored light across the stone floor and rich woven religious textiles. The atmosphere is private, solemn, and intimate, illuminated by warm candlelight. The room is completely empty of any people or silhouettes, leaving the central conversational area clear. The visual style is a refined Japanese medieval fantasy anime illustration with polished textures and an immersive religious mood.
Marco Tong
mt
A medium shot, eye-level interior view of a spacious private confession chamber within the wealthy Yangyan Church of the Westerde Kingdom, captured in a vertical 9:16 composition. The room is constructed from finely crafted dark oak and polished stone, featuring a large carved wooden partition with a small decorative lattice opening that divides the space into two private seating areas. Two elegant medieval wooden seats are positioned on opposite sides of the partition, all contained within the enclosed stone walls and dark wooden panels. The partition and walls are adorned with sophisticated carvings of the Yangyan symbol, a circular golden sun-afterglow emblem with radiant rays. Warm bronze candle holders and small amber and golden stained-glass windows cast soft, colored light across the stone floor and rich woven religious textiles. The atmosphere is private, solemn, and intimate, illuminated by warm candlelight. The room is completely empty of any people or silhouettes, leaving the central conversational area clear. The visual style is a refined Japanese medieval fantasy anime illustration with polished textures and an immersive religious mood.
Marco Tong
