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AI art "赤木リツコ" featuring #Neon Genesis Evangelion and #Ritsuko Akagi
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赤木リツコ

#Neon Genesis Evangelion#Ritsuko Akagi
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Commenti

1girl, solo, ((Ritsuko)), ((aged up)), ((realistic, semirealistic)), seductive look, looking at viewer, cowboy shot, ((skinny body:1.3)), ((large breasts)), ((narrow waist)), ((slender arms:1.2)), ((slim thighs:1.2)), ((medium hip)), ((matte skin)), ((curvy)), (realistic skin), short hair, blonde hair, dark green eyes, mole under eye, lipstick, makeup, earrings, jewelry, ((labcoat, blue shirt, sleeveless, belt, black pantyhose, black miniskirt, side slit)), indoors, laboratory, BREAK (beautiful skin), sidelighting, (depth of field), blurry_background, an extremely delicate and beautiful, extremely detailed, (sharpness), (masterpiece), (8k), (highly detailed), (best quality), (high-resolution), ultra-detailed, (hyper detailed), (perfect anatomy), ((detailed skin)), (sharp focus), (realistic skin), , ,evangelion, anime screenshot, reb1, reb2, reb3, reb4,1girl
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
10
Metodo di campionamento
Euler a
Scala CFG
2.5
Negativo
((thick body, thick waist, wide waist, thick thighs, large thighs, wide hips, heavy body, chubby, plump, bulky body)), lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
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s3
character: android_18, copyright: dragon_ball, dragon_ball_gt 1girl, solo, android 18, blonde hair, short hair, bowl cut, blue eyes, smirk, standing, hand on hip, white blouse, long sleeves, pink pants, khaki pants, black flats, slim figure, sexy, contrapposto, laboratory, life pods, glass capsules, background, eye-level, straight-on, full body, looking at viewer, one eye half-closed, raised eyebrow, head tilt, glossy rendering, soft lighting, polished anime finish, controlled palette Eye-level, straight-on full-body shot, camera dead level with the floor, one slim woman centered in a bright laboratory. She stands in a confident contrapposto: weight sunk into her left leg, right hip pushed out and the right foot set slightly forward and turned outward, black flat on the tile with its toe box creased from the load. Her left hand is planted flat-backed on her left hip, elbow flared wide, fingers pressed into the fabric; her right arm hangs relaxed with the hand loose at her thigh, one finger half-curled. Short yellow bowl-cut hair hangs in a blunt even fringe just above her brows, the ends curving inward at her jaw, a few strands lifted away from her cheek by the ventilated air; blue eyes tilt toward the lens under a raised left brow, the right lid lowered a fraction, one corner of her mouth pulled up in a lopsided smirk, chin turned slightly. She wears a white blouse buttoned high with the sleeves long, its cotton catching a soft sheen across the chest and shoulder and creasing at the waist where her hand compresses it; slim pink khaki pants with a sharp front seam, faint knee and hip wrinkles, the fabric matte and slightly dusty-toned; black flats low and plain, both ears bare and unadorned at the visible side of her head. Behind her the lab recedes in shallow depth: a row of tall glass life pods in dark metal frames stands along a pale wall, each cylinder lit from within by a cold cyan fluid glow that rims her hair, shoulder and the outer edge of her hip in a thin cool line while a warmer overhead panel lights her face and the front of the blouse from above; her soft shadow falls short and to the right on the seamless floor, and the pods' faint reflections smear across the polished tile in duller, softer duplicates. The palette is restrained to white, dusty pink, black and the cold cyan of the capsules. Intimate, effortlessly composed.
sup3rmandc

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