Dalinar - The Man who Reads

#Male #Black hair #Multicolored hair #blue eyes #Beard #Streaked hair #Black Pants

Published on 5 days ago

Dermot

A medium shot at eye level, framed from mid-thigh up, featuring an aging highprince seated in a stone study, positioned three-quarters to the viewer. He is a muscular man in his fifties with broad shoulders and a thick chest, possessing a blunt, weathered face, a crooked broken nose, tan skin, and almond-shaped blue eyes under an epicanthic fold. His cropped black hair is iron-grey at the temples, and his expression is one of deep concentration, lips pursed as he reads. He wears a cobalt-blue uniform coat with undone top buttons, silver buttons, gold-embroidered cuffs, a white linen shirt, and dark trousers, with a sapphire signet ring on his finger. He is hunched forward, elbows on his knees, one thick scarred finger tracing a line of text in a worn leather-bound book held flat in his other hand. The study features smooth grey stone walls and a narrow window revealing a snowy night sky over peaks. A single candle on the desk casts warm amber light, creating deep brown gloom. The visual style is a luminous anime illustration with warm-toned rim lighting and a palette of amber, umber, cobalt, and slate.

Mostra parametri

Immissione richiesta originale: A cowboy shot at eye level, framed from mid-thigh up, of a warlord-turned-king who taught himself to read late in life, an aging highprince seated alone in a stone study with a heavy book open in his hands. He is a man in his fifties, muscular and broad-shouldered, thick through the chest in a way that his coat cannot soften, and the quiet scene still belongs to a high fantasy adventure world of mountain towers and old wars. His face is blunt and weathered, a warrior's face with a heavy brow and a nose broken long ago and set crooked, tan-skinned and clean-shaven, with almond-shaped blue eyes under an epicanthic fold. His brow is furrowed in concentration and his lips are slightly pursed, the look of a man reading slowly and deliberately, sounding out words he came to late. His hair is cropped close in a soldier's cut, black gone iron-grey at the temples. Old pale scars cross the backs of his thick hands. He wears his cobalt-blue uniform coat with the top buttons undone at the throat, a plain white linen shirt showing beneath, and dark trousers, the coat's silver buttons and gold-embroidered cuffs catching the candlelight. A sapphire signet ring sits on his right hand, and the book in his grip is a thick, plain leather-bound volume with worn corners. The setting is a small stone study high in a mountain tower city, the walls cut from smooth, slightly veined grey stone. A tall, narrow window behind him shows a night sky over snow-capped peaks, snow drifting past the glass. A single fat candle burns on the desk at his elbow beside a stack of papers and a clay cup, and the room beyond the desk falls into soft darkness at this framing. He sits in a heavy wooden chair turned three-quarters to the viewer, hunched slightly forward over the open book, elbows braced on his knees, one thick forefinger tracing along a line of text while the other hand holds the pages flat. His weight is still and settled, the only motion the candle flame bending sideways in a faint draft from the window. The candle is the sole light source, a warm amber firelight that falls soft and low across his face and hands from the left, gentle gradients with little hard shadow, leaving the far side of his face and the grey stone behind him in deep warm-brown gloom. Amber dominates; the snow-blue of the window is a cool accent in the corner and nothing more. Luminous Impasto style: clean digital-painted linework with glossy, warm-toned rim and backlighting as the dominant shading trait, the candle's glow edging his cropped grey hair, the line of his jaw and the pages of the book in gold against the dark stone. The palette is warm and deep, amber and umber over cobalt and slate, and the finish is defined by that dramatic luminous glow rather than visible paint texture.
Mode: standard
Dimensione: 768 x 1280

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My mission is secret

Nikolaus Ohnelaus

軍師、マッシュ=シルバーバーグ(後世の習作)

鷹木澄成

(masterpiece, best quality, highly detailed, mature:2.0), solo, semi-realistic, (cowboy shot), 1boy, 40-year-old man, mature man, seated on old wooden chair, fair slightly pale skin, lean face, ((subtle age lines:2.0)), tired appearance, very short dark brown hair, deep chestnut brown hair, neatly trimmed hair, short beard with sideburns, dark brown beard, well-kept beard, gray eyes, steel gray irises, worried expression, melancholy expression, slightly raised eyebrow, tired gaze, looking toward viewer, anxious face, thoughtful posture, shoulders slightly lowered, hands resting on lap, simple medieval linen shirt, beige linen shirt, loose sleeves, practical clothing, brown medieval trousers, worn clothing, commoner clothing, humble appearance, small stone room, medieval painter workshop, stone walls, old wooden furniture, unfinished canvas, wooden easel, paint brushes, clay pigment bowls, scattered parchment sketches, paint stains, shelves with pigments, solitary candle, single candlelight, warm candle glow, dark room, windowless room, deep shadows, moody atmosphere, dramatic lighting, painterly fantasy art, highly detailed face, realistic textures, fox_family_illustration,fox_family_style,beautiful illustration, soft lighting

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