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- Immissione richiesta originale
- gotoh hitori, bocchi the rock!, 1girl, long hair, blue eyes, skirt, multiple girls, hair ornament, jacket, 2girls, sitting, pink hair, shoes, pleated skirt, pants, socks, indoors, solo focus, lips, black socks, one side up, flying sweatdrops, brown shoes, loafers, box, track jacket, pink jacket, nose, realistic, scared, nervous, cube hair ornament, track suit, pink track suit, closet,anime style, flat color, clean lineart,kishida mel illustration, kishida mel style
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- 768 x 1280
- Watermark
- On
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後藤ひとり
社畜の人
Benjiro
character: michinoku_komaro
1girl, solo, michinoku komaro, long hair, pink hair, blue eyes, bags under eyes, hair between eyes, crossed bangs, ponytail, school uniform, serafuku, white shirt, long sleeves, sailor collar, blue sailor collar, pleated skirt, blue skirt, black pantyhose, underwear, panties, visible underwear, from below, dutch angle, cowboy shot, leaning forward, looking down at viewer, half-closed eyes, raised eyebrow, one eye closed, hand on own knee, arm support,
A low, tilted three-quarter view from below, the camera set near floor level and canted so the vertical of the corridor leans across the frame; the girl is caught crouching low over a shoe locker, one knee up and one knee down, her weight sunk into the down knee while her left hand rests flat on the raised knee and her right hand pushes the locker door shut with the flat of her palm. Her chin tips down so the lowered lids of her blue eyes meet the lens from above, dark smudges of tired bags under both eyes carrying the whole of her expression: one brow lifted, one eye squinted almost shut, the corner of her mouth pulled crooked. Her long pink hair falls forward off her shoulders in heavy ropes, the ponytail bound high at the back of her head and swinging out past her right shoulder toward the open locker, the crossed bangs over the middle of her forehead and the strands between her eyes pushed slightly apart by the downward tilt of her head. She wears the serafuku precisely: a white long-sleeved shirt buttoned to the blue sailor collar that lies flat across her shoulders and back, the sleeves falling loose to her wrists, and a pleated blue skirt that rides up along her raised thigh as she crouches, the knife pleats splaying instead of lying flat. Black pantyhose sheathes both legs from the waist down, the knit stretching pale thin over the knee that bears her weight and gathering in soft horizontal wrinkles at the ankle of the down leg. Where the skirt rides high, the white edge of her underwear shows at the top of her thigh, contained by the black hose and the pleat folds.
Light comes from a single high window at the far end of the corridor behind her, raking down the row of lockers and striking the top of her head, the crown of the ponytail and the upfacing lid of the open locker in a cold grey-blue, the undersides of her jaw, her throat and the inside of the skirt falling into deep shadow; the lockers throw long soft bars of shadow across the linoleum, and the only bright thing on the floor is the small pool of light in front of her knee. Palette: pink hair against blue-white uniform, cold grey-green corridor, warm skin remaining the single warm note. Dust motes drift in the window shaft above her and are visible only where they cross it. Quiet, wry exhaustion.
hakunyanndayo-
character: michinoku_komaro
1girl, solo, michinoku komaro, long hair, pink hair, blue eyes, bags under eyes, hair between eyes, crossed bangs, ponytail, school uniform, serafuku, white shirt, long sleeves, sailor collar, blue sailor collar, pleated skirt, blue skirt, black pantyhose, underwear, panties, visible underwear, from below, dutch angle, cowboy shot, leaning forward, looking down at viewer, half-closed eyes, raised eyebrow, one eye closed, hand on own knee, arm support,
A low, tilted three-quarter view from below, the camera set near floor level and canted so the vertical of the corridor leans across the frame; the girl is caught crouching low over a shoe locker, one knee up and one knee down, her weight sunk into the down knee while her left hand rests flat on the raised knee and her right hand pushes the locker door shut with the flat of her palm. Her chin tips down so the lowered lids of her blue eyes meet the lens from above, dark smudges of tired bags under both eyes carrying the whole of her expression: one brow lifted, one eye squinted almost shut, the corner of her mouth pulled crooked. Her long pink hair falls forward off her shoulders in heavy ropes, the ponytail bound high at the back of her head and swinging out past her right shoulder toward the open locker, the crossed bangs over the middle of her forehead and the strands between her eyes pushed slightly apart by the downward tilt of her head. She wears the serafuku precisely: a white long-sleeved shirt buttoned to the blue sailor collar that lies flat across her shoulders and back, the sleeves falling loose to her wrists, and a pleated blue skirt that rides up along her raised thigh as she crouches, the knife pleats splaying instead of lying flat. Black pantyhose sheathes both legs from the waist down, the knit stretching pale thin over the knee that bears her weight and gathering in soft horizontal wrinkles at the ankle of the down leg. Where the skirt rides high, the white edge of her underwear shows at the top of her thigh, contained by the black hose and the pleat folds.
Light comes from a single high window at the far end of the corridor behind her, raking down the row of lockers and striking the top of her head, the crown of the ponytail and the upfacing lid of the open locker in a cold grey-blue, the undersides of her jaw, her throat and the inside of the skirt falling into deep shadow; the lockers throw long soft bars of shadow across the linoleum, and the only bright thing on the floor is the small pool of light in front of her knee. Palette: pink hair against blue-white uniform, cold grey-green corridor, warm skin remaining the single warm note. Dust motes drift in the window shaft above her and are visible only where they cross it. Quiet, wry exhaustion.
hakunyanndayo-
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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