opop
魅惑的白髮女孩與紅色手勢
我真的非常喜歡這幅作品中那種獨特的氛圍，白髮女孩與深紅色的手勢交織出強烈的情感，每次看到都能帶給我不同的感受。希望大家也會被這份神秘和魅力所吸引，喜歡的話請多多支持我，留言告訴我你的想法吧！未來還有更多精彩創作等著你！
Mostra parametri
- Mode
- pro
- Stile
- anime illustration. great quality, best quality
- Dimensione
- 1152 x 1536
- Negativo
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Stile: anime illustration. great quality, best quality
Modello e LoRA utilizzati
Immagini simili
Mostra di più
(masterpiece:1.3), painterly anime rendering, semi-realistic anime illustration, expressive painterly character art, soft watercolor and oil painting hybrid, traditional media aesthetic, visible brush strokes, textured brushwork, rough painterly texture, dry brush texture, layered translucent paint washes, loose pigment, paint bleeding, color bleeding around edges, uneven paint application, imperfect blending, messy soft blending, subtle paint splatters, sketchy ink lineart, loose hand-drawn lines, thin irregular ink lines, broken lineart, partially faded lineart, lineart dissolving into paint, rough unfinished edges, semi-diffused edges, soft lost-and-found edges, painterly contours, visible construction strokes, muted desaturated colors, dusty color palette, soft grayish tones, restrained saturation, subtle warm and cool color variation, translucent shadows, uneven painterly shading, soft shadow transitions, matte surface texture, atmospheric softness, high detail through brushwork rather than sharp rendering, organic imperfections, raw traditional illustration feeling, emotional atmosphere, delicate facial features, expressive eyes, , , semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes, ,
(masterpiece:1.3), painterly anime rendering, soft watercolor diffusion, controlled color bleeding, layered translucent washes, textured brush strokes, rough oil painting texture, semi-diffused edges, edge bleeding, sketchy ink lineart, thin rough lines, lineart preserved under paint, bold color blocking, muted color transitions, rich but muted palette, diffused lighting, uneven shadows, soft shadow transitions, matte texture, messy blending, slightly uneven painterly shading, high detail density
さんしょくたんご
秘密的眼睛守護者
Lona's alt 2
1girl, horror, body horror, extra eyes, eyeball, multiple eyes, eyes on hands, too many eyes, black hair, long hair, blunt bangs, hands over face, covering face, peeking through fingers, one eye visible, half-closed eye, looking at viewer, staring, bony hands, long fingers, white collar, doll collar, rounded collar, black ribbon, neck ribbon, monochrome, greyscale, sepia tone, ink, pen art, hatching, cross-hatching, lineart shading, dark background, black background, manga style, junji ito style, creepy, surreal, dread, upper body, vertical composition, A Japanese horror manga style pen-and-ink illustration in the tradition of classic body-horror artists. A girl with long black hair and heavy blunt bangs holds two overlapping hands in front of her face, peering through the gap between her fingers with a single calm half-lidded real eye staring straight at the viewer. Her palms and the backs of her hands are covered with grown eyeballs — around eight of them, each a different size, each iris rendered with dense concentric hatching, each looking in a different direction, some meeting the viewer's gaze and some glancing aside — with two more disembodied eyes floating in the dark background beside her cheek. Her fingers are elongated and bony, knuckles emphasized with heavy line work. She wears a white rounded doll collar with a thin black ribbon tied at the throat, the garment below dissolving into black hatching. Pure pen hatching technique throughout: vertical stroke background, sparse lines for skin, cross-hatching for shadow, no gradient shading, only line density. A warm sepia aged-paper tint over the whole black-and-white image, like a scanned vintage manga plate, quiet dread, vertical composition
Mizuki
1
