別れと孤独の物語

#figure from behind #Hatsune Miku #Vocaloid

Published on Sep 10, 2026

瀾熙 LanXi

Deliberately unbalanced composition, two subjects split to the far left and far right ends of the frame, cinematic widescreen aspect ratio, on the left side a passenger airplane climbs into the rainy night sky, the aircraft dominating three-quarters of the entire frame, landing gear not yet fully retracted, only the engine tail and rear fuselage visible as it ascends away from the viewer, on the right side a lone figure stands inside the airport terminal seen from behind, a virtual idol with extremely long teal twin-tail hair cascading down to her back, mechanical hair clips with subtle digital accents, wearing a white sleeveless uniform with crisp visible fabric texture and a matte black pleated skirt, high-gloss patent leather over-knee socks with anisotropic reflection, one hand dragging a teal glossy hard-shell suitcase with specular highlights, the scene set inside a rainy night airport terminal behind massive floor-to-ceiling windows, outside the wet runway reflects soft diffused light from red and yellow light spots, puddles on the tarmac mirroring blurred distant lights, rain streaming down the glass with subtle caustics and refraction effects, volumetric light scattering through the rain-misted air, soft glow emanating from the terminal interior contrasting with the pitch-black night, low-saturation soft color palette dominated by cool blue-grey tones with warm accent lights, quiet melancholic farewell atmosphere, anime illustration style, clean crisp linework, cinematic widescreen composition, subsurface scattering on skin, metallic micro-scratches on aircraft fuselage, engine exhaust heat distortion, raindrop refraction detail on window glass

Mostra parametri

Immissione richiesta originale: Deliberately unbalanced composition, two subjects split to the far left and far right ends of the frame, cinematic widescreen aspect ratio, on the left side a passenger airplane climbs into the rainy night sky, the aircraft dominating three-quarters of the entire frame, landing gear not yet fully retracted, only the engine tail and rear fuselage visible as it ascends away from the viewer, on the right side a lone figure stands inside the airport terminal seen from behind, a virtual idol with extremely long teal twin-tail hair cascading down to her back, mechanical hair clips with subtle digital accents, wearing a white sleeveless uniform with crisp visible fabric texture and a matte black pleated skirt, high-gloss patent leather over-knee socks with anisotropic reflection, one hand dragging a teal glossy hard-shell suitcase with specular highlights, the scene set inside a rainy night airport terminal behind massive floor-to-ceiling windows, outside the wet runway reflects soft diffused light from red and yellow light spots, puddles on the tarmac mirroring blurred distant lights, rain streaming down the glass with subtle caustics and refraction effects, volumetric light scattering through the rain-misted air, soft glow emanating from the terminal interior contrasting with the pitch-black night, low-saturation soft color palette dominated by cool blue-grey tones with warm accent lights, quiet melancholic farewell atmosphere, anime illustration style, clean crisp linework, cinematic widescreen composition, subsurface scattering on skin, metallic micro-scratches on aircraft fuselage, engine exhaust heat distortion, raindrop refraction detail on window glass
Mode: ultra
Dimensione: 1776 x 1184
Negativo: lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark