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ヨガ上等
「最終的には この人に火をつけちゃったのよ うん」 （字幕を付けたかったけど何回試行しても上手くいかず）
Mostra parametri
- Immissione richiesta originale
- Netflixの番組の「ラブ上等２」のネットミーム化した、出演者が青い背景をバックに画面左方向に向け右手で手ぶりを交えながら告白する画像 （参考画像[https://livedoor.blogimg.jp/moriagarisokuho-m4biks4m/imgs/c/1/c11497a2.png]） の出演者をストリートファイター２の登場キャラ「ダルシム（インド人の老齢のヨガの達人、頭髪･眉毛など全て剃毛している。赤褐色系の色黒の肌に極端なやせ型のガリガリ体型、皴の多い顔、黒目が一切ない超サイヤ人ブロリーのような白目、スキンヘッドの頭に頭頂部から後頭部にかけて縦に平行に太い3本の赤い刺青線（真ん中の刺青線にかぶるようにインド人特有のおでこ飾りの点ティラカが存在）、眼球の下から頬にかけて左右ともに2本線計4本の赤い刺青線、耳に大きな環状のピアス、首には紐状のネックレスの胸元に三つの髑髏の首飾り。黄色の膝丈より短いズボンを荒縄で縛っている。手首及び足首付近を黄色い布でバンテージ上に覆っている、量手首付近は大きめの金属の輪がかかっている。裸足。）」（参考画像[https://asset.watch.impress.co.jp/img/gmw/docs/1052/584/sttdhalsim02.jpg][https://dailyportalz.jp/application/files/3215/7664/7050/dhalsim2.jpg][https://img.atwiki.jp/niconicomugen/attach/1375/4283/Super_Dhalsim.jpg][https://thumb.wikimedia.org/wikipedia/commons/thumb/f/f6/Dhalsim_cosplayer_at_FanimeCon_2010-05-30_4.JPG/500px-Dhalsim_cosplayer_at_FanimeCon_2010-05-30_4.JPG?utm_source=ja.wikipedia.org&utm_campaign=imageinfo&utm_content=thumbnail][https://i.pximg.net/img-original/img/2009/03/07/00/57/13/3349766_p0.jpg][https://i.pximg.net/img-original/img/2010/05/07/01/06/20/10486843_p0.jpg][https://i.pximg.net/img-original/img/2025/07/16/07/48/57/132749720_p0.png][https://i.pximg.net/img-original/img/2025/05/04/17/45/48/130024939_p0.jpg][https://i.pximg.net/img-original/img/2023/03/04/19/36/52/105909257_p0.jpg][https://i.pximg.net/img-original/img/2022/09/07/20/44/18/101065101_p0.jpg]）に置き換えたパロディ画像。
- Modalità
- lite
- Stile
- Semi-Real
- Dimensione
- 1280 x 960
Stile: Semi-Real
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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