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AI art "Asha'Rante"
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Asha'Rante

#Eterocromia#sdraiato#Orecchie a punta#Finestra#Vestito#occhi rossi#capelli corti#solo#Capelli neri#Corna#orecchini#Brillante#Cuscino#sguardo verso lo spettatore#gioielli#Vestito nero#1 ragazza#fascia#motivo floreale
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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Avatar image of Jezzabella
copyright: yu-gi-oh! 1girl, solo, half-dragon, dragon girl, human ears, no animal ears, human ears on sides of head, short black hair, black hair, four horns, tan horns, dragon horns, long curled horns, short horns, red eyes, slit pupils, dragon pupils, pale skin, black dragon scales, scale patches on skin, scale patches on cheeks, black scaly dragon tail, thick tail, tall female, curvy, thick thighs, wide hips, large breasts, black crop top, midriff, navel, black short shorts, black thigh-highs, black stockings, zettai ryouiki, lying, lying on back, on bed, head on pillow, on side, looking at viewer, one eye visible, half-lidded eyes, light smile, tail draped over edge of bed, arm above head, hand on pillow, castle interior, master bedroom, four-poster bed, canopy bed, dark bedroom, candlelight, warm rim light, cinematic lighting, from above, high angle, close-up on upper body, foreshortening, vaporwave aesthetic, pink and purple palette, retro 80s style, glitch effect, grid lines, holographic texture, nostalgic digital The shot is a high angle from above the bed, tilted down the length of the mattress so the half-dragon woman lies foreshortened across the frame: her head on a pillow at the lower left, her body running diagonally up toward the headboard at the upper right. She is on her back, angled toward the camera, one knee bent so the black thigh-high stocking catches a long highlight and the black short shorts sit high on her wide hip. Her thick, curvy figure reads clearly through the short black crop top, which rides up to bare her midriff and navel; one arm is flung above her head on the pillow, the other rests loosely across her stomach with her fingers brushing the hem of the top. Her human ears are visible flat to the sides of her head beneath the short black hair, which fans out on the pillow; from each temple and crown rise four tan dragon-like horns, two stubs above her brow-line and two long, gently curled horns sweeping back toward the pillow, one of them crossing her black hair. Patches of black dragon scales scatter her pale skin: a cluster along one cheekbone and temple, a band down the outside of her shoulder and forearm, a scute-edged patch on her hip above the shorts, and a run down the outside of one thigh where the stocking begins. From her lower back, clear of her hip, the black scaly dragon tail lies over the mattress and hangs off the edge of the bed, its plated ridges glinting. Her red eyes are half-lidded, one catching the light with a thin vertical slit pupil, and she looks up at the viewer with a small, faint closed-lip smile, one brow faintly lifted. The room is a castle master bedroom: dark stone walls with a tall narrow window and heavy drapes at the upper left, a massive carved wooden four-poster bed with a deep crimson canopy and pillows, a large fireplace on the right wall, and a cold pale moonlight through the window that cuts a long, faint blue rectangle across the quilt. A single candle on the nightstand is the sole warm source in the room, its light drawing a narrow orange rim along her forehead, the tips of her horns, the curve of her shoulder and the top edge of her thigh; beyond that pool the corners of the room sink into deep shadow, cast shadows sitting hard and black under her chin, beneath her lifted knee and along the pillow crease of her cheek. The palette lands dusty mauve and warm muted rose over brown and slate, with a blush-pink canopy and pillow and a soft almond-cream glow on her lit skin, her horns and scale patches reading warm tan against it, a deep claret accent in the canopy and the quilt, and the whole image washed with a faint retro-digital holographic sheen — a soft pink-and-purple bloom, a suggestion of grid lines across the far wall, a slight chromatic split on the window's edge. Her thigh-high stockings compress the quilt where her leg lies on it, and the pillow sinks under her head. Elegant, quietly magnetic.
Jezzabella
AI artwork
n2
artist: ratatatat74 1girl, solo, oni, ceramic white skin, pale skin, glowing amber eyes, vertical slit pupils, long straight hair, dark red hair, crimson hair, low ponytail, hair tied at nape with crimson silk cords, two small curved black oni horns, thick muscular oni tail, spade-like tail tuft, faint scar across bridge of nose, sharp aristocratic features, beautiful face, dangerous edge, predatory smirk, cunning expression, malevolent, proud, seductive look, half-closed eyes, raised brow, stylized kimono, black and crimson fabric, gold embroidery, deep V-neckline, intricate obi sashes, high thigh slits, reinforced leather bracers, white outline around subject, several desiccated male bodies, withered dried skin, lying prone on floor, background corpses, japanese estate background, dark wooden interior, shoji screens, tatami floor, volumetric lighting, ominous lighting, rim lighting, dramatic backlighting, depth of field, background blur, sharp cel-shading, high contrast, low camera angle, from below, full body, wide shot, dutch angle, cinematic perspective, wide angle lens, moody atmosphere, dark background, red accent lighting, ring light in back, black and crimson lighting, misty haze, floating dust motes, anime style, CG illustration, masterwork, best quality, absurdres, very absurdres, highres, 4k, 8k, ultra hd, very aesthetic, detailed shading, perfect anatomy, high resolution, masterpiece, The camera sits low and close to the tatami in a slight dutch angle, looking up at the oni woman so she towers over the lens, the wide angle stretching her silhouette and pushing the room steeply away into the background. She stands full-body in the frame's center-right, weight settled on her left leg with the right knee relaxed and turned inward, hips canted to one side so the high slit of the stylized black and crimson kimono parts along her outer thigh. One reinforced leather bracer grips her own sash at the waist, the other hangs loose with fingers half-curled, and her thick muscular oni tail sweeps out in a slow curve to her left, the spade-like tuft catching light at its tip. Her long straight dark-crimson hair falls behind her shoulders, bound loosely at the nape by the crimson silk cords so a few strands escape and hang against her collarbone. She props her chin slightly and looks down her nose at the viewer, amber eyes half-lidded, vertical slit pupils narrowing against the light, sharp aristocratic features casting a long shadow down one cheek, the faint scar across the bridge of her nose catching a fine highlight, and a slow predatory smirk pulls at one corner of her mouth. White outline runs the full perimeter of her silhouette, a crisp drawn contour that separates her from the room behind. The Japanese estate interior lies behind her in soft depth of field: dark timber beams and shoji screen lattices recede in the haze, the tatami floor worn with a faint red-tinted sheen. Several desiccated male bodies in withered, dried skin lie prone on the floor in the background, their hollow shapes small and defocused behind her tail, forearms and ribs flattened against the tatami. Volumetric light pours in from a shoji window behind her right shoulder, cutting a broad hazy shaft through the dust in the air, rimming her shoulder, horn tips, and the edge of her tail in cool white. A dim red lamp glow from off-frame deepens the shadows under the beams, and the darkness beyond the window shaft is absolute. Ominous atmosphere, the whole palette held to deep crimson, charcoal black, ceramic white, and thin gold-embroidered thread glinting where the shaft strikes her sash.
nyx22222
AI artwork
n0
character: karis_(elsword), artist: ratatatat74 1girl, solo, demon girl, succubus queen, on bed, seductive pose, reclining, evil grin, smirk, seductive look, confident, malevolent, glowing violet eyes, sharp aristocratic facial features, full pouty lips, cascading obsidian black silky hair, liquid sheen, very long flowing hair, demon horns, large demon wings, long spear-tipped demon tail, vivid midnight black-purple skin, lithe, statuesque, sheer flowing silk outfit, gold filigree waist cinch, bare midriff, bare legs, regal, white outline, dark demon palace background, fancy bedroom background, volumetric lighting, ominous lighting, depth of field, backlighting, rim lighting, from below, close-up, cowboy shot, dutch angle, looking at viewer, high contrast, sharp cel-shading, vibrant accent colors, moody atmosphere, Shot from a low, tilted angle at the foot of an enormous canopied bed, the camera looks up across the mattress at a single demon queen half-reclined against a drift of black silk pillows. The queen — one figure, alone, no one else in the room — lies on her left side: her left forearm is planted in the bedding to hold her torso up off the mattress, her left shoulder rolled forward and the elbow locked so the weight travels down through the forearm into the pillow, while her right hand rests flat on her own left hip where the gold filigree cinches the sheer silk. Her hips are slung slightly toward the lens and her legs are crossed at the ankle and drawn up a little, so the sheer fabric of the outfit parts into a long slit and both legs and the whole bare midriff between the filigree belt and the braid of fabric are laid open to the light. The needle-tipped tail trails off the far edge of the bed and its spear point hangs over the mattress edge in the same hard backlight, and her two large wings are unfurled behind her shoulders, the membrane stretched and the leading edge catching the light while they fold clear of the pillows so they never clip them. Her head is turned down and sideways toward the lens, chin dipped as if looking at something close to the floor rather than at the viewer, and the two horns rise from her hairline. The cascade of almost-liquid black hair spills off the pillow, over her left shoulder, and down between her shoulder blade and the silk, and it reflects the backlight in a long moving ribbon rather than a matte mass. The chamber around the bed is enormous and empty: a vaulted dark-stone palace interior, black ribbed columns and a pointed arch far behind the bed, tall lancet windows beyond the headboard that spill cold light down out of the upper dark, a heavy carved bedframe with a black canopy pulled back to the side, dark brocade hangings, a single tall candelabra standing on the far side of the bed. That window and that candelabra are the only light sources: the window throws a hard cold rim along the top of her shoulder, the curve of her hip and the outer edge of each wing membrane, and the candelabra throws a separate warm, much weaker glow up onto the near side of her face, her collarbones, the sheer fabric and the gold filigree, so that everything beyond those two pools falls away into absolute black. The background is thrown out of focus so its vaulting reads as soft dark shapes and bokeh points while she stays sharp. The palette is closed and disciplined — midnight black-purple in her skin, deepest black in the hair, the stone and the hangings, one cold blue-white in the window light, and a thin gold in the filigree belt plus a warm candle gold on the near cheek — with a single saturated violet reserved for the eyes, which glow from beneath her lashes and throw the faintest violet sheen onto the ridge of the pillow beneath her chin. The whole figure is held together by a crisp white contour, a bright unbroken line riding her silhouette against the dark, brightest where her wing edge and shoulder cut the window light, and the same white edge picks out the spear tip of her tail. Depth of field is shallow: the bedding in the near foreground sinks out of focus before her hands, and the far arches soften away. Her lips are slightly parted over the grin, one corner pulled up around the small pointed facial anatomy. High-contrast cel shading with crisp borders, ominous and regal.
nyx03

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