グラファイトパウダー（tsubaki3テスト）

続きです。リファレンス機能なしです。キャラクターはプロンプトで指定しています。だいぶ近づいたかな？と思います。〇グラファイトパウダー画とは？黒鉛（グラファイト）の微粉末をブラシやスポンジ、布などを使って紙やキャンバスに塗り広げ、陰影や奥行きを表現する描画手法。 Graphite Powder (tsubaki3 test) Continuing from the previous post. No reference function was used; the character is specified via the prompt. I think I’ve gotten quite close to the desired look. 〇 What is graphite powder art? A drawing technique that involves spreading fine graphite powder onto paper or canvas using tools like brushes, sponges, or cloths to create shading and a sense of depth.

#Girl

Published on 6 days ago

七夢

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character: 1girl character:1girl, Louisa Farmel, World's Strongest Rearguard,short green hair, monocle on left eye, green eyes, white high collar with purple gem, white and black dress, yellow accents, off-shoulder, dark sleeves, white gloves, short skirt with white panels, white thighhigh boots with gold trim. Take a full-body image that shows all the way down to your feet. Create an extraordinarily beautiful, master-level Graphite Powder Drawing, depicting one single character riding one single off-road motorcycle at speed along a rough dirt road through the African savanna. The entire artwork must look genuinely created with graphite powder on fine-textured drawing paper, not like a digital grayscale painting or ordinary pencil line art. Emphasize the distinctive qualities of powdered graphite: soft smoky gradients, velvety charcoal-gray shadows, delicate graphite dust, rubbed and blended tonal transitions, subtle smudging, erased highlights, granular graphite particles, rich matte blacks, silvery midtones, and visible natural paper grain. Use controlled graphite dust and blending to create an exceptionally sophisticated monochrome image with tremendous tonal depth. The character and motorcycle are the absolute main subjects and dominate almost the entire frame. Show one character clearly riding the motorcycle in a natural, convincing off-road riding posture. The character leans slightly forward, both hands firmly and correctly gripping the handlebars, both feet naturally positioned on the foot pegs, body balanced with the motorcycle, conveying confidence, speed, freedom, and adventurous energy. The off-road motorcycle must be mechanically coherent and realistically constructed: exactly two wheels, one front and one rear, thick knobby off-road tires, correct front fork, handlebars, headlight, fuel tank, seat, engine, exhaust, suspension, chain, swingarm, and foot pegs. Its perspective and wheel alignment must remain anatomically and mechanically believable. A single shotgun is securely strapped diagonally across the character’s back, carried in a proper back-mounted sling or scabbard. It remains completely secured behind the torso and is not held in either hand. The character continues to control the motorcycle with both hands. Only one shotgun is present. The motorcycle races dynamically along a dry, uneven African savanna dirt road. A restrained trail of graphite-rendered dust rises naturally behind the rear tire, created through soft powdered graphite and subtle smudging. The sense of forward momentum should be powerful and immediate. Keep the savanna environment extremely simple and secondary: a broad dirt road, low dry grass, only a few distant silhouettes of sparse acacia trees, and an open horizon. These environmental elements exist only to establish the African savanna setting and must never compete with the character or motorcycle. Use a dynamic three-quarter composition that clearly reveals the character’s body, riding posture, motorcycle structure, both wheels, and the shotgun on the back simultaneously. The character and motorcycle should occupy most of the image, nearly filling the frame, while still keeping the entire motorcycle visually readable. Create dramatic movement through graphite powder itself: directional graphite dust, softly dragged marks, controlled smears, subtle motion streaks around the tires, and atmospheric tonal gradients. Preserve crisp, carefully erased highlights along the character, motorcycle frame, tires, and metallic surfaces against deep powdered graphite shadows. The finished piece should feel like an award-winning museum-quality graphite powder illustration, breathtakingly beautiful, elegant, powerful, highly refined, and technically masterful — a perfect fusion of delicate graphite artistry and the exhilarating motion of off-road travel. Strict composition: exactly one character, exactly one motorcycle, exactly one shotgun, character riding the motorcycle, both hands on handlebars, shotgun fixed to the back, character and motorcycle filling the image, minimal savanna background, no unnecessary objects, no additional people, no additional vehicles, no animals, no buildings, no decorative clutter.

Mostra parametri

Immissione richiesta originale: character:1girl, Louisa Farmel, World's Strongest Rearguard,short green hair, monocle on left eye, green eyes, white high collar with purple gem, white and black dress, yellow accents, off-shoulder, dark sleeves, white gloves, short skirt with white panels, white thighhigh boots with gold trim. Take a full-body image that shows all the way down to your feet. Create an extraordinarily beautiful, master-level Graphite Powder Drawing, depicting one single character riding one single off-road motorcycle at speed along a rough dirt road through the African savanna. The entire artwork must look genuinely created with graphite powder on fine-textured drawing paper, not like a digital grayscale painting or ordinary pencil line art. Emphasize the distinctive qualities of powdered graphite: soft smoky gradients, velvety charcoal-gray shadows, delicate graphite dust, rubbed and blended tonal transitions, subtle smudging, erased highlights, granular graphite particles, rich matte blacks, silvery midtones, and visible natural paper grain. Use controlled graphite dust and blending to create an exceptionally sophisticated monochrome image with tremendous tonal depth. The character and motorcycle are the absolute main subjects and dominate almost the entire frame. Show one character clearly riding the motorcycle in a natural, convincing off-road riding posture. The character leans slightly forward, both hands firmly and correctly gripping the handlebars, both feet naturally positioned on the foot pegs, body balanced with the motorcycle, conveying confidence, speed, freedom, and adventurous energy. The off-road motorcycle must be mechanically coherent and realistically constructed: exactly two wheels, one front and one rear, thick knobby off-road tires, correct front fork, handlebars, headlight, fuel tank, seat, engine, exhaust, suspension, chain, swingarm, and foot pegs. Its perspective and wheel alignment must remain anatomically and mechanically believable. A single shotgun is securely strapped diagonally across the character’s back, carried in a proper back-mounted sling or scabbard. It remains completely secured behind the torso and is not held in either hand. The character continues to control the motorcycle with both hands. Only one shotgun is present. The motorcycle races dynamically along a dry, uneven African savanna dirt road. A restrained trail of graphite-rendered dust rises naturally behind the rear tire, created through soft powdered graphite and subtle smudging. The sense of forward momentum should be powerful and immediate. Keep the savanna environment extremely simple and secondary: a broad dirt road, low dry grass, only a few distant silhouettes of sparse acacia trees, and an open horizon. These environmental elements exist only to establish the African savanna setting and must never compete with the character or motorcycle. Use a dynamic three-quarter composition that clearly reveals the character’s body, riding posture, motorcycle structure, both wheels, and the shotgun on the back simultaneously. The character and motorcycle should occupy most of the image, nearly filling the frame, while still keeping the entire motorcycle visually readable. Create dramatic movement through graphite powder itself: directional graphite dust, softly dragged marks, controlled smears, subtle motion streaks around the tires, and atmospheric tonal gradients. Preserve crisp, carefully erased highlights along the character, motorcycle frame, tires, and metallic surfaces against deep powdered graphite shadows. The finished piece should feel like an award-winning museum-quality graphite powder illustration, breathtakingly beautiful, elegant, powerful, highly refined, and technically masterful — a perfect fusion of delicate graphite artistry and the exhilarating motion of off-road travel. Strict composition: exactly one character, exactly one motorcycle, exactly one shotgun, character riding the motorcycle, both hands on handlebars, shotgun fixed to the back, character and motorcycle filling the image, minimal savanna background, no unnecessary objects, no additional people, no additional vehicles, no animals, no buildings, no decorative clutter.
Mode: ultra
Dimensione: 2048 x 2048
Negativo: multiple characters, duplicate person, passenger, multiple motorcycles, extra motorcycle, multiple shotguns, duplicate weapon, shotgun in hands, character holding weapon while riding, firing weapon, aiming weapon, extra weapons, extra arms, extra hands, extra legs, malformed hands, malformed fingers, missing limbs, disconnected limbs, incorrect riding posture, hands away from handlebars, feet floating, distorted motorcycle, extra wheels, missing wheels, three wheels, fused wheels, warped tires, incorrect wheel alignment, broken handlebars, duplicated handlebars, malformed engine, impossible motorcycle geometry, floating motorcycle parts, excessive background, crowded landscape, many trees, animals, wildlife, buildings, cars, trucks, text, letters, logo, watermark, frame, border, color image, colorful elements, digital painting appearance, smooth CGI rendering, ordinary pencil line art, ink drawing, watercolor, charcoal-only appearance, excessive outlines, flat shading.

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