新山聡美(城下町の散策)

#Mature Female #Japanese clothes #Smile #Haori #Wedding ring #Oil-paper umbrella #Sound! Euphonium #Satomi Niiyama #Updo

Published on 6 days ago

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character: niiyama_satomi_(Hibike! Euphonium). kyoto animation style illustration of Niiyama Satomi, mature anime style, long face, mature long face features, brown hair, parted bangs, no bangs hanging down in the center of the forehead, medium-long hair elegantly arranged in a natural updo hairstyle suited to Japanese clothing, bluish violet eyes, lavender eyes, cool-toned purple eyes, thick eyelashes, high hairline, longer distance between hairline and eyebrows, center part starting high on the crown, mature female, medium breasts, if the left hand is drawn, a wedding ring on the ring finger, cgptbg, a scene of a beautiful woman standing with a red Japanese umbrella on a street in an old townscape reminiscent of a historic Japanese castle town during a bright autumn or early autumn daytime. Niiyama Satomi is positioned on the right side of the frame so that her full body is visible, with a large white and dark gray namako wall on the left side of the frame, and behind Niiyama Satomi are white-plastered traditional storehouse-style buildings with blue Japanese tiled roofs lined up. A wide horizontal composition showing both Niiyama Satomi and the townscape, with a natural atmosphere as if capturing a moment while walking through a historic Japanese town. Niiyama Satomi is alone, with no other woman appearing in the image. Niiyama Satomi is wearing a calm light gray elegant kimono, with the obi tied in a slightly darker elegant color. The kimono has a traditional calm pattern in a modest way, creating an elegant outfit that naturally blends into the old Japanese townscape. The hair is medium-long hair elegantly arranged in a natural updo hairstyle suited to Japanese clothing. Hair ornaments are small and modest. BREAK BREAK (Niiyama Satomi's eye details): very long horizontally almond-shaped large eyes, horizontally long eyes extending long from the inner corner to the outer corner, eyes about 15% larger while maintaining vertical width, large eyes with naturally open upper eyelids, lower eyelids gently sloping down from the center to the outer corner, clearly visible lower eyelid line, soft round outer corners, gentle sleepy droopy eyes, soft eye area in Kyoto animation style, irises occupying 60-65% of the eye width, slight whites visible above and below, delicate eyelashes, medium-thin natural eyebrows, slightly thick natural eyebrows, not too thick at the inner brows, gentle arch eyebrows, subtle brow peak, soft natural eyebrows, natural hair flow, elegant mature eyebrows BREAK Niiyama Satomi stands naturally on the road, body slightly facing toward the camera. One hand holds the handle of a large red Japanese umbrella, while the other hand naturally rests on the obi or in front of the body. An elegant standing pose with relaxed shoulders, the hem of the kimono naturally falling to the feet. Both legs are naturally positioned on the road without crossing legs or feet, creating a stable elegant standing pose. Niiyama Satomi holds the umbrella diagonally slightly above the shoulder, so the round silhouette of the umbrella spreads from above the head. Niiyama Satomi gently gazes toward the camera direction, with a modest soft smile on the lips. A friendly natural expression as if turning back while strolling through a tourist spot. Not laughing too much, conveying calm elegance and gentle kindness. The Japanese umbrella is a vivid red traditional Japanese bangasa or janomegasa, with thin bamboo ribs visible radially, and delicate rib lines naturally emerging on the washi paper surface. Niiyama Satomi holds the handle with one hand, shading the umbrella above the head. The red Japanese umbrella creates a beautiful contrast with Niiyama Satomi's gray-toned kimono, clearly visible as the main accent in this scene. On the left side of the background, a giant namako wall continues long. The wall has a dark gray or blackish-gray base with thick white plaster lines arranged in a diagonal lattice pattern, forming regular diamond shapes. The white plaster parts of the namako wall are three-dimensional and thick, giving an old Japanese architectural texture. The entire wall occupies a large area on the left side of the frame, creating depth while continuing into the distance. Behind Niiyama Satomi are white-plastered traditional storehouse-style townhouses lined up. The buildings have gabled roofs with dark blue to blue-gray Japanese tiles, with tiles overlapping regularly. The eaves have fine Japanese architectural tile details, creating beautiful contrast with the white walls. The building walls have wooden lattice windows and narrow windows, evoking historic merchant houses and storehouse townscapes. Further in the right background of the street are more white-walled townhouses and wooden buildings, with the road gently extending into the distance. The road is a paved street fitting the old townscape, without conspicuous modern signs or cars. In the far background are faintly visible Japanese mountains, expressing the town's depth along with the clear blue sky. From the lower left to the center of the frame, small traditional facilities or short wooden fences can be seen along the road of the old townscape, adding a lived-in feel to the historic street. However, since the main subjects are Niiyama Satomi and the namako wall, background small objects are not overly conspicuous. The light is natural daylight on a clear day. Bright sunlight from the blue sky illuminates the white walls, namako wall, and blue tiled roofs, with soft natural light also falling on Niiyama Satomi's face and kimono. Shadows are appropriately placed, without white walls blowing out, clearly showing tile details and namako wall textures. The red Japanese umbrella surface is also brightly and beautifully colored, with umbrella ribs and washi texture visible. The namako wall is largely placed on the left side of the frame, with white-walled townhouses and Niiyama Satomi arranged from the center to the right side. Niiyama Satomi is shown naturally standing within the townscape, without cropping Niiyama Satomi alone largely, maintaining scale with surrounding buildings. From Niiyama Satomi's head to the hem of the kimono and feet, everything is fully within the frame, with the full body clearly visible. The camera is placed slightly away from the road, at a natural eye-level height capturing both Niiyama Satomi and the townscape together. By viewing the townscape from a slightly diagonal direction, the composition has depth with the namako wall extending from the left into the distance and Niiyama Satomi standing on the right. Without extreme low angles or bird's-eye views, the building roofs, namako wall, road, Niiyama Satomi's full body, and distant mountain ranges are connected with natural perspective. Overall, it is a refreshing elegant scene of a woman strolling through a historic Japanese townscape harmonizing white-plastered storehouses, dark gray namako walls, blue Japanese tiles, vivid red Japanese umbrella, light gray kimono, blue sky, and distant mountains. Not overly polished like a modern tourist poster, but with an atmosphere as if naturally photographing the moment while actually walking through that town., anime illustration. great quality, best quality

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Immissione richiesta originale: 明るい秋または初秋の昼間、歴史ある日本の城下町を思わせる古い町並みの通りで、一人の美しい女性が赤い和傘を持って佇んでいる情景。女性は画面右寄りに全身が見えるように配置し、画面左側には大きく広がる白と濃い灰色のなまこ壁、女性の背後には白漆喰の伝統的な土蔵造りの建物と青い和瓦の屋根が連なる。女性と町並みを同時に見せる広い横長の構図で、歴史的な日本の町を歩いている途中の一瞬を切り取ったような自然な雰囲気。女性は一人だけで、画像内に女性をもう一人登場させない。女性は落ち着いた淡い灰色の上品な着物を着ており、帯は少し濃いめの上品な色合いでまとめている。着物は伝統的で落ち着いた柄を控えめに入れ、古い日本の町並みに自然になじむ上品な装い。髪はミディアムロングヘアを上品に整え、和装に合わせた自然なまとめ髪の落ち着いた髪型。髪飾りは小さく控えめなものにする。 BREAK BREAK (Niiyama Satomiの目の詳細): 横にとても長いアーモンド形の大きな目, 目頭から目尻まで長く伸びた横長の目, 縦幅を保ったまま一回り(約15%)大きい目, 上まぶたが自然に開いた大きな目, 下まぶたが中央から目尻にかけてゆるやかに下がる, 下まぶたのラインがはっきり見える, 目尻は柔らかく丸い, 優しい眠たげなタレ目, 京都アニメーション風の柔らかな目元, 虹彩が目の横幅の60〜65%を占める, 白目の上下が少し見える, 繊細なまつ毛, 中細で自然な眉, やや太めの自然な眉, 眉頭が太すぎない, 緩やかなアーチ眉, 眉山が目立たない, 柔らかく自然な眉, 自然な毛流れ, 上品で大人っぽい眉 BREAK 女性は道路の上に自然に立ち、身体をややカメラ側へ向けている。片手で大きな赤い和傘の柄を持ち、もう片方の手は着物の帯や身体の前で自然に添えている。肩の力を抜いた優雅な立ち姿で、着物の裾は自然に足元まで落ちている。両脚はそれぞれ自然な位置で道路に接地し、脚を交差させたり足を組んだりせず、安定した上品な立ち姿にする。女性は和傘を肩の少し上で斜めに差し、傘の丸いシルエットが頭部の上から広がって見えるようにする。女性はカメラの方向を穏やかに見つめ、口元に控えめで柔らかな微笑みを浮かべている。観光地を散策している途中にふと振り返ったような、親しみやすく自然な表情。大きく笑いすぎず、落ち着いた上品さと穏やかな優しさを感じさせる。和傘は鮮やかな赤色の伝統的な日本の番傘または蛇の目傘で、細い竹の骨組みが放射状に見え、和紙の表面には繊細な骨の線が自然に浮かんでいる。女性が片手で柄を持ち、傘を頭上に差している。赤い和傘は女性の灰色系の着物と美しい対比を作り、今回の画面の主要なアクセントとして明瞭に見える。背景左側には巨大ななまこ壁が長く続いている。壁は濃い灰色または黒灰色の下地に、白い漆喰の太い線が斜め格子状に交差して配置され、規則正しい菱形模様を形成している。なまこ壁の白い漆喰部分は立体的で厚みがあり、古い日本建築らしい質感が感じられる。壁全体が画面左側の大きな面積を占め、奥行きを作りながら遠くへ続いている。女性の背後には白漆喰の伝統的な土蔵造りの町家が連なっている。建物には濃い青色から青灰色の日本瓦による切妻屋根があり、瓦が規則正しく重なって見える。屋根の軒先には日本建築特有の瓦の細かな意匠があり、白い壁とのコントラストが美しい。建物の壁には木製の格子窓や細長い窓があり、歴史ある商家や蔵の町並みを感じさせる。通りの右奥にはさらに白壁の町家や木造建築が続き、道が緩やかに遠方へ伸びている。道路は古い町並みに合った舗装された通りで、余計な現代的な看板や自動車を目立たせない。背景の遠方には日本の山々が薄く見え、晴れた青空とともに町の奥行きを表現する。画面の左下から中央付近には、古い町並みの道路沿いに小さな伝統的な設備や短い木製の柵などが見え、歴史的な通りの生活感を加える。ただし主役は女性となまこ壁なので、背景の小物は過度に目立たせない。光は晴れた昼間の自然光。青空からの明るい日差しが白壁やなまこ壁、青い瓦屋根を照らし、女性の顔と着物にも柔らかな自然光が当たっている。影は適度に入り、白壁が飛びすぎず、瓦の細部やなまこ壁の凹凸がはっきり見える。赤い和傘の表面も明るく美しく発色し、傘の骨組みと和紙の質感が確認できる。画面左側にはなまこ壁を大きく配置し、画面中央から右側に白壁の町家と女性を配置する。女性が町並みの中に自然に立っていることが分かるようにし、女性だけを大きく切り取らず、周囲の建築物とのスケール感を保つ。女性の頭から着物の裾、足元まで完全に画面内に収め、全身が明瞭に見える。カメラは道路から少し離れた位置に置き、女性と町並みを一緒に捉える自然な目線の高さ。やや斜め方向から町並みを見渡すことで、なまこ壁が左側から奥へ伸び、女性が右側に立つ奥行きのある構図にする。極端なローアングルや俯瞰にはせず、建物の屋根、なまこ壁、道路、女性の全身、遠くの山並みが自然な遠近感でつながっている。全体として、白漆喰の土蔵、濃い灰色となまこ壁、青い日本瓦、鮮やかな赤い和傘、淡い灰色の着物、青空、遠くの山々が調和した、歴史ある日本の町並みを散策する女性の爽やかで上品な情景にする。現代的な観光ポスターのように作り込みすぎず、実際にその町を歩いている瞬間を自然に撮影したような雰囲気にする。,
Mode: ultra
Dimensione: 1536 x 864
Negativo: 女性が2人、女性が3人、複数の女性、二人組、女性の重複、背景の女性、遠景の女性、通行人の女性、子供、男性の複数人物、人物の群衆、女性の分身、鏡に映った別の女性、余分な人物、余分な腕、余分な手、余分な指、不自然な手、不自然な腕、不自然な脚、足の交差、足を組む、着物の崩れ、和傘がない、傘が複数ある、和傘が人物を完全に隠す、現代的な洋傘、なまこ壁がない、洋風建築、現代的なビル、都会の街並み、自動車の群れ、電線が目立つ、派手な看板、文字、ロゴ、透かし、極端なクローズアップ、バストアップ、人物の下半身が切れる、頭部が切れる, euphonium, clone, clones, 2girls, multiple girls, many girls, 丸い目, 円形の目, 極端に大きい目, 子供っぽい目, 鋭い目, 細い目, 極端に太い眉, 濃すぎる眉, 眉頭だけ極端に太い, 角ばった眉, 強い眉山, bushy eyebrows, blocky eyebrows, heavy brows, nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry