肥嘟嘟

Published on 7 days ago

肥嘟嘟

9:16 vertical composition, high-detail 2D ukiyo-e inspired illustration, Edo-period Japanese gambling den, cho-han dice game, female tsubofuri dealer. MAIN CHARACTER: Yangyang. Young adult East Asian woman, 158cm petite, soft rounded face, short rounded chin, naturally full cheeks, delicate almond-shaped eyes, aqua-blue crystalline galaxy eyes, golden-blonde hair with soft pink tips, low braided twin buns, two long thin braids framing both sides, airy wispy bangs. THE MOMENT: She has just completed one clean, decisive shake of the dice cup and slammed it upside down onto the low tatami gambling mat. Her dominant hand remains calmly resting on top of the covered cup. Two dice are hidden beneath it. Her other hand is planted lightly beside her for balance. She lifts her eyes and quietly scans the adult gamblers surrounding her with a calm, slightly provocative, controlled, almost smiling expression. POSE: Low seated Edo gambling posture, body angled slightly to one side, torso leaning forward naturally, one shoulder exposed, strong clear arm line, elegant but authoritative hand gesture. Composed and confident. ATTIRE: Katahada-nugi style, one shoulder and one arm exposed. Chest and torso securely wrapped with a wide white sarashi cloth in multiple horizontal layers. Remaining kimono sleeve is short and compact. Palette: ivory white, muted dusty rose, deep plum, soft sage green, and restrained antique gold accents. Elegant Edo textile patterns (flowing grasses, subtle waves, abstract plum blossom geometry). Narrow obi. HAIR: Golden-blonde hair with pink tips in an Edo-inspired braided low-updo, retaining two long thin braids. A few refined kanzashi in muted rose, pale jade, and antique gold. TSUBOFURI CUP: Small practical woven or lacquered dice cup, placed upside down. SCENE: Authentic Edo-period gambling room with tatami, low gambling mat, dark wooden beams, shoji, paper lanterns, small coin stacks, and 4–6 adult gamblers in the periphery looking toward Yangyang. LIGHTING: Warm amber lantern light mixed with cooler shadowed interior. Strong graphic light-dark shapes suitable for ukiyo-e. ART STYLE: Luxury modern ukiyo-e, Edo woodblock print aesthetics, contemporary Japanese 2D illustration. Bold elegant contour lines, flat layered color areas, visible woodblock-inspired grain, handmade paper texture, simplified refined shading, decorative composition, strong negative space. 2D illustration, not 3D or photorealistic. COMPOSITION: Dynamic diagonal composition, slightly low viewpoint, depth with foreground blurred sleeves of gamblers, midground Yangyang and the covered dice cup, and background lanterns and wooden architecture. NO TEXT, NO LOGO, NO WATERMARK.

Mostra parametri

Immissione richiesta originale: 9:16 vertical composition, high-detail 2D ukiyo-e inspired illustration, Edo-period Japanese gambling den, cho-han dice game, female tsubofuri dealer. MAIN CHARACTER = YANGYANG ONLY. Young adult East Asian woman, 158cm petite, soft rounded face, short rounded chin, naturally full cheeks, delicate almond-shaped eyes, aqua-blue crystalline galaxy eyes, golden-blonde hair with soft pink tips, low braided twin buns, two long thin braids framing both sides, airy wispy bangs. Keep her recognizable Yangyang identity. Do not change her hair to black or brown. Do not give her a sharp chin, long face, western facial structure, doll face, or generic anime face. She is not a guest and not a courtesan. She is the woman controlling the entire gambling table, an experienced female tsubofuri. THE MOMENT: She has just completed one clean, decisive shake of the dice cup and slammed it upside down onto the low tatami gambling mat. Her dominant hand remains calmly resting on top of the covered cup. The two dice are hidden beneath it. Her other hand is planted lightly beside her for balance. Instead of looking at the cup, Yangyang lifts her eyes and quietly scans the adult gamblers surrounding her. Her expression is calm, slightly provocative, controlled, almost smiling, as if saying: “丁？半？” The room has gone silent. POSE: low seated Edo gambling posture, body angled slightly to one side, torso leaning forward naturally, one shoulder exposed, strong clear arm line, elegant but authoritative hand gesture. Do not make her pose sexy or pin-up-like. Her power comes from composure, confidence, and control of the room. ATTIRE: katahada-nugi style, one shoulder and one arm exposed. Chest and torso securely wrapped with a wide white sarashi cloth, wrapped horizontally in multiple layers, covering the entire chest up to near the armpits. The sarashi must look practical, secure, and non-sexual. Remaining kimono sleeve should be short and compact, not oversized. Kimono palette: ivory white × muted dusty rose × deep plum × soft sage green × restrained antique gold accents. No blue-black combination. Elegant Edo textile patterns: small flowing grasses, subtle waves, abstract plum blossom geometry, refined but not overly feminine. Narrow obi, practical and clean. No giant sleeves, no courtesan styling, no excessive cleavage. HAIR: retain Yangyang’s golden-blonde hair with pink tips. Translate her signature low twin-bun structure into an Edo-inspired braided low-updo. Keep two long thin braids. Add only a few refined kanzashi in muted rose, pale jade, and antique gold. Do not turn her into a geisha or oiran. TSUBOFURI CUP: small practical woven or lacquered dice cup sized naturally for one-handed shaking. Never oversized. Exactly TWO dice inside. The dice are hidden because the cup is already placed upside down. SCENE: authentic Edo-period gambling room with tatami, low gambling mat, dark wooden beams, shoji, a few paper lanterns, small coin stacks, 4–6 adult gamblers around the edges. All gamblers are secondary and looking toward Yangyang or the covered cup. Keep the center of attention completely on Yangyang. LIGHTING: warm amber lantern light mixed with a cooler shadowed interior. Strong graphic light-dark shapes suitable for ukiyo-e. No photographic cinematic lighting. ART STYLE: luxury modern ukiyo-e × Edo woodblock print aesthetics × contemporary Japanese 2D illustration. Bold elegant contour lines, flat layered color areas, visible woodblock-inspired grain, handmade paper texture, simplified but refined shading, decorative composition, strong negative space. Beautifully painted, not photorealistic. Not 3D. Not CG render. Not cosplay photography. Not realistic skin pores. Not glossy plastic skin. Not game character rendering. Composition should feel like a modern master illustrator reinterpreting an Edo ukiyo-e gambling scene: foreground blurred sleeves or shoulders of gamblers, midground Yangyang and the covered dice cup, background lanterns and wooden architecture. Dynamic diagonal composition, slightly low viewpoint, strong depth without photographic realism. NO TEXT, NO LOGO, NO WATERMARK.
Mode: standard
Dimensione: 768 x 1280

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肥嘟嘟

Published on 7 days ago

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肥嘟嘟

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Immissione richiesta originale: 9:16 vertical composition, high-detail 2D ukiyo-e inspired illustration, Edo-period Japanese gambling den, cho-han dice game, female tsubofuri dealer. MAIN CHARACTER = YANGYANG ONLY. Young adult East Asian woman, 158cm petite, soft rounded face, short rounded chin, naturally full cheeks, delicate almond-shaped eyes, aqua-blue crystalline galaxy eyes, golden-blonde hair with soft pink tips, low braided twin buns, two long thin braids framing both sides, airy wispy bangs. Keep her recognizable Yangyang identity. Do not change her hair to black or brown. Do not give her a sharp chin, long face, western facial structure, doll face, or generic anime face. She is not a guest and not a courtesan. She is the woman controlling the entire gambling table, an experienced female tsubofuri. THE MOMENT: She has just completed one clean, decisive shake of the dice cup and slammed it upside down onto the low tatami gambling mat. Her dominant hand remains calmly resting on top of the covered cup. The two dice are hidden beneath it. Her other hand is planted lightly beside her for balance. Instead of looking at the cup, Yangyang lifts her eyes and quietly scans the adult gamblers surrounding her. Her expression is calm, slightly provocative, controlled, almost smiling, as if saying: “丁？半？” The room has gone silent. POSE: low seated Edo gambling posture, body angled slightly to one side, torso leaning forward naturally, one shoulder exposed, strong clear arm line, elegant but authoritative hand gesture. Do not make her pose sexy or pin-up-like. Her power comes from composure, confidence, and control of the room. ATTIRE: katahada-nugi style, one shoulder and one arm exposed. Chest and torso securely wrapped with a wide white sarashi cloth, wrapped horizontally in multiple layers, covering the entire chest up to near the armpits. The sarashi must look practical, secure, and non-sexual. Remaining kimono sleeve should be short and compact, not oversized. Kimono palette: ivory white × muted dusty rose × deep plum × soft sage green × restrained antique gold accents. No blue-black combination. Elegant Edo textile patterns: small flowing grasses, subtle waves, abstract plum blossom geometry, refined but not overly feminine. Narrow obi, practical and clean. No giant sleeves, no courtesan styling, no excessive cleavage. HAIR: retain Yangyang’s golden-blonde hair with pink tips. Translate her signature low twin-bun structure into an Edo-inspired braided low-updo. Keep two long thin braids. Add only a few refined kanzashi in muted rose, pale jade, and antique gold. Do not turn her into a geisha or oiran. TSUBOFURI CUP: small practical woven or lacquered dice cup sized naturally for one-handed shaking. Never oversized. Exactly TWO dice inside. The dice are hidden because the cup is already placed upside down. SCENE: authentic Edo-period gambling room with tatami, low gambling mat, dark wooden beams, shoji, a few paper lanterns, small coin stacks, 4–6 adult gamblers around the edges. All gamblers are secondary and looking toward Yangyang or the covered cup. Keep the center of attention completely on Yangyang. LIGHTING: warm amber lantern light mixed with a cooler shadowed interior. Strong graphic light-dark shapes suitable for ukiyo-e. No photographic cinematic lighting. ART STYLE: luxury modern ukiyo-e × Edo woodblock print aesthetics × contemporary Japanese 2D illustration. Bold elegant contour lines, flat layered color areas, visible woodblock-inspired grain, handmade paper texture, simplified but refined shading, decorative composition, strong negative space. Beautifully painted, not photorealistic. Not 3D. Not CG render. Not cosplay photography. Not realistic skin pores. Not glossy plastic skin. Not game character rendering. Composition should feel like a modern master illustrator reinterpreting an Edo ukiyo-e gambling scene: foreground blurred sleeves or shoulders of gamblers, midground Yangyang and the covered dice cup, background lanterns and wooden architecture. Dynamic diagonal composition, slightly low viewpoint, strong depth without photographic realism. NO TEXT, NO LOGO, NO WATERMARK.
Mode: standard
Dimensione: 768 x 1280