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AI artwork featuring #Ranma ½
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Ranma ½

#Ranma ½
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LEFT: lean muscular Japanese martial-artist father, Soun Tendo, long black hair, thick mustache, strong brows, typical overdramatic reaction, tears streaming down face, mouth open in a loud wail, both hands clutched to his chest, powerful muscular form clearly visible through loosely worn open dark blue gi jacket hanging loose over a bare chest, baggy dark martial arts pants, bare feet, comedic melodrama expression; CENTER: large heavyset Black man, long black dreadlocks, full thick black beard, round wire-rim glasses, purple star earring, gold chain with large round medallion engraved III, smart-casual outfit not full formal and not street casual, dark navy blazer open over white button shirt slightly untucked, dark dress pants, white sneakers, calm confident half-smile, one hand in pocket, other arm linked with the woman on his right; RIGHT: Japanese woman early thirties, simple dark hair in neat low ponytail with white ribbon, soft large dark eyes, gentle but set determined expression not angry not crying resolved, dressed as a lady taking her leave, cream cardigan over pale yellow blouse, long cream skirt, small tan heels, shoulder bag, one arm linked with the man, other hand pulling a single black rolling suitcase with the last of her things; composition left to right father meltdown then man then woman with suitcase, implication he is taking her away, she is leaving home arm in arm with him, warm soft outdoor light, fully clothed modest, no text, no watermark, tendou_kasumi, brown_eyes, hair_over_shoulders, ponytail_on_the_front, ponytail, from_ranma_1/2, anime illustration, great quality, best quality.
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Immissione richiesta originale
LEFT: lean muscular Japanese martial-artist father, Soun Tendo, long black hair, thick mustache, strong brows, typical overdramatic reaction, tears streaming down face, mouth open in a loud wail, both hands clutched to his chest, powerful muscular form clearly visible through loosely worn open dark blue gi jacket hanging loose over a barechest, baggy dark martial arts pants, bare feet, comedic melodrama expression, CENTER: large heavyset Black man, long black dreadlocks, full thick black beard, round wire-rim glasses, purple star earring, gold chain with large round medallion engraved III, smart-casual outfit not full formal and not street casual, dark navy blazer open over white button shirt slightly untucked, dark dress pants, white sneakers, calm confident half-smile, one hand in pocket, other arm linked with the woman on his right, RIGHT: Japanese woman early thirties, simple dark hair in neat low ponytail with white ribbon, soft large dark eyes, gentle but set determined expression not angry not crying resolved, dressed as a lady taking her leave, cream cardigan over pale yellow blouse, long cream skirt, small tan heels, shoulder bag, one arm linked with the man, other hand pulling a single black rolling suitcase with the last of her things, composition left to right father meltdown then man then woman with suitcase, implication he is taking her away, she is leaving home arm in arm with him, warm soft outdoor light, fully clothed modest, no text, no watermark,tendou_kasumi, brown_eyes, hair_over_shoulders, ponytail_on_the_front, ponytail,from_ranma_1/2
Modalità
ultra
Dimensione
1536 x 864
Negativo
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, photorealistic, 3d render, child, loli, gore, blood, extra arms, extra legs, bad hands, text, watermark, logo, lowres, blurry, brown hair color,

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邦儒
character: nishizumi_shiho, shimada_chiyo two women, one man, three people, street harassment, nishizumi_shiho, shimada_chiyo, older woman, black hair with pink streaks, long hair, hair flower, hair bow, blue eyes, elbow gloves, white gloves, dress, shimada_chiyo, brown hair, low-tied long hair, hair ribbon, brown eyes, black gloves, long sleeves, dark suit, ikebukuro street, bleached blonde spiked hair, male thug, oversized open black bomber jacket, leopard print shirt, baggy trousers, gold chain necklace, smug grin, leaning in, close proximity, leering, uncomfortable, stiff posture, recoiling, from below, dutch angle, cowboy shot, night street, neon signage, wet asphalt The camera sits low on a wet Ikebukuro backstreet and tilts a few degrees off level, so the two women tower into the frame and the man between them crowds their space from a foreshortened angle. The three are packed into the lit mouth of an alley just off a busy street: the two women stand shoulder to shoulder on the near side, the man plants himself half a step in front of them, body angled across their path, the brim of his shoulder blocking the woman on the right from the waist up. He leans his weight onto his forward foot and pushes his chest into their space, one hand braced flat against the alley wall beside the black-haired woman's shoulder, the other hand held up palm-open at chest height in a lazy gesture that hovers too close to the two women's faces; his chin lifts and his grin pulls up on one side as he speaks at them. The black-haired woman stands with her weight locked on her back heel, chin drawn down, her white-gloved hands gathered and pressed together at her waist to keep them from his reach; her eyes cut sideways and up at him, narrowed and cold, and the long pink-streaked hair sweeps back from the sudden tilt of her head. The brown-haired woman half-turns away from him, low-tied hair swinging across her shoulder, her black-gloved hand raised flat at her collarbone as a barrier, her eyes angled down and away toward the pavement, mouth drawn tight, jaw set. Neon spills from the shopfronts behind them in hot magenta and cold cyan, the signs blurred and unreadable on the far street, and the wet asphalt throws doubled color upward, coloring the undersides of their chins and the man's gold chain with reflected light; the alley behind the three falls into a darkness broken only by that street spill. Rain has stopped recently enough that a thin film of water still sheets the pavement, so the women's shoes and the man's heavy boots sit inside mirrored streaks of that color, and every lit edge wears a wet highlight while the shadows stay deep and soft. Cool-magenta, cyan and asphalt-grey palette with the man's leopard print the only warm blot in the frame. Tense, ugly pressure.
邦儒

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