AI artwork featuring #Resident Evil and #PixAI Nasu
Generate New Artwork

Resident Evil

Contest Entry
Nasu's Tokyo Journey
#Resident Evil
More to See

Commenti

((Anime illustration)), ((Incarnate detail)), ((Masterpiece)), ((Highest quality)). In a ((low-angle close-up shot)), a three-foot-tall entity appearing as a traditional Japanese hina doll stands atop a red lacquer platform. The doll has a pristine white porcelain face with a delicate smile, though (((Cracked Doll Phantom:1.8))) manifests as hairline cracks through which dark, viscous ink seeps. Its dot-eyes are hollow openings with a shadowed presence pressing from within, and its parted red lips reveal rows of needle-teeth. She wears an ornate twelve-layered jūnihitoe kimono in crimson and gold; however, the fabric is actually (((Innocent Vessel Demonic Interior:1.6))) composed of writhing dark tendrils. Her porcelain fingertips have cracked open, allowing black talons to curl outward. Behind her, a miniature folding screen displays a mismatched shadow with too many arms and a wide, grinning mouth, while dozens of tiny porcelain hands scratch from beneath the cracked platform. The scene uses chiaroscuro lighting with sharp rim lights highlighting the porcelain cracks and living tendrils, creating a dramatic, high-contrast atmosphere with an intense, ink-like anime style.
Mostra parametri
Immissione richiesta originale
(masterpiece best quality 1.2) ultra-detailed zoomed in up close low angle (((Cracked Doll Phantom:1.8))) (((Innocent Vessel Demonic Interior:1.6))) small child-sized entity standing three feet tall appearing as a beautiful traditional Japanese hina doll with a pristine white porcelain face round black dot-eyes painted in perfect symmetry and tiny red lips in a delicate innocent smile wearing an ornate twelve-layered jūnihitoe kimono in crimson and gold with elaborate cherry-blossom embroidery and a tiny golden obi sash tied in a perfect bow at the back the doll stands on a red lacquer display platform with a miniature folding screen behind it but hairline cracks run across the porcelain face like frozen rivers and through these cracks something dark and viscous is visible seeping outward like black ink bleeding through broken china the dot-eyes are not painted but are hollow openings and behind them something is pressing against the inside of the face from within a shadowed presence visible through the thin porcelain like a hand pressing against wet paper the tiny red lips are parted just slightly and behind them rows of needle-teeth descend into a throat that extends too far inward the twelve-layered kimono is not silk but is composed of living dark tendrils layered and folded to mimic fabric with each layer slightly writhing at the edges where the folds meet the small porcelain hands rest on the display platform but the fingertips have cracked open and through the cracks black talons are emerging slowly curling outward from within the hollow arms the tiny golden obi sash at the back is not fabric but is a compressed tendril that pulses with dark energy from behind the doll across the folding screen a shadow is cast that does not match the doll the shadow is taller and has too many arms and the shadow is smiling with a wide mouth that the doll does not have beneath the display platform the red lacquer has cracked and through the cracks dozens of tiny porcelain doll-hands are reaching upward tapping and scratching at the underside of the platform rim light along pristine white porcelain face showing hairline cracks with dark seepage rim light catching hollow dot-eyes with shadowed presence pressing from within rim light catching needle-teeth behind parted red lips rim light catching twelve-layered kimono edges writhing as living tendrils rim light catching black talons emerging through cracked porcelain fingertips rim light catching wrong shadow on screen with too many arms and wide smile rim light catching tiny doll-hands tapping from beneath cracked platform shadow porcelain shadow chiaroscuro soft traditional doll-display lighting highly detailed 8K cinematic composition
Modalità
standard
Stile
Sharp Ink
Dimensione
768 x 1280
Stile: Sharp Ink

Modello e LoRA utilizzati

Immagini simili

Mostra di più
AI artwork
g
A (zoomed-in, low-angle) close-up shot depicts a ((Cracked Doll Phantom:1.8)), a three-foot-tall ((Innocent Vessel:1.6)) entity standing in a dim traditional Japanese room. The entity resembles a porcelain doll with a pristine white face and a delicate smile, but hairline cracks spider across its surface, leaking a dark, wet, ink-like substance. Its black dot-eyes are hollow voids with a hidden presence peering out, and its slightly parted red lips reveal rows of sharp needle-teeth. It wears an ornate red and gold floral kimono made of writhing dark tendrils. Its porcelain fingertips are cracked, with black talons emerging. The doll stands still on tatami mats, but its reflection in the polished floor is a faceless mask. Long black tendrils extend from its back, stretching across the walls and ceiling, ending in tiny scratching porcelain hands. The atmosphere is a shadow nightmare with chiaroscuro lighting, where rim lights emphasize the cracks, teeth, and talons. The visual style is a high-contrast anime illustration with sharp, graphic ink-like strokes and deep silhouettes.
grim
AI artwork
g
A low-angle, close-up shot focusing on a small, three-foot-tall entity resembling a traditional Japanese kimono doll, standing centrally in a dimly lit tatami room. The entity has a pristine white porcelain face with a delicate smile and tiny red lips, but (detailed hairline cracks:1.8) run across the surface, with a dark, wet, ink-like substance seeping through. Its eyes are hollow holes with a presence peering from within, and sharp needle-teeth are visible behind its slightly parted lips. The entity wears an ornate red and gold silk kimono with floral embroidery, though the "fabric" consists of living, writhing dark tendrils. Its porcelain fingertips are cracked, revealing emerging black talons. The background features traditional paper screens and tatami mats, where the entity's reflection on the polished floor appears as a faceless, hollow mask. Long black tendrils extend from the doll's back, stretching across the floor and walls, ending in tiny porcelain hands that scratch the surfaces. The atmosphere is unsettling and nightmarish, utilizing high-contrast chiaroscuro lighting. Sharp rim lights accentuate the cracks, the seeping black fluid, and the writhing edges of the kimono. The color palette is limited and stark, emphasizing the tension between the pristine white porcelain and the oppressive, shifting shadows.
grim
AI artwork
g
A low-angle, zoomed-in close-up shot features a surreal entity appearing as a traditional Japanese bride, standing five feet tall in a wedding room. The figure wears a white shiromuku and tsunokakushi headdress, though both are living membranes with a texture like the inside of a cheek; the headdress is a horn-like growth with spiral grooves containing tiny red vein-characters. Her pale face bears a gentle smile of stretched membrane over a mouth of red, concentric lamprey-like teeth, while her sealed eyelids hide red pupils peering through a frosted surface. She holds a hardened, sharp-edged membrane fan to catch red fluid leaking from her mouth. From her hem, white binding tendrils spread across the floor, constricting and dissolving objects. The environment consists of shoji screens and sake boxes, all fashioned from the same white membrane and filled with red fluid. The scene is rendered as a ((((high-contrast anime illustration)))) with ((((incarnate detail)))) and sharp ink-like strokes, utilizing dramatic chiaroscuro lighting. Intense rim light accentuates the organic textures, the red teeth, and the dissolving tendrils against a limited, stark palette.
Grammy