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AI art "クレジット用"
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クレジット用

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@シャム猫

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character: iino_miko. A medium shot from a side-angle view depicts a small, slender girl named Miko-chan napping on the wooden veranda of a Shinto shrine. Miko-chan, who is 128cm tall with a petite build, has ash-white hair with a silvery luster, styled in a semi-long bob tied into two small tails at her collarbone, with short bangs above her oval eyebrows; she wears a traditional miko outfit, white tabi socks, and zouri sandals with red straps, her golden eyes closed in sleep. She is resting her head on the soft belly of a large, white parent fox who lies prone, keeping one eye open vigilantly while a katana with a gold guard and white hilt in a plain wooden scabbard leans against its hip. Two small white fox cubs are curled up, sleeping on their backs while leaning against Miko-chan's thighs. The scene is bathed in soft, warm daylight, evoking a peaceful and serene atmosphere with the natural wood textures of the shrine and the fluffy fur of the foxes rendered in high-quality anime illustration style.
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白に近いアッシュホワイト以外は髪色に含まれない、身長128cm・体重28kgのスリムで小柄な人間、柔らかい銀色の光沢を持つ白に近いアッシュホワイトでセミロングボブの髪を鎖骨あたりで二つに結ぶ、楕円形眉毛、パッチリ二重の金眼、前髪はかなり短く楕円形眉毛の上、巫女服を着て赤い鼻緒の草履に白の足袋ソックスを履く、名前はミコちゃん。 神社の社の縁側で親狐のお腹を枕がわりに白い子狐2匹と一緒にお昼寝する。 白い子狐2匹、ミコちゃんの太ももに寄りかかって仰向けに眠る。 白く大きな親狐、縁側で伏せて片目を開き周りを警戒している、帯刀紐を巻いた白木の鞘に収まった金鍔・白柄巻・赤の刀が収まった刀は腰に立て掛けておく。
Modalità
lite
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.88k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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