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Nicole Demara, Nekomiya Mana

#Orecchie da animale#Orecchie da gatto#Stivali#Pelle scura#Maniche staccate#neo#ornamento per capelli#capelli lunghi#Capelli neri#Cuffie#Parigine nere#Capelli grigi#Cavo#coda di gatto#occhi verdi#occhi marroni#auto#Maniche lunghe#1 ragazzo#catgirl#neo sotto l'occhio#peluria nelle orecchie animali#robot umanoide#Donna dalla pelle scura#Zenless Zone Zero#Nicole Demara#Nekomiya Mana#Anby Demara#Billy Kid#Bangboo
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Kotoritsuka

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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, from below, wide shot, leaning against car, car, retro car, hatchback, pop-up headlights, two-tone paint, white car, black trim, asphalt, guardrail, mountain pass, winding road, dusk, green hair, blunt bangs, hair buns, hair ornament, hair beads, hair ribbons, blue eyes, freckles, light smile, jitome, chinese clothes, hanfu, long sleeves, sash, hand on hood, depth of field Seen from a low three-quarter angle on an asphalt mountain turnout, a slender young woman with dark jade-green hair styled in twin coiled side buns adorned with small hair beads and dangling cords leans casually against the front fender of a vintage two-tone white and black Toyota Sprinter Trueno AE86 hatchback. Her blunt bangs frame a sharp, freckled face, and her deep blue eyes hold an amused, calculating squint as she casts a sideways glance toward the viewer, a faint lopsided smirk playing at the corner of her lips. She wears a traditional Chinese-style tunic in muted celadon and off-white with wide, loose sleeves that drape past her wrists, bound at the waist with an olive sash whose tasseled ends sway in the brisk alpine draft. Her left palm rests flat against the warm metal of the car's slanted white hood just behind the closed pop-up headlight assembly, while her right hip braces against the black front bumper trim, her weight shifted securely onto her rear foot. The boxy Japanese sports car sits angled diagonally across the frame, its glossy white paint reflecting the fading amber light of dusk along its sharp shoulder crease, its black lower quarter panels mirroring the dark texture of the tarmac. Behind the car, a corrugated steel guardrail traces the curving mountain road, backed by dense silhouettes of Japanese cedar trees descending into blue-shadowed valleys under an indigo twilight sky. Single-variable physics: a faint shimmer of heat rising from the car's front radiator grille gently distorts the crisp edge of the guardrail behind it, while her trailing hair ribbons flutter strictly eastward in the mountain pass breeze. Cool ambient twilight with warm directional sunset glints on polished metal; effortlessly cool.
Sakura Ozaki
#Il monologo della speziale#Maomao
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hamakaze_\(kancolle\), an illustration of a smiling Hamakaze, a girl with grey hair in a short hairstyle with a hair ornament over one eye, blue eyes, and animal ears, wearing a white serafuku (school uniform) with red ribbon and white pantyhose and gloves. Her cute and cheerful illustration, rendered in a children's comic style, has been used as a full-body wrap on a sleek red sports car, creating an itasha (decorated car). In front of the car, on the road surface, sits a cute model of an old Japanese Navy fighter plane, the Mitsubishi Zero (Zero Fighter). The image aims to convey a playful and nostalgic otaku culture atmosphere, combining anime, military models, and car culture in a bright, cheerful scene.
けんたくん
#Kantai Collection#Hamakaze

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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