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Edward Elric, Alphonse Elric

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#ahoge#Fuoco maschile#Capelli biondi#Valigia#arma#Ciglio corrucciato#Fullmetal Alchemist#giacca#Edward Elric#Alphonse Elric#cintura#accovacciato#Treccia#occhi gialli#Treccia singola#armatura#Camicia#su un ginocchio#pantaloni#1 ragazzo#tenere#Figura intera#guanti bianchi#camicia nera#coda di cavallo a treccia#Pantaloni neri
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character: edward_elric, alphonse_elric, copyright: fullmetal_alchemist Hiromu Arakawa, Fullmetal Alchemist, Hagane no Renkinjutsushi, Fullmetal Alchemist manga style, Hiromu Arakawa character design, Edward Elric and Alphonse Elric, young Edward and Alphonse repairing a storm-damaged countryside house, refined anime illustration, beautifully rendered medium shot, the brothers filling most of the frame, Edward on the damaged roof with one knee resting against the weathered shingles, hammer raised over a freshly fitted wooden shingle, focused golden eyes and a determined expression, short blond hair gathered into his distinctive braid, individual loose strands catching the sunlight, red coat hanging naturally from his shoulders, black shirt and dark trousers, clearly defined seams, stitching, layered fabric, subtle wrinkles and worn edges, natural folds following his movement, detailed leather belt and small metal fittings. Alphonse stands directly below beside the ladder, unmistakable full steel armor with horned helmet silhouette and blue cloth at the neck, large armored hands gripping the wooden ladder, carefully constructed overlapping metal plates, engraved edges, tiny scratches, shallow dents, dust caught inside joints, worn steel surfaces with varied reflections, subtle oxidation and faint grime around seams, delicate reflected light following the curved armor. The damaged cottage surrounds them closely, exposed timber beams, splintered roof boards, chipped plaster, broken shingles, rough-cut replacement wood, scattered nails and hand tools, every wooden surface showing fine grain, cracks, fibers, saw marks and uneven weathering, small fragments of plaster and sawdust resting on the roof and muddy ground. Warm afternoon sunlight emerging after the storm illuminates Edward's face, blond hair and red coat while narrow highlights travel across Alphonse's steel armor, soft reflected light from the pale sky filling the shadows, nuanced skin shading, finely rendered golden irises, delicate eyelashes, subtle facial planes, carefully separated strands of hair, precise fabric texture, fine embroidery and stitching, convincing metal reflections, tactile wood grain, tiny dust particles and moisture remaining on surfaces, crisp edges around the faces, hands, tools and armor details, rich tonal transitions, intricate surface definition without excessive background detail, polished linework, layered shading, delicate highlights, highly refined anime artwork with exceptional visual finish and material detail.
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Hiromu Arakawa, Fullmetal Alchemist, Hagane no Renkinjutsushi, Fullmetal Alchemist manga style, Hiromu Arakawa character design, Edward Elric and Alphonse Elric, young Edward and Alphonse repairing a storm-damaged countryside house, refined anime illustration, beautifully rendered medium shot, the brothers filling most of the frame, Edward on the damaged roof with one knee resting against the weathered shingles, hammer raised over a freshly fitted wooden shingle, focused golden eyes and a determined expression, short blond hair gathered into his distinctive braid, individual loose strands catching the sunlight, red coat hanging naturally from his shoulders, black shirt and dark trousers, clearly defined seams, stitching, layered fabric, subtle wrinkles and worn edges, natural folds following his movement, detailed leather belt and small metal fittings. Alphonse stands directly below beside the ladder, unmistakable full steel armor with horned helmet silhouette and blue cloth at the neck, large armored hands gripping the wooden ladder, carefully constructed overlapping metal plates, engraved edges, tiny scratches, shallow dents, dust caught inside joints, worn steel surfaces with varied reflections, subtle oxidation and faint grime around seams, delicate reflected light following the curved armor. The damaged cottage surrounds them closely, exposed timber beams, splintered roof boards, chipped plaster, broken shingles, rough-cut replacement wood, scattered nails and hand tools, every wooden surface showing fine grain, cracks, fibers, saw marks and uneven weathering, small fragments of plaster and sawdust resting on the roof and muddy ground. Warm afternoon sunlight emerging after the storm illuminates Edward's face, blond hair and red coat while narrow highlights travel across Alphonse's steel armor, soft reflected light from the pale sky filling the shadows, nuanced skin shading, finely rendered golden irises, delicate eyelashes, subtle facial planes, carefully separated strands of hair, precise fabric texture, fine embroidery and stitching, convincing metal reflections, tactile wood grain, tiny dust particles and moisture remaining on surfaces, crisp edges around the faces, hands, tools and armor details, rich tonal transitions, intricate surface definition without excessive background detail, polished linework, layered shading, delicate highlights, highly refined anime artwork with exceptional visual finish and material detail.
Modalità
ultra
Dimensione
2496 x 2496
Negativo
lowres, worst quality, low quality, bad anatomy, explicit

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.97k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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